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Ajụjụ 2 Ripọtì
Pick the odd item from the list below
Akọwa Nkọwa
The odd item in the list is "epilogue". The other three items are genres of drama, while "epilogue" is not a genre but rather a section that comes after the main part of a play or other work of literature, often used to provide a conclusion or closure. Therefore, "epilogue" does not belong to the same category as the other three.
Ajụjụ 4 Ripọtì
EFUAT. SUTHERLAND: The Marriage of Anansewa
Speaker A: Haven't you stayed at home for nearly
two weeks because your fees are owing?
And am I not still straining to find the money?
Speaker B: Yes
Speaker A is
Akọwa Nkọwa
Speaker A is likely to be Ananse. In the play "The Marriage of Anansewa" by Efua Sutherland, Ananse is a cunning and mischievous character who is known for using his wit to get what he wants. In the given dialogue, Speaker A is complaining about being unable to pay their fees and relying on someone else to find the money. This behavior is consistent with Ananse's character, who is often portrayed as irresponsible and unreliable.
Ajụjụ 5 Ripọtì
OLA ROTIMI: The Gods Are Not To Blame
Read the extract below and answer questions:
Speaker A: No, no, do not thank me. I am only doing my duty
Do not thank me. Instead, let me only you one quuestion
Now you have all come here sprawing, vomiting, rubbling tears on one another, begging me to do my duty, and help you. But what about you yourselves?
What have you done to help yourselves?
Answer. Or is the land at peace? Are not people ailing and dying ?
Speaker A: We are suffering my Lord, we are........
The land is not at peace because of
Akọwa Nkọwa
The land is not at peace because of sickness and death. The speaker asks the people what they have done to help themselves, suggesting that the people are suffering from illnesses and deaths.
Ajụjụ 6 Ripọtì
Read the extract below and answer the question:
WILLIAM SHAKESPEARE: Twelfth Night
A : What country, friends, is this?
B : This is lllyria, Lady,
A : And what should I do in lllyria?
My brother he is in Elysium.
Perchance he is not drowned - What think you, sailors?
B : It is perchance that you yourself where saved
A : O my poor brother. and so perchance may he be
(Act 1 Scene II)
Speaker B is
Akọwa Nkọwa
Speaker B is the Captain. He is the one who responds to Speaker A's question about the country they are in, which is Illyria. The Captain also gives a hopeful response to Speaker A's concern about her brother being drowned, suggesting that he might have survived.
Ajụjụ 7 Ripọtì
Read the extract below and answer this question.
The pattering rain was kicking up little
explosions of dust in the glade.He heard the
faint whisper of the stream as it stole across
the land and disappeared into the bush.
The figure of speech underlined in line 1 is
Akọwa Nkọwa
The figure of speech underlined in line 1 is onomatopoeia. Onomatopoeia is a figure of speech in which a word imitates or suggests the sound of what it describes. In this case, the word "pattering" imitates the sound of raindrops hitting the ground.
Ajụjụ 8 Ripọtì
Read the following poem carefully and answer the questions that follow:
O stealing time, the subject of delay,
Delay the rack of unrefrained desire,
What strange design has thou my hopes to stay?
My hopes which do but to mine own aspire?
Old age is wise, and full of constant truth,
Old age well stayed from ranging humours lives,
Old age hath known, whatever was in youth,
Old age overcome the greater honour gives.
The literary device used in line 1 is an example of
Akọwa Nkọwa
The literary device used in line 1 is an example of an apostrophe. The speaker addresses time as if it were a person who can hear and respond to their words. Apostrophe is a figure of speech in which a speaker addresses an imaginary or absent person, object or idea. In this poem, the speaker addresses "stealing time" and personifies it as the "subject of delay." The speaker asks time why it is delaying their hopes and aspirations, which shows that the speaker is frustrated and impatient. Therefore, the literary device used in line 1 is an apostrophe.
