Ana ebu...
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Tẹ & Di mu lati Gbe Yika |
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Pịa Ebe a ka Imechi |
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Ajụjụ 1 Ripọtì
'... Not a few of us ended our application letter like this: 'if you are kind enough to accomodate this humble application, Sir/Madam, I shall do my uttermost best to rendered you the greatest services which it is at my desposition to your best satisfactory. Yours obediently servant...' yet without English, you had no education fit for a white collar job
Cameron Daodu: The Gab Boys
The tone of the passage above is
Akọwa Nkọwa
The tone of the passage above is **derisive**. In the passage, the writer is making fun of the way some people write their application letters. They mention the flowery language and excessive formality used in the closing of the letter. The use of phrases like "if you are kind enough to accommodate this humble application" and "I shall do my utmost best to render you the greatest services" is being mocked. This suggests that the writer is mocking or ridiculing the practice of using grand, exaggerated language in an application letter. Therefore, the tone of the passage is derisive.
Ajụjụ 2 Ripọtì
Be him English
Be him African
Be him Nigerian
The lines above are an example of
Akọwa Nkọwa
Anaphora refers to the repetition of certain words or phrase at the begining of each sentence or line in a poem
Ajụjụ 3 Ripọtì
A tragic hero, according to the Aristotelian precept, must be a
Akọwa Nkọwa
A tragic hero, according to the Aristotelian precept, must be a noble character with hubris. In simpler terms, a tragic hero is a high-ranking and respected person who possesses a fatal flaw or excessive pride. This flaw or hubris leads to their downfall or tragic ending in the story. It is important to note that a tragic hero does not necessarily have to be a king or a central character after whom the play is named. The key characteristic is their noble status and the presence of hubris. Their downfall is often a result of their own actions or decisions, making their story both tragic and relatable. Through their downfall, the audience learns profound life lessons and experiences catharsis, a release of emotions.
Ajụjụ 4 Ripọtì
Dramatis personae in a play refers to
Akọwa Nkọwa
The term "dramatis personae" in a play refers to the **list of characters** or the **cast list**. It provides a comprehensive list of all the characters that appear in the play. This list includes the main characters, supporting characters, and sometimes even minor characters. The purpose of including a dramatis personae is to help the audience or readers understand who the characters are and their roles in the story. It ensures that everyone involved in the production, such as actors, directors, and stage crew, is aware of the characters and their importance. In a nutshell, the dramatis personae is like a character reference guide, giving an overview of who is who in the play.
Ajụjụ 5 Ripọtì
The process of creating character and endowing them with certain attitude is ......
Akọwa Nkọwa
The process of creating a character and giving them specific personality traits is called characterization. Characterization is a crucial aspect of storytelling, whether it be in books, movies, or plays. It involves the development and portrayal of a character's traits, beliefs, emotions, and actions.
To create a character, an author or creator has to make deliberate choices about the character's physical appearance, background, and personality. These choices help to shape the character's identity and make them more relatable and engaging to the audience.
Once the character is established, the process of characterization continues through the character's actions, dialogue, thoughts, and interactions with other characters. These elements reveal more about the character's motivations, values, and attitudes.
Characterization can be achieved in several ways. These include:
- Direct characterization: This is when the author or creator explicitly states or describes the character's traits, motivations, or background. For example, they may say, "She was a kind-hearted person who always put others before herself."
- Indirect characterization: This is when the character's traits are revealed through their actions, speech, or thoughts. The audience has to infer the character's personality based on their behavior. For example, if a character frequently acts selfishly and only cares about their own needs, it implies that they have a self-centered personality.
- Character's relationships: The way a character interacts and forms relationships with other characters in the story can also provide insight into their personality. For example, if a character is constantly kind and supportive to others, it shows that they have a compassionate nature.
Through characterization, the audience can develop a deeper understanding of the character's motivations, beliefs, and attitudes. This helps to create a well-rounded and engaging story as the audience becomes invested in the characters and their journey.
