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Tambaya 3 Rahoto
'And for Mark Antony, think not of him;
For he can do no more of caesar's arm
When caesar's head is off'.
This means that Mark Antony
Tambaya 5 Rahoto
The major lesson Pip's experience in Great Expectations teaches us is that
Tambaya 8 Rahoto
As Medza was getting near to his village on his way from Kala he drinks at the palm wine bar because
Tambaya 10 Rahoto
Get up you shameless hussy', she bellowed, ' you strumpet, you fallen woman! I don't know what your father and I have done to deserve such a child the events that happened later in Mission to Kala show that the speaker in the passage is
Tambaya 11 Rahoto
'Good friends, go in, and taste some wine with me;
And, we like friends, will straightway go together'. This statement by Julius Caesar is an example of
Tambaya 12 Rahoto
The central organizing idea which unites character, action, language and style in a work of fiction is known as
Tambaya 13 Rahoto
In Julius Caesar, Shakespeare portrays the roman plebeians as
Tambaya 14 Rahoto
The mood expressed in 'We Have Come Home' by Lenrie Peters is that of
Bayanin Amsa
Tambaya 15 Rahoto
'How many ages hence Shall this our lofty scene be acted over?'In this passage, lofty scene refers to
Tambaya 16 Rahoto
'It was at this stage in the proceedings, before i had even had time to get my personal emotions quietened down a little-let alone sorted out-that my Helen, the real object of my mission, for whom i had been prepared to fight a second Troy before the walls of Kala, appeared on the scene.
In this passage from Mission to Kala, allusion is made to
Tambaya 17 Rahoto
Brutus: This is sleepy tune. O murd'rous slumber!
Layest thou the leaden mace upon my boy,
That plays the music? Gentle knave, good night.
'Gentle knave' refers to
Bayanin Amsa
Tambaya 18 Rahoto
In which of the following London neighborhoods mentioned in Great Expectations is Mr. Jagger's office located?
Bayanin Amsa
Tambaya 19 Rahoto
The characters of Joe and Biddy are contrasted with those of Pip and Estella in order to show
Bayanin Amsa
Tambaya 21 Rahoto
David Diop's poem 'The Vultures', ends in a
Tambaya 22 Rahoto
Mother, didn't you hear me? I've brought the goat, hen and yams. Don't you want them anymore? Why do you continue to look at me like that? I haven't done anything wrong, again, have I? Answer me, speak to me, mother'
The dominant mood in this passage is one of
Tambaya 23 Rahoto
A play is a tragedy when _______
Bayanin Amsa
Option D is the Aristotle definition of tragedy. When the hero's flaw leads to his downfall.
Tambaya 25 Rahoto
'I too crossed the rivers, and the virgin ambushes of the forests,
Where Lianas hung down, more treacherous than serpents'.
In the eyes of the writer of these lines, the word 'Forests' stands for
Bayanin Amsa
Tambaya 26 Rahoto
Brenda suddenly stiffened in her chair and half turned her ear to the window, silent like an animal waiting to spring, an alertness that transformed her face to temporary ugliness. Arthur noticed it,
'He's coming', she said 'i heard the gate open.'In this short passage, the writer succeeds in creating
Tambaya 27 Rahoto
When David Diop in 'The Vultures' says that 'civilization kicked us in the face' and 'holy water slapped our cringing brows', he is using
Bayanin Amsa
Tambaya 30 Rahoto
In Mission to Kala When Medza encounters Edima,
What strikes him about her is her
Bayanin Amsa
Tambaya 31 Rahoto
'All day long, all along the line
Through tiny station, each exactly like the last chattering little black girls uncaged from school all day long,...'
For the girls mentioned here, the hours spent at school means
Bayanin Amsa
Tambaya 32 Rahoto
'The pen is mightier than the sword' is an example of
Bayanin Amsa
"The pen is mightier than the sword" is a metonymic adage, coined by English author Edward Bulwer-Lytton in 1839, indicating that communication (particularly written language), or in some interpretations, administrative power or advocacy of an independent press, is a more effective tool than direct violence.
Tambaya 33 Rahoto
In Soyinka's 'Abiku', the statement, 'The ripest fruit was saddest', is an example of
Bayanin Amsa
Tambaya 35 Rahoto
'Serrating down your back and front
Like beak of the sword-fish,
And both your ears, notched
As a bondsman to this house...'
The dominant figure of speech in the above lines from J.P. Clark's 'Abiku' is
Bayanin Amsa
Tambaya 36 Rahoto
At the end of that week I set off for Caxley. It was a grey day, with the downs covered in thick mist. The trees dripped sadly along the road to the market town, and the wet pavements were even more depressing.
The setting is best described as
Bayanin Amsa
Tambaya 37 Rahoto
A trade, Sir, that, i hope, i may use with a safe conscience; which is, indeed, Sir, a mender of bad soles.
The passage is referring to a
Bayanin Amsa
Tambaya 38 Rahoto
'Just because i am an Ijebu man, and do not belong to your tribe, the sight of me as your king gnaws at your liver, and rips your heart asunder...'
The speaker's statement is prompted by
Bayanin Amsa
Tambaya 39 Rahoto
Odewale: I thought you were leaving with your son Aderopo.
Ojuola: It is you i married your highness, not my son.
The exchange from The Gods are not to Blame is an example of
Tambaya 41 Rahoto
A 'gentleman' in the sense in which it is used in Great Expectations is
Bayanin Amsa
Tambaya 42 Rahoto
'When we got off the bus he helped me to cross the road, holding me by the elbow. Submissively, I allowed my self to be led. Out on the square there was an African sun, and in my heart too, shading a flood of light'.
The narrator here is full of
Bayanin Amsa
Tambaya 45 Rahoto
'He was a living example of the astonishing results that can occur when Western hypocrisy and commercial materialism are grafted on to a first rate African intelligence.'
The character described in the passage is the father of
Bayanin Amsa
Tambaya 46 Rahoto
In poetry, the elegiac mood typically attends the occasion or experience of
Bayanin Amsa
Tambaya 48 Rahoto
As a literary from the short story is most closely related to
Tambaya 49 Rahoto
'... like some fish
Doped out of the deep
I have bobbed up bellywise
From stream of sleep'.
The above lines from 'Night Rain' are intended to emphasize the fact that the speaker
Bayanin Amsa
Tambaya 50 Rahoto
There knells a jigger, a louse, a weevil, a flea, a bedbug! He is mistletoe, a parasite that lives on the trees of other people's!
The speaker uses a string of
Bayanin Amsa
Za ka so ka ci gaba da wannan aikin?