Ana loda....
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Latsa & Riƙe don Ja Shi Gabaɗaya |
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Danna nan don rufewa |
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Tambaya 1 Rahoto
'My heart is a quiet drum, something it flares like a parched thunder cracking through a damask sky it lifts me in its fired spectacle.'
-Cynthia James; Drumology
The imagery in the excerpt above is largely
Bayanin Amsa
The imagery in the excerpt above is mainly auditory and visual. The line "my heart is a quiet drum" creates an auditory image as it compares the sound of a drum to the beating of the heart. It suggests that the heart is making a gentle rhythmic sound, similar to a drum. The line "something it flares like a parched thunder cracking through a damask sky" creates a visual image. It compares the heart's flaring to thunder cracking through a damask (patterned) sky. This imagery conjures up the image of a powerful and intense display of energy, like lightning cutting through the sky. Overall, the excerpt combines auditory imagery with visual imagery to evoke a sense of sound and sight in the reader's mind.
Tambaya 2 Rahoto
The exclusive right given to authors to protect their works from unlawful production is
Bayanin Amsa
The exclusive right given to authors to protect their works from unlawful production is **a copyright**. A copyright is a legal protection that gives authors the exclusive rights to their creative works. It grants them the authority to control how their works are used, reproduced, distributed, and displayed. This means that others cannot copy or use their works without permission. The purpose of copyright is to incentivize creativity and intellectual property by allowing authors to benefit financially from their works. It gives them the ability to control and profit from their creations, which encourages innovation and cultural development. Copyright protection is granted automatically to authors as soon as they create their original work, such as writings, music, art, or software. However, authors can choose to formally register their copyright to strengthen their legal rights and provide proof of ownership in case of infringement. In summary, a copyright is the exclusive right given to authors to protect their works from unlawful production. It allows authors to have control over how their works are used and enables them to receive recognition and compensation for their creations.
Tambaya 3 Rahoto
"She wanted to split herself. But she checked herself. 'Get dressed,' she said earnestly. 'Get dressed and let's go. You know I have a lot of things to do. And if we are going to meet again like this... 'She slapped the bed, 'then it won't be here. It will be at the Samson and Delilah.'" -
Festus Iyayi; Violence
In the passage above, the speaker can be described as
Bayanin Amsa
In the passage above, the speaker can be described as **domineering**. The speaker's actions and words suggest that they have a strong and controlling personality. They want the other person to hurry up and get dressed, showing a sense of authority. The speaker also mentions having a lot of things to do, implying that their priorities are more important than the other person's. Additionally, the speaker slaps the bed in frustration, which further emphasizes their dominant and forceful nature.
Tambaya 4 Rahoto
Using the name of one thing for something else with which it is closely associated in an instance is
Bayanin Amsa
Metonymy is the correct answer. Metonymy is a figure of speech where the name of one thing is used to refer to something else that is closely associated with it. It is a way of expressing an idea or concept indirectly by substituting a related word or phrase. For example, when we say "The pen is mightier than the sword," we are using the word "pen" to represent the act of writing, which is closely associated with it. Similarly, when we say "The crown declared war," we are using the word "crown" to represent the monarchy or the person in power who wears the crown. In metonymy, the substituted word or phrase is chosen based on its connection or association to the intended meaning, making the language more vivid and expressive. It helps to add depth and layers of meaning to our communication by using familiar words or phrases that evoke certain ideas or images. In summary, metonymy is the use of a word or phrase to represent something closely related to it. It allows us to convey meaning indirectly, adding richness and nuance to our language.
Tambaya 5 Rahoto
This question is based on THE GOOD MORROW.
Use this excerpt to answer question
"If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee."
The excerpt above evokes the use of ____
Bayanin Amsa
The excerpt from "The Good Morrow" evokes the use of **visual imagery**. Visual imagery refers to the use of vivid and descriptive language that appeals to our sense of sight. In the excerpt, the speaker describes seeing a beauty that they desired and obtained, but it was only a dream of the person they are addressing. This creates a mental image in the reader's mind, allowing them to imagine the contrast between the reality and the dreamlike nature of the beauty. The use of visual imagery helps to engage the reader's imagination and enhance the emotional impact of the poem.