Ajụjụ 9 Ripọtì
Read the extract below and answer questions:
A : Would you'd pardon me
I do not without danger walk these streets;
Once, in a sea-fight against the Count his galleys,
I did some service-of such note, indeed.
That were I ta'en here
It would scarce be answered
B : Be like you slew great number of his people
A : The offence is not of such a bloody nature,
Albeit the quality of the time and quarrel
Might well have given us bloody argument
(Act III Scene III)
Speaker A is
Akọwa Nkọwa
Speaker A is "Antonio." In the given extract, Antonio is speaking about how he is in danger of being caught by the Count's men if he is seen walking the streets. He explains that he once served in a sea-fight against the Count's galleys and did a notable service. If he is caught, he fears that he will be punished severely. When asked by Speaker B if he had killed many of the Count's people, Antonio replies that the offence is not of such a bloody nature, even though the time and quarrel might have led to a violent confrontation. Therefore, it is clear that Speaker A is Antonio, who is speaking about his past and the danger he is currently in.
Ajụjụ 10 Ripọtì
In England, her love for Henry blossomed like spring flowers after a hard winter. But she abhored the way he dressed in England. They fell in love when she was working in a little coffee shop across from the Crystal Palace. Tall and jovial, he fell romantically in love with her at first sight. After a brief and hilarious courtship, they got married in a small Presbyterian Chapel in North London. Her people came and her mother shed a tear when it was announced that the newly-wed couple would go to Africa. From that day,her world collapsed. He had never even hinted that he had joined the colonial service. Nor did she know that her honeymoon would be a hurried affair in Brighton.She wept most of the time on board the M.V Apapa that took them to Africa. Eight years and her temper grew worse. She got farther and farther away from her husband. They never had a child. A child would have made all the difference in the world.
'From that day her world collapsed' shows that the woman is
Akọwa Nkọwa
The phrase "From that day her world collapsed" suggests that the woman is likely unhappy. The sentence describes the moment when the newly-wed couple announces their plans to go to Africa, and the woman's mother sheds a tear. This is the moment when the woman's world collapses. The use of the phrase "her world collapsed" suggests that something very significant has happened to her, and it is unlikely to be a positive experience. Furthermore, the sentence also suggests that the woman's life has not gone as she had hoped. The fact that she weeps most of the time on board the ship to Africa, and that her temper grows worse over the course of eight years, implies that she is deeply unhappy with her situation. The statement that "a child would have made all the difference in the world" also suggests that she may feel unfulfilled or incomplete without children. Therefore, based on the information provided, it can be inferred that the woman is unhappy.
Ajụjụ 11 Ripọtì
Read the extract below and answer the question:
WILLIAM SHAKESPEARE: Twelfth Night
A : What country, friends, is this?
B : This is lllyria, Lady,
A : And what should I do in lllyria?
My brother he is in Elysium.
Perchance he is not drowned - What think you, sailors?
B : It is perchance that you yourself where saved
A : O my poor brother. and so perchance may he be
(Act 1 Scene II)
Why is speaker A afraid the brother might be drowned? It is because
Akọwa Nkọwa
Speaker A is afraid that the brother might be drowned because they were shipwrecked. The speaker mentions that the brother is in Elysium, which was a concept in ancient Greek mythology of the afterlife for the virtuous and heroic. The use of the word "perchance" suggests that there is some uncertainty about the brother's fate, but the speaker is hopeful that he may still be alive. The question directed to the sailors about the possibility of the brother being saved further emphasizes the speaker's concern and uncertainty about the situation. Overall, the context of the conversation suggests that the brother was on a ship that met with some kind of misfortune or disaster at sea.
Ajụjụ 12 Ripọtì
Read the this passage carefully and answer the question:
I have returned safely home after my visit to you
They little affair about which we spoke seriously
Occupies my thoughts. How can I ever forget that
you have done me great honour? To show my
gratitude. I will guard the object of your interest....
with all the vigilance in my power......