Ajụjụ 6 Ripọtì
'Senhor Jose got cold during the night. After having uttered those redundant useless words, here she is, he wasn't sure what else he should do. It was true that, after long and arduous labours, he had managed, at last, to find the unknown woman, or rather, the place where she lay, a good six feet beneath an earth that still sustained him'
Jose Saramago: All the Names
What happens to the unknown woman in the passage above?
Akọwa Nkọwa
In the passage above, it is implied that the unknown woman mentioned is **dead**. The passage states that she is "six feet beneath the earth," which indicates that she is buried in a grave or buried underground. The use of phrases such as "the place where she lay" and "a good six feet beneath an earth" suggest that she is not able to move or run away. The mention of Senhor Jose feeling unsure of what else he should do implies that the woman is no longer alive and there is nothing more that can be done for her. Therefore, the answer is that the unknown woman is dead.
Ajụjụ 7 Ripọtì
A limerick has
Akọwa Nkọwa
A limerick is a type of poem that is known for its humorous and playful nature. It consists of five lines and follows a specific rhyme scheme, which is AABBA. This means that the first, second, and fifth lines rhyme with each other, while the third and fourth lines have a different rhyme. In addition to its rhyme scheme, a limerick also typically includes a stinging or surprising climax at the end of the poem. This can be a punchline or a clever twist that adds to the humor of the poem. Unlike other forms of poetry that may be more formal and elaborate, limericks are known for their simplicity and straightforward style. They often use straightforward language, making them easy to understand and enjoy. So, to summarize, a limerick is a short, humorous poem that consists of five lines with a specific rhyme scheme and a clever, funny twist at the end.
Ajụjụ 8 Ripọtì
"She wanted to split herself. But she checked herself. 'Get dressed,' she said earnestly. 'Get dressed and let's go. You know I have a lot of things to do. And if we are going to meet again like this... 'She slapped the bed, 'then it won't be here. It will be at the Samson and Delilah.'" -
Festus Iyayi; Violence
In the passage above, the speaker can be described as
Akọwa Nkọwa
In the passage above, the speaker can be described as **domineering**. The speaker's actions and words suggest that they have a strong and controlling personality. They want the other person to hurry up and get dressed, showing a sense of authority. The speaker also mentions having a lot of things to do, implying that their priorities are more important than the other person's. Additionally, the speaker slaps the bed in frustration, which further emphasizes their dominant and forceful nature.
Ajụjụ 9 Ripọtì
This question is based on THE GOOD MORROW.
Use this excerpt to answer question
"If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee."
The excerpt above evokes the use of ____
Akọwa Nkọwa
The excerpt from "The Good Morrow" evokes the use of **visual imagery**. Visual imagery refers to the use of vivid and descriptive language that appeals to our sense of sight. In the excerpt, the speaker describes seeing a beauty that they desired and obtained, but it was only a dream of the person they are addressing. This creates a mental image in the reader's mind, allowing them to imagine the contrast between the reality and the dreamlike nature of the beauty. The use of visual imagery helps to engage the reader's imagination and enhance the emotional impact of the poem.
Ajụjụ 10 Ripọtì
________ are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature.
Akọwa Nkọwa
Allusions are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature. An allusion is like a little nod or reference to something or someone else. It's kind of like when you're talking to a friend and you mention a quote from a movie, or you make a reference to a famous event or person. In literature, an allusion is when the author makes a reference to something outside of the text, like another book, a historical event, or a famous person. For example, if a character in a book is described as having the strength of Hercules, it's a reference to the mythological figure Hercules who was known for his incredible strength. This is an allusion to the Greek myth. Allusions can be used to add depth and meaning to a story. They can help the reader make connections, understand the author's intentions, or evoke certain emotions. Allusions can also be used to create a sense of familiarity or to give a story a cultural or historical context. So, in conclusion, allusions are brief references in literature that help convey a deeper meaning or connect the story to something outside of itself. They can be to a person, place, event, or another work of literature.
Ajụjụ 11 Ripọtì
"...Rage is Chief
Rage drags rags after you, of Charity
Laughter, sweetness and light, Rage is thief
Enemy of equanimity"
The figure of speech dominant in these lines is _____
Akọwa Nkọwa
Writers use personification to give human characteristics, such as emotions and behaviors, to non-human things, animals, and ideas.
