Ana loda....
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Latsa & Riƙe don Ja Shi Gabaɗaya |
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Danna nan don rufewa |
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Tambaya 1 Rahoto
The subject matter of a literary work is the
Bayanin Amsa
The subject matter of a literary work refers to the main topic or idea that the work explores. It is the overarching theme or concept that the author wants to convey through their writing. While all the options mentioned (theme, plot, structure, and setting) are important elements in a literary work, the subject matter specifically refers to the deeper meaning or message that the author wants to communicate to the reader.
Theme: The theme of a literary work is the central idea or message that the author is trying to convey. It is the underlying meaning or moral of the story. For example, the theme of a novel could be love, friendship, or the struggle between good and evil.
Plot: The plot of a literary work refers to the sequence of events and actions that occur in the story. It includes the exposition, rising action, climax, falling action, and resolution. While the plot helps to develop the subject matter, it is not the actual subject matter itself.
Structure: The structure of a literary work refers to how the story is organized and presented. It includes elements such as the narrative style, point of view, and use of flashbacks or foreshadowing. The structure can enhance the delivery of the subject matter, but it is not the subject matter in itself.
Setting: The setting of a literary work refers to the time, place, and environment in which the story takes place. While the setting can contribute to the overall mood and tone of the work, it is not the subject matter. The subject matter may be explored within a specific setting, but it goes beyond just the physical or temporal backdrop of the story.
In summary, while all the options mentioned play a role in a literary work, the subject matter is the central topic or idea that the author intends to convey to the reader. It is the deeper meaning or message that the work explores.
Tambaya 2 Rahoto
The exclusive right given to authors to protect their works from unlawful production is
Bayanin Amsa
The exclusive right given to authors to protect their works from unlawful production is **a copyright**. A copyright is a legal protection that gives authors the exclusive rights to their creative works. It grants them the authority to control how their works are used, reproduced, distributed, and displayed. This means that others cannot copy or use their works without permission. The purpose of copyright is to incentivize creativity and intellectual property by allowing authors to benefit financially from their works. It gives them the ability to control and profit from their creations, which encourages innovation and cultural development. Copyright protection is granted automatically to authors as soon as they create their original work, such as writings, music, art, or software. However, authors can choose to formally register their copyright to strengthen their legal rights and provide proof of ownership in case of infringement. In summary, a copyright is the exclusive right given to authors to protect their works from unlawful production. It allows authors to have control over how their works are used and enables them to receive recognition and compensation for their creations.
Tambaya 3 Rahoto
Cast in a play refers to
Bayanin Amsa
In a play, the term "cast" refers to all the actors who have been selected to perform in the production. It includes **all the actors** who will be portraying the different characters and bringing the story to life on stage. The cast may consist of **three actors**, **a few actors**, or even more, depending on the requirements of the play. So, the correct answer is **d) all the actors**.
Tambaya 4 Rahoto
The use of two contrasting words that are placed side by side is called
Bayanin Amsa
Oxymoron is a rhetorical term that describes words or phrases that, when placed together, create paradoxes or contradictions. These contradictions seem foolish but, when we think about them a bit, often turn out to be sharp observations about our world.
Tambaya 5 Rahoto
Jose Palacios, his oldest servant, found him floating naked with his eyes open in the purifying waters of his bath and thought he had drowned. He knew this was, one of the many ways the General meditated, but the ecstasy in which he lay drifting seemed that of a man no longer of this world.
Gabriel Garcia Marquez, The General in His Labyrinth
The master in the passage above is obviously in a state of
Bayanin Amsa
The master in the passage above is in a state of *trance*.
Tambaya 6 Rahoto
The sides of a stage are called
Bayanin Amsa
The sides of a stage are called **the wings**. This is because they are typically located on either side of the main performance area, just like the wings of a bird extend from its body. The wings provide space for performers, props, and equipment to be concealed and stored until they are needed on stage. They also serve as entrances and exits for actors during a performance, allowing them to make their entrances and exits discreetly. In summary, the wings of a stage are the areas on either side of the main stage where performers and equipment are organized and concealed before and during a performance.
Tambaya 7 Rahoto
'The fair breeze blew
The white foam flew
The furrow followed free
We were the first that ever burst
Into that silent sea.'