The 'little affair' is about
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
Read the extract below and answer this question.
But the towering earth was tired of sitting in one position. She moved, suddenly, and the houses crumbled, the mountains heaved horribly, and the work of a million years was lost.
The subject matter of the above extract is
Akọwa Nkọwa
The subject matter of the above extract is an earthquake. An earthquake is a sudden and violent shaking of the ground caused by movements within the earth's crust or volcanic action. The extract describes how the earth moved suddenly, causing the houses to crumble and the mountains to heave, which is a typical description of an earthquake. Therefore, the correct option is "earthquake".
Ajụjụ 14 Ripọtì
Read the extract below and answer the question:
A : Let all the rest give place
(Exeunt Curio and attendants),
Once more, Cesario,
Get thee to yond same sovereign cruelty;
Tell her, my love, more noble than the world,
Prizes, not quantity of dirty land,
The parts that forune hath bestowed upon her,
Tell her, I hold as giddily as fortune,
But 'tis that miracles and queen of gems
that nature pranks her in, attracts my soul.
(Act ll Scene IV)
The hero of the play is
Akọwa Nkọwa
Ajụjụ 15 Ripọtì
A short witty statement is called an
Akọwa Nkọwa
A short witty statement is called an epigram. An epigram is a concise and clever statement that often contains a surprising or paradoxical twist. It is meant to be memorable and thought-provoking, and it is often used to make a point or comment on society, politics, or human behavior. Examples of famous epigrams include "No man is an island" by John Donne and "I can resist everything except temptation" by Oscar Wilde.
Ajụjụ 16 Ripọtì
OLA ROTIMI: The Gods Are Not To Blame
Read the extract below and answer questions:
Speaker A: No, no, do not thank me. I am only doing my duty
Do not thank me. Instead, let me only you one quuestion
Now you have all come here sprawing, vomiting, rubbling tears on one another, begging me to do my duty, and help you. But what about you yourselves?
What have you done to help yourselves?
Answer. Or is the land at peace? Are not people ailing and dying ?
Speaker A: We are suffering my Lord, we are........
Where are speakers A and B when the above statements are made? They are at
Akọwa Nkọwa
Ajụjụ 17 Ripọtì
Read the extract below and answer this question.
But the towering earth was tired of sitting in one position. She moved, suddenly, and the houses crumbled, the mountains heaved horribly, and the work of a million years was lost.
The predominant figure of speech in the above extracts is
Akọwa Nkọwa
The predominant figure of speech in the given extract is personification. Personification is a figure of speech in which human qualities are attributed to non-human things. In this case, the Earth is given human-like qualities of being tired and moving suddenly, as if she is alive and making a decision. This figure of speech is used to create a vivid and engaging image of the earthquake and its effects on the environment.
Ajụjụ 18 Ripọtì
A : Gentlemen, once more you are heartily welcome...Sir, you're heartily welcome.
It's not my way, you see, to receive my friends with my back to the fire. I like to give them a hearty reception in the old style at my gate. I like to see their horse and trunks taken care of
B : (Aside): He has got our names from the servants already. (To him): We approve your caution and hospitality, Sir.
They are both welcome to the house of Mr. and Mrs
Akọwa Nkọwa
Based on the given passage, it can be inferred that both speakers are welcome to the house of Mr. and Mrs. Hardcastle. Speaker A, who is the host, warmly welcomes his guests and mentions his desire to receive them in an old-fashioned way. Speaker B, who approves of the host's hospitality, is one of the guests. Therefore, the correct answer is Hardcastle.
Ajụjụ 19 Ripọtì
Read the extract below carefully and answer the question:
Speaker A : Pray son, tell us the word from Ifa
No matter how bad it is, we are ready to hear it. The horns cannot be too heavy for the head of the cow that must bear them. To remain silent is to make light of the the troubles in the land.