Tambaya 6 Rahoto
'Fierce harmattan sun on innocent tendrils; torrential downpour on leaking thatch roofs; painful comfort of helpless eunuchs; thorny beauty of modern witches; the falcon's call on day-old-chicks, ours is tragi- comic dialogue:... mute echoes of pains' .
The sonority and rhythmical structure of the lines above are achieved through a pause- pattern called
Bayanin Amsa
The pause-pattern achieved through the sonority and rhythmical structure of the lines in the given text is called caesura. A caesura is a pause or break in a line of poetry, usually marked by punctuation or by a natural pause in speaking. It helps to create a sense of rhythm and musicality in the poem. In this case, the caesura is used to separate and emphasize different aspects of the lines, creating a pause after each phrase. This pause pattern helps to create a rhythmic flow and adds a certain musical quality to the lines.
Tambaya 7 Rahoto
This question is based on SECOND CLASS CITIZEN.
"She swallowed it all, just like a nasty pill." The literary device employed here is
Bayanin Amsa
The phrase 'She swallowed it all, just like a nasty pill' employs the literary device of simile. A simile is a figure of speech that makes a comparison between two different things using the words 'like' or 'as'. In this case, the author compares the act of swallowing a nasty pill to accepting a difficult situation.
Tambaya 8 Rahoto
The writing convention in which the events in narrative are scrambled as they come to the writer's mind without any attempt to arrange them in orderly sequence is called
Bayanin Amsa
The writing convention in which the events in a narrative are scrambled as they come to the writer's mind without any attempt to arrange them in an orderly sequence is called "stream of consciousness".
Stream of consciousness is a literary technique that aims to depict the continuous flow of thoughts, feelings, memories, and associations that pass through a character's mind. It is like a window into the character's inner thoughts and perceptions.
In this style of writing, there is no chronological order or logical structure. Instead, the narrative jumps from one thought or impression to another, often without clear transitions. This technique attempts to mimic the unpredictable and often messy nature of human thought processes.
Stream of consciousness writing allows readers to experience a character's thoughts and emotions in a more direct and intimate way. It provides insight into their psychology, their internal conflicts, and their unique perception of the world.
So, in summary, stream of consciousness is a writing convention that presents a jumbled and unorganized depiction of a character's thoughts and experiences, capturing the chaotic and spontaneous nature of human consciousness.
Tambaya 9 Rahoto
A novel that features spiritual apparitions as major character is
Bayanin Amsa
A novel that features spiritual apparitions as major characters is typically classified as a Gothic novel. Gothic literature is a genre that originated in the 18th century and often includes supernatural elements, such as ghosts, monsters, and other eerie occurrences. In Gothic novels, spiritual apparitions play significant roles in influencing the plot and creating a sense of mystery and suspense. These apparitions can be depicted as haunting or supernatural entities that interact with the human characters, usually with a lingering sense of terror or foreboding. They often symbolize unresolved conflicts, inner fears, or the consequences of past actions. Gothic novels aim to evoke strong emotions in readers, such as fear, horror, and fascination. By introducing spiritual apparitions as major characters, authors create an atmosphere of the supernatural and supernatural occurrences, heightening the tension and suspense in the narrative. These apparitions serve as catalysts for the central conflicts and themes of the story, enriching the overall reading experience. In summary, a novel that features spiritual apparitions as major characters is most likely classified as a Gothic novel, as this genre specifically incorporates supernatural elements and creates an atmosphere of mystery and suspense.
Tambaya 10 Rahoto
Dramatis personae in a play refers to
Bayanin Amsa
The term "dramatis personae" in a play refers to the **list of characters** or the **cast list**. It provides a comprehensive list of all the characters that appear in the play. This list includes the main characters, supporting characters, and sometimes even minor characters. The purpose of including a dramatis personae is to help the audience or readers understand who the characters are and their roles in the story. It ensures that everyone involved in the production, such as actors, directors, and stage crew, is aware of the characters and their importance. In a nutshell, the dramatis personae is like a character reference guide, giving an overview of who is who in the play.