The dominant figure of speech in the above passage is
Bayanin Amsa
Rhyme scheme is the best answer. The semblance of sound and patternised movement or flow of the words in the excerpt above makes rhyme scheme the predominant literary figure there.
Tambaya 8 Rahoto
A long story narrating a series of complicated events is called a
Bayanin Amsa
A long story that narrates a series of complicated events is called a saga. A saga is a term often used to describe an epic or grand tale that spans a significant period of time and involves multiple characters and plotlines. Sagas typically involve dramatic or adventurous events and are known for their extensive and intricate storytelling. So, if you come across a lengthy narrative that weaves together complex events, it is likely a saga.
Tambaya 9 Rahoto
Dramatis personae in a play refers to
Bayanin Amsa
The term "dramatis personae" in a play refers to the **list of characters** or the **cast list**. It provides a comprehensive list of all the characters that appear in the play. This list includes the main characters, supporting characters, and sometimes even minor characters. The purpose of including a dramatis personae is to help the audience or readers understand who the characters are and their roles in the story. It ensures that everyone involved in the production, such as actors, directors, and stage crew, is aware of the characters and their importance. In a nutshell, the dramatis personae is like a character reference guide, giving an overview of who is who in the play.
Tambaya 10 Rahoto
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The passage above reveals that Jibunoh symbolizes
Bayanin Amsa
The passage reveals that Jibunoh symbolizes **lawlessness**. This is evident from the various actions and behavior mentioned about Jibunoh. He was hated by all his neighbors and deserted by his relations, indicating that he did not follow societal norms or adhere to proper conduct. He was the first and only person to beat a policeman, showing a lack of respect for authority and breaking the law. Additionally, he had ten cases instituted against him for stealing or violating the rights of others, further highlighting his disregard for the law and the rights of others. The passage also mentions that Jibunoh had no regard for decency or normal conduct, and that no lover of peace or order could be his friend. Finally, his death elicited jubilation instead of mourning, indicating that his presence and actions were not seen as positive or beneficial by those around him. Overall, Jibunoh's character represents lawlessness in the passage.
Tambaya 11 Rahoto
Don't panic. Be calm. If you are somehow upset...try to regain your composure.
The speaker in the excerpt above is
Bayanin Amsa
The speaker in the excerpt above is confident. We can infer this because the speaker is advising someone to "be calm" and "regain their composure." These statements suggest that the speaker is composed and confident in their ability to handle the situation.
Tambaya 12 Rahoto
This question is based on THE JOURNEY OF THE MAGI.
Read the excerpt and answer question
"And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly"
The dominant device in this excerpt is ___
Bayanin Amsa
The dominant device in the excerpt from 'The Journey of the Magi' is synecdoche. Synecdoche is a figure of speech in which a part is made to represent the whole or vice versa. In this case, 'night-fires going out' and 'lack of shelters' are used to represent the overall hardships and difficulties of the journey. The device is not paradox, metaphor, or simile, as there is no contradiction, comparison, or likeness being expressed.
Tambaya 13 Rahoto
Careened',
These oily tears
Dripping down the tears on your depressed face,
Will one day be staunched, I swear!
Ibiwari Ikiriko, Oily Tears.
The tone of the poet is
Bayanin Amsa
The tone of the poet in the poem "Oily Tears" can be described as **optimistic**. The poet expresses a sense of hope and assurance that the tears and sorrow that someone is experiencing will eventually be stopped. The use of the word "swear" implies a strong commitment to this belief. Despite the initial description of "depressed face" and "tears", the poet aims to convey a sense of positivity and optimism for the future.
Tambaya 14 Rahoto
________ are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature.
Bayanin Amsa
Allusions are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature. An allusion is like a little nod or reference to something or someone else. It's kind of like when you're talking to a friend and you mention a quote from a movie, or you make a reference to a famous event or person. In literature, an allusion is when the author makes a reference to something outside of the text, like another book, a historical event, or a famous person. For example, if a character in a book is described as having the strength of Hercules, it's a reference to the mythological figure Hercules who was known for his incredible strength. This is an allusion to the Greek myth. Allusions can be used to add depth and meaning to a story. They can help the reader make connections, understand the author's intentions, or evoke certain emotions. Allusions can also be used to create a sense of familiarity or to give a story a cultural or historical context. So, in conclusion, allusions are brief references in literature that help convey a deeper meaning or connect the story to something outside of itself. They can be to a person, place, event, or another work of literature.