Ajụjụ 12 Ripọtì
Lineation refers to
Akọwa Nkọwa
Lineation refers to the arrangement of lines in verse form. In poetry, lines are grouped together to form stanzas and each line plays a crucial role in the overall structure and flow of the poem. Each line serves as a unit of rhythm and contributes to the overall meaning and aesthetic of the poem. Lineation helps to create a visual and rhythmic pattern, guiding the reader's interpretation and understanding of the poem. It is important to note that lineation is not related to tracing family descent of people in verse.
Ajụjụ 13 Ripọtì
This question is based on THE SONG OF THE WOMEN OF MY LAND.
Use the excerpt to answer questions
"they sang in the forlorn fields
about their lives; songs
of how they ploughed the terrain of their landscape
for memories of lyrics lost in the vast void of time,
in those days when a song beheld their lives;
when servitude cuffed the ankles of their soul,
and dereliction decapitated the epic of their lives."
The theme of this excerpt is____
Akọwa Nkọwa
The theme of this excerpt is **the oppression of women**. In the excerpt, the women are described as singing in the forlorn fields about their lives. The songs they sing are about how they ploughed the terrain of their landscape for memories of lyrics lost in the vast void of time. This suggests that their lives have been filled with hardship and struggle. The lyrics lost in time symbolize the lost stories and experiences of these women due to their oppression. The mention of servitude cuffing the ankles of their soul and dereliction decapitating the epic of their lives further emphasize the theme of oppression. This language evokes a sense of bondage and powerlessness. The oppression is likely a result of societal structures and systems that have limited the freedom and agency of these women. Therefore, based on the description of the women's experiences and the imagery used, **the theme of this excerpt is the oppression of women**.
Ajụjụ 14 Ripọtì
'My heart is a quiet drum, something it flares like a parched thunder cracking through a damask sky it lifts me in its fired spectacle.'
-Cynthia James; Drumology
The imagery in the excerpt above is largely
Akọwa Nkọwa
The imagery in the excerpt above is mainly auditory and visual. The line "my heart is a quiet drum" creates an auditory image as it compares the sound of a drum to the beating of the heart. It suggests that the heart is making a gentle rhythmic sound, similar to a drum. The line "something it flares like a parched thunder cracking through a damask sky" creates a visual image. It compares the heart's flaring to thunder cracking through a damask (patterned) sky. This imagery conjures up the image of a powerful and intense display of energy, like lightning cutting through the sky. Overall, the excerpt combines auditory imagery with visual imagery to evoke a sense of sound and sight in the reader's mind.
Ajụjụ 15 Ripọtì
A trilogy is the
Akọwa Nkọwa
A trilogy is a sequence of three plays, stories, or books that are usually connected and tell a larger, overall story. It can be written by the same author or have related authors. The important point about a trilogy is that it consists of three parts or pieces that are meant to be read or seen together as a whole. So, in summary, a trilogy is a set of three interconnected plays, stories, or books.
Ajụjụ 16 Ripọtì
Cast in a play refers to
Akọwa Nkọwa
In a play, the term "cast" refers to all the actors who have been selected to perform in the production. It includes **all the actors** who will be portraying the different characters and bringing the story to life on stage. The cast may consist of **three actors**, **a few actors**, or even more, depending on the requirements of the play. So, the correct answer is **d) all the actors**.
Ajụjụ 17 Ripọtì
The narrative style in which the hero tells his own story directly is the
Akọwa Nkọwa
The narrative style in which the hero tells his own story directly is called first-person. In first-person narrative, the protagonist or hero of the story is the one who is narrating the events, and they usually use pronouns like "I," "me," and "my" to refer to themselves. This perspective allows the reader to see the story through the eyes and experiences of the hero, providing a more intimate and personal connection with the protagonist. Thus, the hero's direct involvement in telling the story gives it a first-person narrative style.
Ajụjụ 18 Ripọtì
The subject matter of a literary work is the
Akọwa Nkọwa
The subject matter of a literary work refers to the main topic or idea that the work explores. It is the overarching theme or concept that the author wants to convey through their writing. While all the options mentioned (theme, plot, structure, and setting) are important elements in a literary work, the subject matter specifically refers to the deeper meaning or message that the author wants to communicate to the reader.