Tambaya 11 Rahoto
This question is based on A GOVERNMENT DRIVER ON HIS RETIREMENT.
"Many years on wheels" The reference to "wheels" exemplifies the use of ___ in the poem.
Bayanin Amsa
The answer to this question is **metonymy**. Metonymy is a figure of speech where a word or phrase is used to represent something else that it is closely associated with. In the poem "Many years on wheels," the phrase "wheels" is used to represent the occupation or job of the government driver. "Wheels" is closely associated with the driver because it is an essential tool and symbol of their profession. The reference to "wheels" as a metonymy helps to emphasize and encapsulate the driver's identity and experience. It communicates the idea that the driver has spent many years working in their profession, using their vehicle as a means of livelihood and service to the government. It is important to note that metonymy differs from personification, climax, and synecdoche. - Personification is the attribution of human characteristics to non-human objects, so it does not accurately fit the context of the poem. - Climax refers to the highest or most intense point of a story or event, which is not applicable to the given line. - Synecdoche is a figure of speech where a part is used to represent a whole or vice versa. While "wheels" can be seen as a synecdoche in a broader context, in this specific line it is being used metonymically. Therefore, the correct answer is metonymy.
Tambaya 12 Rahoto
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The passage above reveals that Jibunoh symbolizes
Bayanin Amsa
The passage reveals that Jibunoh symbolizes **lawlessness**. This is evident from the various actions and behavior mentioned about Jibunoh. He was hated by all his neighbors and deserted by his relations, indicating that he did not follow societal norms or adhere to proper conduct. He was the first and only person to beat a policeman, showing a lack of respect for authority and breaking the law. Additionally, he had ten cases instituted against him for stealing or violating the rights of others, further highlighting his disregard for the law and the rights of others. The passage also mentions that Jibunoh had no regard for decency or normal conduct, and that no lover of peace or order could be his friend. Finally, his death elicited jubilation instead of mourning, indicating that his presence and actions were not seen as positive or beneficial by those around him. Overall, Jibunoh's character represents lawlessness in the passage.
Tambaya 13 Rahoto
'Will college make you a better Olokun priest?
Will it make you serve our ancestors better?
Look at me. An able-bodied, strong-hearted priest of Olokun.
Did I go to college?
Gracy Osifo:Dizzy Angel
The literary device used in the passage above is
Bayanin Amsa
Parallelism is a literary device that uses the same grammatical structure in all parts of a sentence. In the passage, the speaker asks a series of questions that follow the same structure, which is a clear example of parallelism. Onomatopoeia refers to words that imitate the natural sounds of a thing. Metaphor is a figure of speech that makes an implicit, implied, or hidden comparison between two things that are unrelated, but share some common characteristics. Simile is a figure of speech that makes a comparison, showing similarities between two different things.
Tambaya 14 Rahoto
This question is based on THE LEADER AND THE LED.
" The hyena says the crown is made for him" in the above excerpt, the use of the word "crown " is a good deployment of ____
Bayanin Amsa
The use of the word 'crown' in this context is a good example of synecdoche, a figure of speech in which a part is made to represent the whole or vice versa. Here, 'crown' is used to represent power or leadership, which is a part of the whole concept of being a king or ruler.
Tambaya 15 Rahoto
A Government Driver on His Retirement is a poem of thirty-three lines divided into _______ stanzas.
Bayanin Amsa
A Government Driver on His Retirement is a poem of thirty-three lines divided into six stanzas. Stanzas 1, 2, 4 and 5 have four lines each while Stanzas 3 and 6 have eight and nine lines respectively.