Tambaya 15 Rahoto
A tragic hero, according to the Aristotelian precept, must be a
Bayanin Amsa
A tragic hero, according to the Aristotelian precept, must be a noble character with hubris. In simpler terms, a tragic hero is a high-ranking and respected person who possesses a fatal flaw or excessive pride. This flaw or hubris leads to their downfall or tragic ending in the story. It is important to note that a tragic hero does not necessarily have to be a king or a central character after whom the play is named. The key characteristic is their noble status and the presence of hubris. Their downfall is often a result of their own actions or decisions, making their story both tragic and relatable. Through their downfall, the audience learns profound life lessons and experiences catharsis, a release of emotions.
Tambaya 16 Rahoto
This question is based on SECOND CLASS CITIZEN.
"She swallowed it all, just like a nasty pill." The literary device employed here is
Bayanin Amsa
The phrase 'She swallowed it all, just like a nasty pill' employs the literary device of simile. A simile is a figure of speech that makes a comparison between two different things using the words 'like' or 'as'. In this case, the author compares the act of swallowing a nasty pill to accepting a difficult situation.
Tambaya 17 Rahoto
This question is based on CAGED BIRD.
"for the caged bird/sings of freedom.",
The poetic device used in this expression is____
Bayanin Amsa
The poetic device used in the expression 'for the caged bird sings of freedom' is irony. Irony is a figure of speech in which the intended meaning is the opposite of the literal meaning. In this case, the irony lies in the fact that the caged bird, despite being confined, sings of freedom.
Tambaya 18 Rahoto
The combination of two or more metaphors is called
Bayanin Amsa
The combination of two or more metaphors is called mixed metaphor.
Metaphors are figures of speech that use language to compare two unrelated things, usually for the purpose of creating vivid descriptions or conveying a particular meaning. When multiple metaphors are brought together in a single sentence or phrase, it creates a mixed metaphor.
Imagine if someone said, "He's as sharp as a knife, but also a shining star." In this example, the person is using two different metaphors: one comparing someone to a sharp knife and another comparing them to a shining star. However, when these two metaphors are combined, it creates a mixed metaphor.
Mixed metaphors can sometimes create confusion or make the intended meaning unclear. It is generally more effective to stick to one metaphor at a time to ensure clarity and coherence in communication.
Tambaya 19 Rahoto
This question is based on RAIDER OF THE TREASURE TROVE.
"To fly flags of joy" Two figures of speech used here are
Bayanin Amsa
The phrase 'To fly flags of joy' contains two figures of speech: metaphor and alliteration. 'To fly flags' is a metaphor for expressing joy, while 'flags of joy' is an example of alliteration due to the repetition of the 'f' sound.
Tambaya 20 Rahoto
The tragic character is the person whose experiences arouse pity and
Bayanin Amsa
The tragic character is the person whose experiences arouse pity and **sympathy**. When we say that a character is tragic, it means that they face great adversity or misfortune in their life. This could be due to their own actions or because of circumstances beyond their control. As we witness their struggles and challenges, we feel a deep sense of empathy and sorrow for them. We can relate to their pain and suffering, and we hope for a positive resolution to their situation. The tragic character's plight evokes strong emotions of sympathy and compassion in us as we watch their story unfold.
Tambaya 21 Rahoto
Which of these is the oldest genre of literature?
Bayanin Amsa
The oldest genre of literature is poetry.
Poetry can be traced back thousands of years to ancient civilizations such as the Sumerians, Egyptians, and Greeks. It predates other forms of literature like drama and prose.
What makes poetry unique is its use of rhythm, meter, and language that is often more expressive and condensed than other forms of writing. It is a form of artistic expression that evokes emotions and creates vivid imagery through the use of carefully chosen words and structures.
Throughout history, poetry has been used to communicate stories, share cultural traditions, express love, and even convey political or social messages.
In summary, poetry is the oldest genre of literature, dating back to ancient civilizations, and it continues to be appreciated and enjoyed by people around the world today.