Theme: The theme of a literary work is the central idea or message that the author is trying to convey. It is the underlying meaning or moral of the story. For example, the theme of a novel could be love, friendship, or the struggle between good and evil.
Plot: The plot of a literary work refers to the sequence of events and actions that occur in the story. It includes the exposition, rising action, climax, falling action, and resolution. While the plot helps to develop the subject matter, it is not the actual subject matter itself.
Structure: The structure of a literary work refers to how the story is organized and presented. It includes elements such as the narrative style, point of view, and use of flashbacks or foreshadowing. The structure can enhance the delivery of the subject matter, but it is not the subject matter in itself.
Setting: The setting of a literary work refers to the time, place, and environment in which the story takes place. While the setting can contribute to the overall mood and tone of the work, it is not the subject matter. The subject matter may be explored within a specific setting, but it goes beyond just the physical or temporal backdrop of the story.
In summary, while all the options mentioned play a role in a literary work, the subject matter is the central topic or idea that the author intends to convey to the reader. It is the deeper meaning or message that the work explores.
Ajụjụ 19 Ripọtì
Careened',
These oily tears
Dripping down the tears on your depressed face,
Will one day be staunched, I swear!
Ibiwari Ikiriko, Oily Tears.
The tone of the poet is
Akọwa Nkọwa
The tone of the poet in the poem "Oily Tears" can be described as **optimistic**. The poet expresses a sense of hope and assurance that the tears and sorrow that someone is experiencing will eventually be stopped. The use of the word "swear" implies a strong commitment to this belief. Despite the initial description of "depressed face" and "tears", the poet aims to convey a sense of positivity and optimism for the future.
Ajụjụ 20 Ripọtì
A structural arrangement of unit of composition by which one element of equal importance with another is similarly placed is called
Akọwa Nkọwa
The value of the comparison is always achieved in the end e.g My mum is a sister, my sister is a mum.
Ajụjụ 21 Ripọtì
When an object is invested with a meaning beyond its immediate reference, it becomes
Akọwa Nkọwa
When an object is invested with a meaning beyond its immediate reference, it becomes a symbol. A symbol is a representation of something else, often an abstract concept or idea. It goes beyond its literal meaning and carries a deeper significance. Symbols can be objects, actions, or even words that evoke a particular meaning or feeling. They are powerful tools used in literature, art, and communication to convey complex ideas in a more accessible and impactful way. Symbols allow us to communicate and understand concepts that may be difficult to express directly. They add depth and richness to our understanding of the world and can evoke strong emotions and associations.
Ajụjụ 22 Ripọtì
The moment of recognition of truth when ignorance gives away to knowledge is known as
Akọwa Nkọwa
The moment of recognition of truth when ignorance gives way to knowledge is called **Anagnorisis**. Anagnorisis is a Greek word that can be translated as "recognition" or "discovery". In literature and drama, it refers to a significant moment in a character's story when they suddenly understand their true identity, the nature of their situation, or the consequences of their actions. This moment of realization often comes as a surprise to the character and can have a profound impact on the development of the plot. It allows the character to gain a deeper understanding of themselves, their relationships, or the world around them. This recognition can be a turning point in the story, leading to important decisions or changes in the character's behavior. So, in summary, anagnorisis is the moment in which a character in a story or play realizes the truth and gains knowledge that was previously unknown to them.
Ajụjụ 23 Ripọtì
This question is based on CAGED BIRD.
"for the caged bird/sings of freedom.",
The poetic device used in this expression is____
Akọwa Nkọwa
The poetic device used in the expression 'for the caged bird sings of freedom' is irony. Irony is a figure of speech in which the intended meaning is the opposite of the literal meaning. In this case, the irony lies in the fact that the caged bird, despite being confined, sings of freedom.