Tambaya 16 Rahoto
'... Not a few of us ended our application letter like this: 'if you are kind enough to accomodate this humble application, Sir/Madam, I shall do my uttermost best to rendered you the greatest services which it is at my desposition to your best satisfactory. Yours obediently servant...' yet without English, you had no education fit for a white collar job
Cameron Daodu: The Gab Boys
The tone of the passage above is
Bayanin Amsa
The tone of the passage above is **derisive**. In the passage, the writer is making fun of the way some people write their application letters. They mention the flowery language and excessive formality used in the closing of the letter. The use of phrases like "if you are kind enough to accommodate this humble application" and "I shall do my utmost best to render you the greatest services" is being mocked. This suggests that the writer is mocking or ridiculing the practice of using grand, exaggerated language in an application letter. Therefore, the tone of the passage is derisive.
Tambaya 17 Rahoto
This question is based on THE JOURNEY OF THE MAGI.
Read the excerpt and answer question
"And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly"
The dominant device in this excerpt is ___
Bayanin Amsa
The dominant device in the excerpt from 'The Journey of the Magi' is synecdoche. Synecdoche is a figure of speech in which a part is made to represent the whole or vice versa. In this case, 'night-fires going out' and 'lack of shelters' are used to represent the overall hardships and difficulties of the journey. The device is not paradox, metaphor, or simile, as there is no contradiction, comparison, or likeness being expressed.
Tambaya 18 Rahoto
When he gave me the bottle, and I opened it,
I was shocked by the odour that hit my nose:
I immediately corked it again, and spat on the floor..
Isidore Okpewho, The Last Duty.
The reaction in the passage above is that of
Bayanin Amsa
The reaction in the passage above is **nausea**. The passage describes the narrator's immediate physical response after opening the bottle. The strong odor coming from the bottle caused an unpleasant sensation in the narrator's nose, resulting in a feeling of discomfort or disgust. This natural bodily reaction is commonly known as nausea. Use of phrases like "I was shocked by the odor" and "I immediately corked it again, and spat on the floor" reinforces the sense of physical repulsion or discomfort caused by the smell. Hence, the answer is nausea.
Tambaya 19 Rahoto
Which of these is the oldest genre of literature?
Bayanin Amsa
The oldest genre of literature is poetry.
Poetry can be traced back thousands of years to ancient civilizations such as the Sumerians, Egyptians, and Greeks. It predates other forms of literature like drama and prose.
What makes poetry unique is its use of rhythm, meter, and language that is often more expressive and condensed than other forms of writing. It is a form of artistic expression that evokes emotions and creates vivid imagery through the use of carefully chosen words and structures.
Throughout history, poetry has been used to communicate stories, share cultural traditions, express love, and even convey political or social messages.
In summary, poetry is the oldest genre of literature, dating back to ancient civilizations, and it continues to be appreciated and enjoyed by people around the world today.
Tambaya 20 Rahoto
This question is based on THE LION AND THE JEWEL.
The indication that Soyinka's "The Lion and the Jewel" is culturally set is its use of_____
Bayanin Amsa
Soyinka's "The Lion and the Jewel" is culturally set primarily through its use of dance and songs.
In the play, dance and songs are integral parts of the Yoruba culture and are frequently employed by the characters to express their emotions, convey messages, and celebrate significant events. These cultural elements provide a vivid depiction of the rich traditions and customs of the Yoruba people.
The characters in the play often engage in traditional dance performances, such as the "ewu" dance. These dances are not only entertaining but also serve as a way to showcase the cultural heritage and values of the Yoruba people. The rhythmic movements and musical accompaniment create a vibrant atmosphere that immerses the audience in the cultural setting.
Additionally, songs are used extensively throughout the play to express various emotions, tell stories, and convey moral lessons. The characters sing traditional folk songs, chants, and war cries, which contribute to the cultural authenticity of the setting.
By incorporating dance and songs into the narrative, Soyinka effectively captures the essence of Yoruba culture and helps the audience understand and appreciate the unique customs and traditions of the characters. The use of dance and songs enhances the cultural backdrop of the play and immerses the audience in the vibrant world of the Yoruba people.