Tambaya 22 Rahoto
The moment of recognition of truth when ignorance gives away to knowledge is known as
Bayanin Amsa
The moment of recognition of truth when ignorance gives way to knowledge is called **Anagnorisis**. Anagnorisis is a Greek word that can be translated as "recognition" or "discovery". In literature and drama, it refers to a significant moment in a character's story when they suddenly understand their true identity, the nature of their situation, or the consequences of their actions. This moment of realization often comes as a surprise to the character and can have a profound impact on the development of the plot. It allows the character to gain a deeper understanding of themselves, their relationships, or the world around them. This recognition can be a turning point in the story, leading to important decisions or changes in the character's behavior. So, in summary, anagnorisis is the moment in which a character in a story or play realizes the truth and gains knowledge that was previously unknown to them.
Tambaya 23 Rahoto
"...Rage is Chief
Rage drags rags after you, of Charity
Laughter, sweetness and light, Rage is thief
Enemy of equanimity"
The figure of speech dominant in these lines is _____
Bayanin Amsa
Writers use personification to give human characteristics, such as emotions and behaviors, to non-human things, animals, and ideas.
Tambaya 24 Rahoto
"I had not taken the first step in knowledge, I had not learnt to let go with the hands".The above lines is an example of a
Bayanin Amsa
The given lines, "I had not taken the first step in knowledge, I had not learnt to let go with the hands" is an example of Repetition. Repetition refers to the act of repeating certain words or phrases within a sentence or paragraph for emphasis or to create a specific effect. In this case, the repetition of the phrase "I had not" emphasizes the speaker's lack of progress or action in acquiring knowledge and learning. This repetition helps to convey the speaker's frustration or regret over their inaction.
Tambaya 25 Rahoto
'As virtuous men pass mildly away,
And whisper to their souls, to go
Whilst some of their sad friends do say,
The breadth goes now, and some say, "No".'
John Donne: A Valediction: Forbidding Mourning
The tone of this poem is generally
Bayanin Amsa
The tone of this poem is serious. The poem discusses the departure of virtuous individuals and how their friends react to their passing. The language used, such as "whisper to their souls" and "sad friends," conveys a sense of solemnity and seriousness. The poem also explores the idea of forbidding mourning, suggesting that there is a deeper understanding and appreciation for the departure of virtuous individuals. Overall, the tone of the poem is focused and reflective, which contributes to its serious tone.
Tambaya 26 Rahoto
This question is based on THE GOOD MORROW.
Use this excerpt to answer question
"If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee."
The excerpt above evokes the use of ____
Bayanin Amsa
The excerpt from "The Good Morrow" evokes the use of **visual imagery**. Visual imagery refers to the use of vivid and descriptive language that appeals to our sense of sight. In the excerpt, the speaker describes seeing a beauty that they desired and obtained, but it was only a dream of the person they are addressing. This creates a mental image in the reader's mind, allowing them to imagine the contrast between the reality and the dreamlike nature of the beauty. The use of visual imagery helps to engage the reader's imagination and enhance the emotional impact of the poem.
Tambaya 27 Rahoto
This question is based on A GOVERNMENT DRIVER ON HIS RETIREMENT.
"Many years on wheels" The reference to "wheels" exemplifies the use of ___ in the poem.
Bayanin Amsa
The answer to this question is **metonymy**. Metonymy is a figure of speech where a word or phrase is used to represent something else that it is closely associated with. In the poem "Many years on wheels," the phrase "wheels" is used to represent the occupation or job of the government driver. "Wheels" is closely associated with the driver because it is an essential tool and symbol of their profession. The reference to "wheels" as a metonymy helps to emphasize and encapsulate the driver's identity and experience. It communicates the idea that the driver has spent many years working in their profession, using their vehicle as a means of livelihood and service to the government. It is important to note that metonymy differs from personification, climax, and synecdoche. - Personification is the attribution of human characteristics to non-human objects, so it does not accurately fit the context of the poem. - Climax refers to the highest or most intense point of a story or event, which is not applicable to the given line. - Synecdoche is a figure of speech where a part is used to represent a whole or vice versa. While "wheels" can be seen as a synecdoche in a broader context, in this specific line it is being used metonymically. Therefore, the correct answer is metonymy.
Tambaya 28 Rahoto
'Will college make you a better Olokun priest?
Will it make you serve our ancestors better?
Look at me. An able-bodied, strong-hearted priest of Olokun.
Did I go to college?