Ajụjụ 24 Ripọtì
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The passage above reveals that Jibunoh symbolizes
Akọwa Nkọwa
The passage reveals that Jibunoh symbolizes **lawlessness**. This is evident from the various actions and behavior mentioned about Jibunoh. He was hated by all his neighbors and deserted by his relations, indicating that he did not follow societal norms or adhere to proper conduct. He was the first and only person to beat a policeman, showing a lack of respect for authority and breaking the law. Additionally, he had ten cases instituted against him for stealing or violating the rights of others, further highlighting his disregard for the law and the rights of others. The passage also mentions that Jibunoh had no regard for decency or normal conduct, and that no lover of peace or order could be his friend. Finally, his death elicited jubilation instead of mourning, indicating that his presence and actions were not seen as positive or beneficial by those around him. Overall, Jibunoh's character represents lawlessness in the passage.
Ajụjụ 25 Ripọtì
This question is based on A GOVERNMENT DRIVER ON HIS RETIREMENT.
"Many years on wheels" The reference to "wheels" exemplifies the use of ___ in the poem.
Akọwa Nkọwa
The answer to this question is **metonymy**. Metonymy is a figure of speech where a word or phrase is used to represent something else that it is closely associated with. In the poem "Many years on wheels," the phrase "wheels" is used to represent the occupation or job of the government driver. "Wheels" is closely associated with the driver because it is an essential tool and symbol of their profession. The reference to "wheels" as a metonymy helps to emphasize and encapsulate the driver's identity and experience. It communicates the idea that the driver has spent many years working in their profession, using their vehicle as a means of livelihood and service to the government. It is important to note that metonymy differs from personification, climax, and synecdoche. - Personification is the attribution of human characteristics to non-human objects, so it does not accurately fit the context of the poem. - Climax refers to the highest or most intense point of a story or event, which is not applicable to the given line. - Synecdoche is a figure of speech where a part is used to represent a whole or vice versa. While "wheels" can be seen as a synecdoche in a broader context, in this specific line it is being used metonymically. Therefore, the correct answer is metonymy.
Ajụjụ 26 Ripọtì
A story with elements that have both literal and figurative meanings is
Akọwa Nkọwa
An **allegory** is a story that uses symbolic characters or events to convey a deeper, hidden meaning. It typically has both literal and figurative interpretations. The literal meaning is the surface-level plot or events that happen in the story, while the figurative meaning represents a deeper message, moral, or theme. For example, imagine a story about talking animals who live in a forest and face various challenges. On the surface, it may seem like a simple tale about animal adventures. However, when we analyze the story more closely, we discover that the animals symbolize different human characteristics or represent political or social ideas. The story then becomes a figurative representation, using the animal characters and events as a metaphor for something else. In contrast, a **novella** is a shorter fictional narrative that has a fully developed plot, characters, and theme, but does not have the extensive length of a novel. Novellas usually focus on a particular event or period in a character's life and offer a compact and focused story. A **fable** is a short tale, often involving animals, that conveys a moral lesson or truth. Fables are usually written in a straightforward manner, with animals acting as characters who represent specific qualities or virtues. The story aims to teach a lesson or provide guidance through its moral. An **epistle** is a type of letter or written message that usually contains personal thoughts, reflections, or advice. It is typically addressed to a specific person or group of people and can cover a wide range of topics. Epistles are commonly found in religious texts or historical literature. They may contain moral teachings or serve as a means of communication between individuals or communities. In summary, an **allegory** is a story with both literal and figurative meanings, while a **novella** is a shorter fictional narrative with a fully developed plot. A **fable** is a short tale that teaches a moral lesson, and an **epistle** is a type of letter or written message usually containing personal thoughts or advice.
Ajụjụ 27 Ripọtì
'Will college make you a better Olokun priest?
Will it make you serve our ancestors better?
Look at me. An able-bodied, strong-hearted priest of Olokun.
Did I go to college?
Gracy Osifo:Dizzy Angel
The literary device used in the passage above is
Akọwa Nkọwa
Parallelism is a literary device that uses the same grammatical structure in all parts of a sentence. In the passage, the speaker asks a series of questions that follow the same structure, which is a clear example of parallelism. Onomatopoeia refers to words that imitate the natural sounds of a thing. Metaphor is a figure of speech that makes an implicit, implied, or hidden comparison between two things that are unrelated, but share some common characteristics. Simile is a figure of speech that makes a comparison, showing similarities between two different things.
