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Tambaya 1 Rahoto
Which of the following characters was assassinated by an unknown assailant in 'Mine Boy'
Bayanin Amsa
Tambaya 3 Rahoto
In these lines from Keats 'Ode to a Nightingale'
'The heart aches, and a drowsy numbness pains
My sense as though of hemlock i had drunk Or emptied some dull opiate to the drains one minute past and Lethe-wards had sunk',
the poet uses
Bayanin Amsa
Tambaya 4 Rahoto
Part of the meaning of Kongi's Harvest lies in the fact that Kongi's final harvest is
Tambaya 5 Rahoto
In the early days of the Durrell's sojourn on the island of Corfu, Gerry's most constant companion was
Bayanin Amsa
Tambaya 11 Rahoto
Anansewa's grandmother prays that the man who marries Anansewa
Tambaya 12 Rahoto
Because he was transferred often, Kofi's father in 'The Narrow Path'
Tambaya 14 Rahoto
'The celebration is now ended
but the echoes are all around
whirling like a harmattan
whirl-wind throwing dust around
and hands cover faces and feet grope'
There are strong suggestions in the last lines that the occasion celebrated
Tambaya 19 Rahoto
The clouds were thickening in the red sky
And night and charmed
A black power into the pounding waves...'
The figure of speech used in these lines from Kwesi
Brew's 'The Sea Eats Our Land's is
Bayanin Amsa
Tambaya 20 Rahoto
'During this speech the elders who didn't understand a word of what their learned secretary was saying nodded approval intermittently. When it was over the elders said yes, they had a learned man indeed, a man who could speak for them, a man who knew the wisdom of the old white people, not like the small boys nowadays who cant even read a telegram'.
In these passage the elders are presented as
Bayanin Amsa
Tambaya 21 Rahoto
'Had I the heaven's embroidered cloths; Enwrought with golden and silver light, The blue and the dim and the dark cloths of night and light and the half-lighgt i would spread the cloths under your feet: But |, being poor, have only my dreams; l have spread my dreams under your feet; Tread softly because you tread on my dreams'.
The poet of these lines
Bayanin Amsa
Tambaya 22 Rahoto
As the magi journey towards their destination, voices singing in their understand was
Bayanin Amsa
Tambaya 25 Rahoto
'Now the bells are tolling
A year is dead.
And my heart is slowly beating
the Nunc Dimittis
to all my hopes and mute
yearnings of a year
and ghost hover round
dream beyond dream'.
For this poet, the passing year has
Bayanin Amsa
Tambaya 28 Rahoto
In Zambia Shall Be Free although Kaunda was well settled and happy as a teacher at Lubwa, he was restless because
Bayanin Amsa
Tambaya 29 Rahoto
''Troubadour, I Traverse all my land exploring all her wide flung parts with zest probing in motion sweeter far than rest her secret thickets with an amorous hand''.
The above lines from Brutus 'poem' A Troubadour l Traverse'indicate that the poet
Bayanin Amsa
Tambaya 32 Rahoto
Drama is essentially different from poetry because
Tambaya 33 Rahoto
Which of the following statements best describes comedy
Tambaya 34 Rahoto
When Kofi's grandparents in The Narrow Path learnt that Nani wanted to marry Edzi, they
Bayanin Amsa
Tambaya 35 Rahoto
Chief-Who-Is-Chief won Anansewa for his wife because he
Tambaya 39 Rahoto
'Sweet are the uses of adversity
Which like the toad, ugly and venomous,
Wears yet a precious jewel in his head'
The speaker of the above lines from As You Like It' is
Bayanin Amsa
Tambaya 40 Rahoto
'They have tied me to a stake:I cannot fly, But bear like i must fight the course'.
Macbeth here is represented as
Bayanin Amsa
Tambaya 41 Rahoto
'For them no more the blazing hearth shall burn or busy housewife ply her evening care: No children run to lisp sire's return, Or climb his knees the envied kiss to share'.
In these lines from Gray's 'Elegy Written in a country churchyard' the poet is referred to
Bayanin Amsa
Tambaya 43 Rahoto
'Such drizzling can go on for many days', she said in a dull voice. They both relapsed into silence, making a picture of bereaved children from whom life has suddenly lost warmth, colour, and excitement. There was no fire in the hearth. The mood caught in this scene is one of
Bayanin Amsa
Tambaya 45 Rahoto
In Kongi's Harvest, Wole Soyinka dramatizes
Tambaya 47 Rahoto
Who accompanied Kongi on his retreat
Tambaya 48 Rahoto
'Tired teachers wipe
The chalk dust
On their faces
The school dam bursts
Ans floods of hungry children
Melt into their mother's bosoms'.
In this passage describing the end of the school day, children's movements are made memorable through the use, in lines 4-5 of
Bayanin Amsa
Tambaya 50 Rahoto
'But 't is strange:
And oftentimes, to win us to our harm,
The instrument of darkness tells us truths,
Win us with honest trifles, to betrays in deepest consequences'.
These words were spoken by
Za ka so ka ci gaba da wannan aikin?