Gracy Osifo:Dizzy Angel
The literary device used in the passage above is
Bayanin Amsa
Parallelism is a literary device that uses the same grammatical structure in all parts of a sentence. In the passage, the speaker asks a series of questions that follow the same structure, which is a clear example of parallelism. Onomatopoeia refers to words that imitate the natural sounds of a thing. Metaphor is a figure of speech that makes an implicit, implied, or hidden comparison between two things that are unrelated, but share some common characteristics. Simile is a figure of speech that makes a comparison, showing similarities between two different things.
Tambaya 29 Rahoto
'And so Tom awoke and we rose in the dark
And got with our bags and our brushes to work
Though the morning was cold, Tom was happy and warm;
So if all do their duty they need not fear harm.'
In the lines above, Tom is warm because he
Bayanin Amsa
In the given lines, Tom is described as being warm. The reason for this is that he is doing his duty. The phrase "So if all do their duty they need not fear harm" suggests that as long as Tom and others are fulfilling their responsibilities, they will be safe and secure. Therefore, Tom's warmth is a result of his dedication and commitment to his work rather than any external factors such as working indoors, wearing warm clothes, or just waking up from sleep.
Tambaya 30 Rahoto
The overwhelming pride that destroys the tragic hero is called
Bayanin Amsa
The overwhelming pride that destroys the tragic hero is called hubris.
Hubris refers to excessive pride or arrogance displayed by a character, often leading to their downfall. Tragic heroes are typically individuals who possess remarkable qualities or achievements but are also flawed in some way. Their hubris causes them to overestimate their abilities or believe they are invincible, leading them to challenge or defy the gods or fate.
In Greek tragedies, the fatal flaw of hubris is a common theme. The tragic hero's excessive pride blinds them to their faults and the consequences of their actions. This ultimately brings about their downfall and a sense of catharsis for the audience.
To summarize, hubris is the overwhelming pride that destroys the tragic hero by causing them to act out of arrogance and disregard the potential consequences of their actions.
Tambaya 31 Rahoto
"She wanted to split herself. But she checked herself. 'Get dressed,' she said earnestly. 'Get dressed and let's go. You know I have a lot of things to do. And if we are going to meet again like this... 'She slapped the bed, 'then it won't be here. It will be at the Samson and Delilah.'" -
Festus Iyayi; Violence
In the passage above, the speaker can be described as
Bayanin Amsa
In the passage above, the speaker can be described as **domineering**. The speaker's actions and words suggest that they have a strong and controlling personality. They want the other person to hurry up and get dressed, showing a sense of authority. The speaker also mentions having a lot of things to do, implying that their priorities are more important than the other person's. Additionally, the speaker slaps the bed in frustration, which further emphasizes their dominant and forceful nature.
Tambaya 32 Rahoto
This question is based on BLACK WOMAN.
"fruit with firm flesh" illustrates the use of ____
Bayanin Amsa
The phrase 'fruit with firm flesh' is an example of alliteration. Alliteration is a literary device where the first consonant sounds in several closely connected words are the same.
Tambaya 33 Rahoto
'... Not a few of us ended our application letter like this: 'if you are kind enough to accomodate this humble application, Sir/Madam, I shall do my uttermost best to rendered you the greatest services which it is at my desposition to your best satisfactory. Yours obediently servant...' yet without English, you had no education fit for a white collar job
Cameron Daodu: The Gab Boys
The tone of the passage above is
Bayanin Amsa
The tone of the passage above is **derisive**. In the passage, the writer is making fun of the way some people write their application letters. They mention the flowery language and excessive formality used in the closing of the letter. The use of phrases like "if you are kind enough to accommodate this humble application" and "I shall do my utmost best to render you the greatest services" is being mocked. This suggests that the writer is mocking or ridiculing the practice of using grand, exaggerated language in an application letter. Therefore, the tone of the passage is derisive.
Tambaya 34 Rahoto
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The plot of the novel is
Bayanin Amsa
The plot of the novel is linear; Events in the novel succeed into one another in one to one correspondence right from the point to exposition to climax to anti-climax to denouement.