Speaker B: I am not making light of them, mother. It is that the word is heard that must be said.
The trouble in the land is
Akọwa Nkọwa
Ajụjụ 21 Ripọtì
Read the extract below and answer the question:
A : Let all the rest give place
(Exeunt Curio and attendants),
Once more, Cesario,
Get thee to yond same sovereign cruelty;
Tell her, my love, more noble than the world,
Prizes, not quantity of dirty land,
The parts that forune hath bestowed upon her,
Tell her, I hold as giddily as fortune,
But 'tis that miracles and queen of gems
that nature pranks her in, attracts my soul.
(Act ll Scene IV)
The mood of Speaker A in the above scene is one of
Ajụjụ 22 Ripọtì
Mrs. Hardcastle is best described as
Akọwa Nkọwa
Mrs. Hardcastle is best described as vain. This means she has an excessive pride in her appearance, abilities, or achievements. Mrs. Hardcastle is very concerned with her social status and the way she appears to others, often boasting about her wealth and trying to impress others with her connections. She also has a tendency to exaggerate her accomplishments and is overly concerned with her physical appearance.
Ajụjụ 23 Ripọtì
Read the extract below carefully and answer the question:
Speaker A : Pray son, tell us the word from Ifa
No matter how bad it is, we are ready to hear it. The horns cannot be too heavy for the head of the cow that must bear them. To remain silent is to make light of the the troubles in the land.
Speaker B: I am not making light of them, mother. It is that the word is heard that must be said.
Speaker A is
Akọwa Nkọwa
Ajụjụ 24 Ripọtì
Read the this passage carefully and answer the question
Speaker A: Delicious news cut a little whisky with me,
Mr Honourable Hey, bring the
drinks!......Sweet news Mr. Honourable (They drink)
Did he specify the day?
Speaker B: Oh yes. Two weeks today,
The 'delicious news' is delivered by
Akọwa Nkọwa
Ajụjụ 25 Ripọtì
A play is fully realized when it is
Akọwa Nkọwa
A play is fully realized when it is acted. In other words, a play is brought to life when it is performed by actors on stage, and witnessed by an audience. Acting involves not only memorizing the lines, but also conveying the emotions, intentions, and personalities of the characters through movement, expression, and voice. This transforms the written words into a living, breathing piece of art, and allows the audience to fully engage with the story and the themes it presents. While studying, memorizing, and reading the play are all important steps in the process, it is only through the act of performing that a play is truly realized.
Ajụjụ 26 Ripọtì
UNSEEN PROSE AND POETRY
Joseph turned around, Be careful you don't slip, he called. Her heel dug for a third step and then the moss stripped off a little. Her hands gripped the moss and tore it out. Joseph saw her head describe a little arc and strike the ground. As he ran toward her, she turned slowly on her side. Her whole body shuddered violently for a second and then relaxed. He stood over her for an instant before he ran to the spring and filled his hands with water. But when he came back to her, he let the water fall to the ground, for he saw the position of her neck, and the grey that was stealing into her cheeks. 'It was too simple, to easy, too quick, he said.
The setting of this extract is the
Akọwa Nkọwa
Ajụjụ 27 Ripọtì
Read the passage carefully and answer question:
'Ah, here's a lovely thing. Oh, let me give service to my child.
Man, give me my child's brass bowl.....it's for you I'm spending my energy.
Sir, give me the nyanya, please.
The above speech is made at the
Akọwa Nkọwa
The speech above is likely made at an outdooring ceremony. The use of the phrase "Oh, let me give service to my child" suggests that the speaker is a parent or close relative of the child being celebrated. The use of the phrase "my child's brass bowl" further suggests that this is a ceremony involving a young child. The word "nyanya" used in the last sentence is a Nigerian term for pepper or tomato. This suggests that the ceremony is likely taking place in Nigeria or another West African country where the term is commonly used. Moreover, the phrase "it's for you I'm spending my energy" implies that the speaker is putting in a lot of effort into the ceremony, indicating that it is an important occasion. Based on the use of these phrases, it can be inferred that the speech is likely made at an outdooring ceremony, which is a traditional West African ceremony that celebrates the birth of a child and introduces the child to the community.