Ajụjụ 28 Ripọtì
'And so Tom awoke and we rose in the dark
And got with our bags and our brushes to work
Though the morning was cold, Tom was happy and warm;
So if all do their duty they need not fear harm.'
In the lines above, Tom is warm because he
Akọwa Nkọwa
In the given lines, Tom is described as being warm. The reason for this is that he is doing his duty. The phrase "So if all do their duty they need not fear harm" suggests that as long as Tom and others are fulfilling their responsibilities, they will be safe and secure. Therefore, Tom's warmth is a result of his dedication and commitment to his work rather than any external factors such as working indoors, wearing warm clothes, or just waking up from sleep.
Ajụjụ 29 Ripọtì
The use of two contrasting words that are placed side by side is called
Akọwa Nkọwa
Oxymoron is a rhetorical term that describes words or phrases that, when placed together, create paradoxes or contradictions. These contradictions seem foolish but, when we think about them a bit, often turn out to be sharp observations about our world.
Ajụjụ 30 Ripọtì
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The plot of the novel is
Akọwa Nkọwa
The plot of the novel is linear; Events in the novel succeed into one another in one to one correspondence right from the point to exposition to climax to anti-climax to denouement.
Ajụjụ 31 Ripọtì
A Government Driver on His Retirement is a poem of thirty-three lines divided into _______ stanzas.
Akọwa Nkọwa
A Government Driver on His Retirement is a poem of thirty-three lines divided into six stanzas. Stanzas 1, 2, 4 and 5 have four lines each while Stanzas 3 and 6 have eight and nine lines respectively.
Ajụjụ 32 Ripọtì
This question is based on BAT.
Use the excerpt to answer questions .
"Where light pushes through;
A sudden turning upon itself of a thing in the air.
A dip to the water.
And you think:
"The swallows are flying so late!"
Swallows?"
The dominant poetic device in the excerpt is___
Akọwa Nkọwa
The dominant poetic device in the excerpt is imagery. Imagery is when language is used to create vivid mental images or sensory experiences in the reader's mind. In this excerpt, the use of descriptive language like "Where light pushes through", "A sudden turning upon itself of a thing in the air", and "A dip to the water" appeals to the reader's senses and helps them visualize and experience the scene being described. The line "And you think: 'The swallows are flying so late!'" also contributes to the imagery as it evokes the image of swallows flying and creates a sense of surprise or wonder in the reader's mind. Therefore, the dominant poetic device in this excerpt is imagery as it uses descriptive language to create vivid images and sensory experiences.
Ajụjụ 33 Ripọtì
This question is based on RAIDER OF THE TREASURE TROVE.
The poetic device in the expression "Rage is chief" is ___
Akọwa Nkọwa
The poetic device in the expression "Rage is chief" is a metaphor. A metaphor is a figure of speech that compares two unrelated things by stating that one thing is the other thing. In this case, the expression is comparing "rage" to a "chief". It is not saying that rage is like a chief or similar to a chief, but rather, it is asserting that rage is the chief or leader of something. To further illustrate, let's look at the definition of the word "chief". A chief is the leader or the head of a group or organization. By using the metaphorical language of "rage is chief", the phrase emphasizes that rage is in control or has dominance over something. Therefore, the poetic device used in the expression "Rage is chief" is a metaphor, as it uses figurative language to convey the idea that rage is the leader or the most powerful force.
Ajụjụ 34 Ripọtì
Using the name of one thing for something else with which it is closely associated in an instance is
Akọwa Nkọwa
Metonymy is the correct answer. Metonymy is a figure of speech where the name of one thing is used to refer to something else that is closely associated with it. It is a way of expressing an idea or concept indirectly by substituting a related word or phrase. For example, when we say "The pen is mightier than the sword," we are using the word "pen" to represent the act of writing, which is closely associated with it. Similarly, when we say "The crown declared war," we are using the word "crown" to represent the monarchy or the person in power who wears the crown. In metonymy, the substituted word or phrase is chosen based on its connection or association to the intended meaning, making the language more vivid and expressive. It helps to add depth and layers of meaning to our communication by using familiar words or phrases that evoke certain ideas or images. In summary, metonymy is the use of a word or phrase to represent something closely related to it. It allows us to convey meaning indirectly, adding richness and nuance to our language.