Tambaya 35 Rahoto
A novel that features spiritual apparitions as major character is
Bayanin Amsa
A novel that features spiritual apparitions as major characters is typically classified as a Gothic novel. Gothic literature is a genre that originated in the 18th century and often includes supernatural elements, such as ghosts, monsters, and other eerie occurrences. In Gothic novels, spiritual apparitions play significant roles in influencing the plot and creating a sense of mystery and suspense. These apparitions can be depicted as haunting or supernatural entities that interact with the human characters, usually with a lingering sense of terror or foreboding. They often symbolize unresolved conflicts, inner fears, or the consequences of past actions. Gothic novels aim to evoke strong emotions in readers, such as fear, horror, and fascination. By introducing spiritual apparitions as major characters, authors create an atmosphere of the supernatural and supernatural occurrences, heightening the tension and suspense in the narrative. These apparitions serve as catalysts for the central conflicts and themes of the story, enriching the overall reading experience. In summary, a novel that features spiritual apparitions as major characters is most likely classified as a Gothic novel, as this genre specifically incorporates supernatural elements and creates an atmosphere of mystery and suspense.
Tambaya 36 Rahoto
A character that is always against the interest of the protagonist is
Bayanin Amsa
A character that is always against the interest of the protagonist is known as the "villain". The villain is a character in a story who acts as the main source of conflict and obstacle for the protagonist. Their primary purpose is to create tension and challenge the hero, often by causing harm, creating obstacles, or opposing the protagonist's goals. The villain is usually portrayed as malicious, cruel, or immoral, and they are a constant threat to the hero's well-being and success. In many stories, the hero and the villain engage in a battle of wills, where the hero must use their skills, intelligence, and determination to overcome the villain's actions and ultimately achieve a favorable outcome. The villain is an essential element in storytelling, as they provide a contrast to the hero and offer opportunities for growth, redemption, and triumph.
Tambaya 37 Rahoto
A metrical pause occurring in the middle of a line in a poem is called
Bayanin Amsa
A metrical pause occurring in the middle of a line in a poem is called a caesura. - **Caesura** is a punctuation-like break in the rhythm of a poem that creates a pause, typically in the middle of a line. - It is used to add emphasis, create a rhythmic pattern, or give the reader a moment to reflect. - Unlike punctuation marks, which break the flow of words, a caesura is a more subtle pause that is created through the use of meter and rhythm. - **Tetrametre** refers to a line of poetry containing four metrical feet, while **rhythm** refers to the pattern of stressed and unstressed syllables in a poem. - **Assonance** refers to the repetition of vowel sounds in nearby words or lines of poetry.
Tambaya 38 Rahoto
Be him English
Be him African
Be him Nigerian
The lines above are an example of
Bayanin Amsa
Anaphora refers to the repetition of certain words or phrase at the begining of each sentence or line in a poem
Tambaya 39 Rahoto
When he gave me the bottle, and I opened it,
I was shocked by the odour that hit my nose:
I immediately corked it again, and spat on the floor..
Isidore Okpewho, The Last Duty.
The reaction in the passage above is that of
Bayanin Amsa
The reaction in the passage above is **nausea**. The passage describes the narrator's immediate physical response after opening the bottle. The strong odor coming from the bottle caused an unpleasant sensation in the narrator's nose, resulting in a feeling of discomfort or disgust. This natural bodily reaction is commonly known as nausea. Use of phrases like "I was shocked by the odor" and "I immediately corked it again, and spat on the floor" reinforces the sense of physical repulsion or discomfort caused by the smell. Hence, the answer is nausea.
Tambaya 40 Rahoto
The term given to a type of incident or device which recurs frequently in Literature is
Bayanin Amsa
The term given to a type of incident or device which recurs frequently in literature is **motif**. A motif is a recurring element or idea that appears throughout a piece of literature, such as a symbol, theme, or character trait. It can be a symbol that represents a particular concept or theme, a recurring theme that is explored in different ways, or a recurring character trait that appears in multiple characters. Motifs can serve various purposes in literature. They can enhance the overall meaning and depth of a story by adding depth and complexity. They can also help to create unity and coherence in a work, connecting different parts of the story together. Additionally, motifs can provide insights into the author's intentions, beliefs, or themes. For example, in William Shakespeare's play Macbeth, the motif of blood appears throughout the story. Blood represents guilt, violence, and the consequences of immoral actions. This motif is used to convey the ongoing guilt and psychological impact that Macbeth and Lady Macbeth experience after they commit the murder of King Duncan. In conclusion, a motif is a recurring incident or device that adds meaning, coherence, and depth to a piece of literature.
Za ka so ka ci gaba da wannan aikin?