Ajụjụ 28 Ripọtì
In England, her love for Henry blossomed like spring flowers after a hard winter. But she abhored the way he dressed in England. They fell in love when she was working in a little coffee shop across from the Crystal Palace. Tall and jovial, he fell romantically in love with her at first sight. After a brief and hilarious courtship, they got married in a small Presbyterian Chapel in North London. Her people came and her mother shed a tear when it was announced that the newly-wed couple would go to Africa. From that day,her world collapsed. He had never even hinted that he had joined the colonial service. Nor did she know that her honeymoon would be a hurried affair in Brighton.She wept most of the time on board the M.V Apapa that took them to Africa. Eight years and her temper grew worse. She got farther and farther away from her husband. They never had a child. A child would have made all the difference in the world.
The figure of speech used in the first sentence is
Akọwa Nkọwa
The figure of speech used in the first sentence is a simile. A simile is a figure of speech that compares two things using the words "like" or "as." In this case, the author is comparing the blossoming of her love for Henry to the blossoming of spring flowers after a hard winter, using the word "like" to make the comparison.
Ajụjụ 29 Ripọtì
In England, her love for Henry blossomed like spring flowers after a hard winter. But she abhored the way he dressed in England. They fell in love when she was working in a little coffee shop across from the Crystal Palace. Tall and jovial, he fell romantically in love with her at first sight. After a brief and hilarious courtship, they got married in a small Presbyterian Chapel in North London. Her people came and her mother shed a tear when it was announced that the newly-wed couple would go to Africa. From that day,her world collapsed. He had never even hinted that he had joined the colonial service. Nor did she know that her honeymoon would be a hurried affair in Brighton.She wept most of the time on board the M.V Apapa that took them to Africa. Eight years and her temper grew worse. She got farther and farther away from her husband. They never had a child. A child would have made all the difference in the world.
In England, she had loved her husband, in Africa, She
Akọwa Nkọwa
In Africa, she resented him. The passage describes how the protagonist's love for her husband blossomed in England, but upon arriving in Africa, she discovered that he had joined the colonial service and never hinted at this before. Additionally, she wept most of the time on board the M.V Apapa that took them to Africa, which suggests that she was unhappy about the move. As time went on, her temper grew worse, and she became more distant from her husband. The fact that they never had a child also contributed to her unhappiness. All of these details suggest that the protagonist resented her husband in Africa. Therefore, the correct option is "resented him."
Ajụjụ 30 Ripọtì
Read the extract below and answer this question.
The pattering rain was kicking up little
explosions of dust in the glade.He heard the
faint whisper of the stream as it stole across
the land and disappeared into the bush.
The underline expression in line regular pattern of
Akọwa Nkọwa
Ajụjụ 31 Ripọtì
Read the extract below and answer the question
A : My Lord, you make charges sometimes without grounds
B : I do, do I? Very well then, tell me this
Bedsharer, You heard it. Didn't you?
That blind bat who calls himself
Seer says I am a bedsharer'.......
What do you think of that? You don't answer?
Speaker A is
Ajụjụ 34 Ripọtì
Read the this passage carefully and answer the question:
I have returned safely home after my visit to you
They little affair about which we spoke seriously
Occupies my thoughts. How can I ever forget that
you have done me great honour? To show my
gratitude. I will guard the object of your interest....
with all the vigilance in my power......
The speaker is
Akọwa Nkọwa
Ajụjụ 35 Ripọtì
» Read the extract below and answer the question.
That age is best which is the first
When youth and blood are warmer
But being spent, the worse, and worst
Times still succeed the former.