Tambaya 21 Rahoto
The narrative style in which the hero tells his own story directly is the
Bayanin Amsa
The narrative style in which the hero tells his own story directly is called first-person. In first-person narrative, the protagonist or hero of the story is the one who is narrating the events, and they usually use pronouns like "I," "me," and "my" to refer to themselves. This perspective allows the reader to see the story through the eyes and experiences of the hero, providing a more intimate and personal connection with the protagonist. Thus, the hero's direct involvement in telling the story gives it a first-person narrative style.
Tambaya 22 Rahoto
The overwhelming pride that destroys the tragic hero is called
Bayanin Amsa
The overwhelming pride that destroys the tragic hero is called hubris.
Hubris refers to excessive pride or arrogance displayed by a character, often leading to their downfall. Tragic heroes are typically individuals who possess remarkable qualities or achievements but are also flawed in some way. Their hubris causes them to overestimate their abilities or believe they are invincible, leading them to challenge or defy the gods or fate.
In Greek tragedies, the fatal flaw of hubris is a common theme. The tragic hero's excessive pride blinds them to their faults and the consequences of their actions. This ultimately brings about their downfall and a sense of catharsis for the audience.
To summarize, hubris is the overwhelming pride that destroys the tragic hero by causing them to act out of arrogance and disregard the potential consequences of their actions.
Tambaya 23 Rahoto
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The plot of the novel is
Bayanin Amsa
The plot of the novel is linear; Events in the novel succeed into one another in one to one correspondence right from the point to exposition to climax to anti-climax to denouement.
Tambaya 24 Rahoto
The part of a play when climax approaches is known as
Bayanin Amsa
This is a climax literary point in which the audience reacts to what the character (protagonist) experiences. It is known as (release of purgation).
Tambaya 25 Rahoto
________ are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature.
Bayanin Amsa
Allusions are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature. An allusion is like a little nod or reference to something or someone else. It's kind of like when you're talking to a friend and you mention a quote from a movie, or you make a reference to a famous event or person. In literature, an allusion is when the author makes a reference to something outside of the text, like another book, a historical event, or a famous person. For example, if a character in a book is described as having the strength of Hercules, it's a reference to the mythological figure Hercules who was known for his incredible strength. This is an allusion to the Greek myth. Allusions can be used to add depth and meaning to a story. They can help the reader make connections, understand the author's intentions, or evoke certain emotions. Allusions can also be used to create a sense of familiarity or to give a story a cultural or historical context. So, in conclusion, allusions are brief references in literature that help convey a deeper meaning or connect the story to something outside of itself. They can be to a person, place, event, or another work of literature.
Tambaya 26 Rahoto
The tragic character is the person whose experiences arouse pity and
Bayanin Amsa
The tragic character is the person whose experiences arouse pity and **sympathy**. When we say that a character is tragic, it means that they face great adversity or misfortune in their life. This could be due to their own actions or because of circumstances beyond their control. As we witness their struggles and challenges, we feel a deep sense of empathy and sorrow for them. We can relate to their pain and suffering, and we hope for a positive resolution to their situation. The tragic character's plight evokes strong emotions of sympathy and compassion in us as we watch their story unfold.
Tambaya 27 Rahoto
CYCLIST gets down and begins to prop his bicycle.
CYCLIST: All right. If you're sure it won't take long.
BARBER: I am known for my lightning clippers. Even the soldiers know me. I can shave the head of an entire battalion between one coup and the next. Sit down and relax your back. Cycling is not easy
when you've abandoned it for some time.
Wole Soyinka, The Beautification of Area Boy.
The literary devices in the dialogue above are
Bayanin Amsa
The excerpt smacks of plenteous exaggerations(hyperbole), and a once-upon-a time reference (allusions).
Tambaya 28 Rahoto
"I had not taken the first step in knowledge, I had not learnt to let go with the hands".The above lines is an example of a
Bayanin Amsa
The given lines, "I had not taken the first step in knowledge, I had not learnt to let go with the hands" is an example of Repetition. Repetition refers to the act of repeating certain words or phrases within a sentence or paragraph for emphasis or to create a specific effect. In this case, the repetition of the phrase "I had not" emphasizes the speaker's lack of progress or action in acquiring knowledge and learning. This repetition helps to convey the speaker's frustration or regret over their inaction.