Ajụjụ 35 Ripọtì
'The fair breeze blew
The white foam flew
The furrow followed free
We were the first that ever burst
Into that silent sea.'
The dominant figure of speech in the above passage is
Akọwa Nkọwa
Rhyme scheme is the best answer. The semblance of sound and patternised movement or flow of the words in the excerpt above makes rhyme scheme the predominant literary figure there.
Ajụjụ 36 Ripọtì
This question is based on BAT.
Read the excerpt and answer questions
"Bat!
Creatures that hang themselves up like an old rag, to sleep, And disgustingly upside down."
The theme of this excerpt is____
Akọwa Nkọwa
The theme of this excerpt is **the poet's appalling remarks about the bird**. In this excerpt, the poet describes bats as creatures that "hang themselves up like an old rag" and sleep "disgustingly upside down." This implies that the poet views bats in a negative light and finds their behavior revolting. Therefore, the theme of the excerpt is the poet's appalling remarks about the bird. The other options do not accurately reflect the overall tone and message conveyed by the poet's words in this particular excerpt.
Ajụjụ 37 Ripọtì
'Fierce harmattan sun on innocent tendrils; torrential downpour on leaking thatch roofs; painful comfort of helpless eunuchs; thorny beauty of modern witches; the falcon's call on day-old-chicks, ours is tragi- comic dialogue:... mute echoes of pains' .
The sonority and rhythmical structure of the lines above are achieved through a pause- pattern called
Akọwa Nkọwa
The pause-pattern achieved through the sonority and rhythmical structure of the lines in the given text is called caesura. A caesura is a pause or break in a line of poetry, usually marked by punctuation or by a natural pause in speaking. It helps to create a sense of rhythm and musicality in the poem. In this case, the caesura is used to separate and emphasize different aspects of the lines, creating a pause after each phrase. This pause pattern helps to create a rhythmic flow and adds a certain musical quality to the lines.
Ajụjụ 38 Ripọtì
This question is based on THE JOURNEY OF THE MAGI.
Read the excerpt and answer question
"And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly"
The dominant device in this excerpt is ___
Akọwa Nkọwa
The dominant device in the excerpt from 'The Journey of the Magi' is synecdoche. Synecdoche is a figure of speech in which a part is made to represent the whole or vice versa. In this case, 'night-fires going out' and 'lack of shelters' are used to represent the overall hardships and difficulties of the journey. The device is not paradox, metaphor, or simile, as there is no contradiction, comparison, or likeness being expressed.
Ajụjụ 39 Ripọtì
The sides of a stage are called
Akọwa Nkọwa
The sides of a stage are called **the wings**. This is because they are typically located on either side of the main performance area, just like the wings of a bird extend from its body. The wings provide space for performers, props, and equipment to be concealed and stored until they are needed on stage. They also serve as entrances and exits for actors during a performance, allowing them to make their entrances and exits discreetly. In summary, the wings of a stage are the areas on either side of the main stage where performers and equipment are organized and concealed before and during a performance.
Ajụjụ 40 Ripọtì
The overwhelming pride that destroys the tragic hero is called
Akọwa Nkọwa
The overwhelming pride that destroys the tragic hero is called hubris.
Hubris refers to excessive pride or arrogance displayed by a character, often leading to their downfall. Tragic heroes are typically individuals who possess remarkable qualities or achievements but are also flawed in some way. Their hubris causes them to overestimate their abilities or believe they are invincible, leading them to challenge or defy the gods or fate.
In Greek tragedies, the fatal flaw of hubris is a common theme. The tragic hero's excessive pride blinds them to their faults and the consequences of their actions. This ultimately brings about their downfall and a sense of catharsis for the audience.
To summarize, hubris is the overwhelming pride that destroys the tragic hero by causing them to act out of arrogance and disregard the potential consequences of their actions.
Ị ga-achọ ịga n'ihu na omume a?