A poem of four lines is known as a
Ajụjụ 36 Ripọtì
Pick the odd item from the list below
Akọwa Nkọwa
The odd item from the list is "Things fall Apart." The other three items in the list, "Night Rain," "Stanley Meets Mutesa," and "Nightfall in Soweto," are all titles of literary works that refer to a specific time or event. "Night Rain" and "Nightfall in Soweto" both refer to a specific time of day, while "Stanley Meets Mutesa" refers to a specific event. On the other hand, "Things fall Apart" is a title that does not refer to a specific time or event. Rather, it is a more abstract phrase that can be interpreted in many different ways. This makes it different from the other titles, which all have a more concrete reference point. "Things fall Apart" is also the title of a novel by Chinua Achebe, which tells the story of a Nigerian village and its people's struggles to maintain their way of life in the face of colonialism. So not only is it different from the other titles in terms of its abstractness, but it also has a different theme and genre compared to the others, which are more focused on specific times and events.
Ajụjụ 37 Ripọtì
''The people's voices rutted like pigs in the mud'' is an example of
Akọwa Nkọwa
The statement "The people's voices rutted like pigs in the mud" is an example of a simile. A simile is a figure of speech that directly compares two things using the words "like" or "as." In this example, the comparison is made between the voices of the people and the sounds made by pigs in the mud. The use of "like" indicates that it is a simile.
Ajụjụ 38 Ripọtì
Read the following poem carefully and answer the questions that follow:
O stealing time, the subject of delay,
Delay the rack of unrefrained desire,
What strange design has thou my hopes to stay?
My hopes which do but to mine own aspire?
Old age is wise, and full of constant truth,
Old age well stayed from ranging humours lives,
Old age hath known, whatever was in youth,
Old age overcome the greater honour gives.
The literary device used in lines 3 and 4 of stanza 1 is
Akọwa Nkọwa
The literary device used in lines 3 and 4 of stanza 1 is a rhetorical question. The speaker is asking why time is delaying the fulfillment of his hopes, and implying that there is no good reason for this delay. The question is not meant to be answered, but to emphasize the speaker's frustration and impatience with the situation.
Ajụjụ 39 Ripọtì
Beauty in poetry depends mainly on
Akọwa Nkọwa
Beauty in poetry depends mainly on expression and rhythm. Expression refers to the use of vivid and imaginative language that appeals to the reader's senses and emotions, while rhythm refers to the pattern of stressed and unstressed syllables in the poem. A well-written poem will use expressive language that creates vivid mental images and elicits strong emotions in the reader. This can be achieved through the use of figurative language, such as metaphors, similes, and personification, as well as through the careful choice of words and phrasing. In addition to expression, the rhythm of a poem plays a critical role in its beauty. A poem with a consistent and pleasing rhythm can create a sense of musicality and harmony, drawing the reader in and enhancing the overall emotional impact of the poem. To summarize, the beauty of poetry depends mainly on the use of expressive language that appeals to the senses and emotions of the reader, as well as on the rhythmic pattern of stressed and unstressed syllables in the poem.
Ajụjụ 40 Ripọtì
Read the extract below and answer the question:
WILLIAM SHAKESPEARE: Twelfth Night
A : What country, friends, is this?
B : This is lllyria, Lady,
A : And what should I do in lllyria?
My brother he is in Elysium.
Perchance he is not drowned - What think you, sailors?
B : It is perchance that you yourself where saved
A : O my poor brother. and so perchance may he be
(Act 1 Scene II)
Speaker B is worried about lllyria because the lady
Akọwa Nkọwa
Speaker B is not worried about lllyria because the lady is afraid of the people or is not familiar with the language or the government. Speaker B is simply answering the lady's question about what country they are in. The lady is worried about what she should do in lllyria because she is searching for her brother who she believes may not be dead, and is hoping that the sailors may have some information about his whereabouts.