Tambaya 29 Rahoto
This question is based on CAGED BIRD.
Read this excerpt from the poem and answer questions .
"The free bird thinks of another
breeze / and the trade winds
soft through the sighing trees"
What is the effect of the trees sighing in this verse?
Bayanin Amsa
The effect of the trees sighing in this verse is to indicate that the bird is carefree. The phrase "the trade winds soft through the sighing trees" suggests that the bird is in a peaceful and serene environment where the trees are gently rustling and making soft sounds. This creates an atmosphere of tranquility and freedom for the bird. The sighing of the trees also symbolizes a sense of contentment and harmony in nature. Overall, this imagery portrays the bird as being unconstrained and able to fully enjoy its freedom.
Tambaya 30 Rahoto
Lineation refers to
Bayanin Amsa
Lineation refers to the arrangement of lines in verse form. In poetry, lines are grouped together to form stanzas and each line plays a crucial role in the overall structure and flow of the poem. Each line serves as a unit of rhythm and contributes to the overall meaning and aesthetic of the poem. Lineation helps to create a visual and rhythmic pattern, guiding the reader's interpretation and understanding of the poem. It is important to note that lineation is not related to tracing family descent of people in verse.
Tambaya 31 Rahoto
An extended fictional narrative which is realistic is known as a
Bayanin Amsa
An extended fictional narrative which is realistic is known as a novel.
A novel is a long work of fiction that tells a story in great detail and depth. It typically has a complex plot, well-developed characters, and explores various themes and ideas. Unlike a short story, which is shorter and focuses on a single event or theme, a novel provides a more extensive exploration of its subject matter.
While diaries can also convey narratives, they are typically personal accounts of a person's experiences and do not follow a traditional story structure. On the other hand, a novella is a shorter work of fiction that is longer than a short story but shorter than a novel. Novellas often explore a single theme or idea in depth. However, for an extended fictional narrative with a realistic setting and a detailed exploration of characters and themes, a novel is the most suitable option.
Tambaya 32 Rahoto
A limerick has
Bayanin Amsa
A limerick is a type of poem that is known for its humorous and playful nature. It consists of five lines and follows a specific rhyme scheme, which is AABBA. This means that the first, second, and fifth lines rhyme with each other, while the third and fourth lines have a different rhyme. In addition to its rhyme scheme, a limerick also typically includes a stinging or surprising climax at the end of the poem. This can be a punchline or a clever twist that adds to the humor of the poem. Unlike other forms of poetry that may be more formal and elaborate, limericks are known for their simplicity and straightforward style. They often use straightforward language, making them easy to understand and enjoy. So, to summarize, a limerick is a short, humorous poem that consists of five lines with a specific rhyme scheme and a clever, funny twist at the end.
Tambaya 33 Rahoto
An action in a play that stimulates the audience to pity a character is
Bayanin Amsa
The action in a play that stimulates the audience to pity a character is called pathos.
Pathos is a storytelling technique that aims to evoke strong emotions such as pity, sympathy, and compassion from the audience. It involves portraying the character's suffering, tragedy, or unfortunate circumstances in a way that creates an emotional connection between the audience and the character. This connection allows the audience to empathize with the character and feel a sense of pity for their situation.
In a play, pathos can be created through various means such as the character's dialogue, actions, or interactions with other characters. It can also be enhanced by the use of dramatic elements like music, lighting, and stage design.
By evoking a sense of pity in the audience, pathos helps to engage them emotionally and creates a deeper impact and connection with the story being told on stage. It can be a powerful tool for a playwright to convey their message and make the audience reflect on the human condition.
Tambaya 34 Rahoto
A long story narrating a series of complicated events is called a
Bayanin Amsa
A long story that narrates a series of complicated events is called a saga. A saga is a term often used to describe an epic or grand tale that spans a significant period of time and involves multiple characters and plotlines. Sagas typically involve dramatic or adventurous events and are known for their extensive and intricate storytelling. So, if you come across a lengthy narrative that weaves together complex events, it is likely a saga.
Tambaya 35 Rahoto
The term given to a type of incident or device which recurs frequently in Literature is
Bayanin Amsa
The term given to a type of incident or device which recurs frequently in literature is **motif**. A motif is a recurring element or idea that appears throughout a piece of literature, such as a symbol, theme, or character trait. It can be a symbol that represents a particular concept or theme, a recurring theme that is explored in different ways, or a recurring character trait that appears in multiple characters. Motifs can serve various purposes in literature. They can enhance the overall meaning and depth of a story by adding depth and complexity. They can also help to create unity and coherence in a work, connecting different parts of the story together. Additionally, motifs can provide insights into the author's intentions, beliefs, or themes. For example, in William Shakespeare's play Macbeth, the motif of blood appears throughout the story. Blood represents guilt, violence, and the consequences of immoral actions. This motif is used to convey the ongoing guilt and psychological impact that Macbeth and Lady Macbeth experience after they commit the murder of King Duncan. In conclusion, a motif is a recurring incident or device that adds meaning, coherence, and depth to a piece of literature.
Tambaya 36 Rahoto
'The fair breeze blew
The white foam flew
The furrow followed free
We were the first that ever burst
Into that silent sea.'
The dominant figure of speech in the above passage is
Bayanin Amsa
Rhyme scheme is the best answer. The semblance of sound and patternised movement or flow of the words in the excerpt above makes rhyme scheme the predominant literary figure there.
Tambaya 37 Rahoto
When an object is invested with a meaning beyond its immediate reference, it becomes
Bayanin Amsa
When an object is invested with a meaning beyond its immediate reference, it becomes a symbol. A symbol is a representation of something else, often an abstract concept or idea. It goes beyond its literal meaning and carries a deeper significance. Symbols can be objects, actions, or even words that evoke a particular meaning or feeling. They are powerful tools used in literature, art, and communication to convey complex ideas in a more accessible and impactful way. Symbols allow us to communicate and understand concepts that may be difficult to express directly. They add depth and richness to our understanding of the world and can evoke strong emotions and associations.
Tambaya 38 Rahoto
This question is based on CAGED BIRD.
"for the caged bird/sings of freedom.",
The poetic device used in this expression is____
Bayanin Amsa
The poetic device used in the expression 'for the caged bird sings of freedom' is irony. Irony is a figure of speech in which the intended meaning is the opposite of the literal meaning. In this case, the irony lies in the fact that the caged bird, despite being confined, sings of freedom.
Tambaya 39 Rahoto
Careened',
These oily tears
Dripping down the tears on your depressed face,
Will one day be staunched, I swear!
Ibiwari Ikiriko, Oily Tears.
The tone of the poet is
Bayanin Amsa
The tone of the poet in the poem "Oily Tears" can be described as **optimistic**. The poet expresses a sense of hope and assurance that the tears and sorrow that someone is experiencing will eventually be stopped. The use of the word "swear" implies a strong commitment to this belief. Despite the initial description of "depressed face" and "tears", the poet aims to convey a sense of positivity and optimism for the future.
Tambaya 40 Rahoto
A character that is always against the interest of the protagonist is
Bayanin Amsa
A character that is always against the interest of the protagonist is known as the "villain". The villain is a character in a story who acts as the main source of conflict and obstacle for the protagonist. Their primary purpose is to create tension and challenge the hero, often by causing harm, creating obstacles, or opposing the protagonist's goals. The villain is usually portrayed as malicious, cruel, or immoral, and they are a constant threat to the hero's well-being and success. In many stories, the hero and the villain engage in a battle of wills, where the hero must use their skills, intelligence, and determination to overcome the villain's actions and ultimately achieve a favorable outcome. The villain is an essential element in storytelling, as they provide a contrast to the hero and offer opportunities for growth, redemption, and triumph.
Za ka so ka ci gaba da wannan aikin?