Ajụjụ 41 Ripọtì
A novel is usually written in
Akọwa Nkọwa
A novel is usually written in prose. Prose is a form of language that has no formal metrical structure. It is the most common form of written language, used in novels, essays, and other types of writing. Novels are typically lengthy works of fiction that tell a story in prose. The absence of a formal metrical structure allows the author to focus on creating characters, developing plotlines, and exploring themes in a more natural and flexible way.
Ajụjụ 42 Ripọtì
The main female character in a play is called
Akọwa Nkọwa
The main female character in a play is called a heroine. She is often the protagonist, which means the central character who drives the action of the play forward. The term "heroine" is used specifically to refer to a female protagonist.
Ajụjụ 43 Ripọtì
Read the extract below carefully and answer the question
A : Then to be plain with you .......
I expect the young gentleman I have chosen to be your husband from town this very day.
I have his father's letter, in which he informs me his son is set out and that he intends to follow himself shortly after.
B : Indeed! I wish I had known something of this before. Bless me, how shall I behave?
It's a thousand to one
I shan't like him, Our meeting will be so formal, and so like a thing of business that I shall find no room for friendship or esteem.
Speaker A is the father of
Akọwa Nkọwa
Ajụjụ 44 Ripọtì
Read the following poem carefully and answer the questions that follow:
O stealing time, the subject of delay,
Delay the rack of unrefrained desire,
What strange design has thou my hopes to stay?
My hopes which do but to mine own aspire?
Old age is wise, and full of constant truth,
Old age well stayed from ranging humours lives,
Old age hath known, whatever was in youth,
Old age overcome the greater honour gives.
The rhyme scheme of the above extract is
Akọwa Nkọwa
Ajụjụ 45 Ripọtì
Read the following poem carefully and answer the questions that follow:
I love you, my gentle one;
My love is the fresh milk in the rubindi
Which you drank on the wedding day;
My love is the butter we were smeared with
To seal fidelity into our hearts
You are the cattle-bird's egg.
For those who say you are wealthy;
You are the papyrus read of the lake;
Which they pull out with both hands.
And I sing for you with tears
Because you possess my heart.
I love you my gentle one.
The poem is an example of
Akọwa Nkọwa
Ajụjụ 46 Ripọtì
UNSEEN PROSE AND POETRY
Joseph turned around, Be careful you don't slip, he called. Her heel dug for a third step and then the moss stripped off a little. Her hands gripped the moss and tore it out. Joseph saw her head describe a little arc and strike the ground. As he ran toward her, she turned slowly on her side. Her whole body shuddered violently for a second and then relaxed. He stood over her for an instant before he ran to the spring and filled his hands with water. But when he came back to her, he let the water fall to the ground, for he saw the position of her neck, and the grey that was stealing into her cheeks. 'It was too simple, to easy, too quick, he said.
The mood of the narrator is one of
Akọwa Nkọwa
The mood of the narrator is shock. This is evident in the way the narrator describes the events in the passage, such as the suddenness and violence of the woman's fall, the shuddering of her body, and the realization that she is dying. The narrator's use of words like "stripped off", "turned slowly", and "grey that was stealing into her cheeks" also convey a sense of shock and disbelief.
Ajụjụ 47 Ripọtì
Read the extract below and answer the question:
A : Let all the rest give place
(Exeunt Curio and attendants),
Once more, Cesario,
Get thee to yond same sovereign cruelty;
Tell her, my love, more noble than the world,
Prizes, not quantity of dirty land,
The parts that forune hath bestowed upon her,
Tell her, I hold as giddily as fortune,
But 'tis that miracles and queen of gems
that nature pranks her in, attracts my soul.
(Act ll Scene IV)
Speaker A's object of love is
Akọwa Nkọwa
Speaker A's object of love is Olivia. Explanation: In the given extract, Speaker A is asking Cesario to go to Olivia and tell her that he loves her, and that her beauty and noble character are more important to him than any material possessions. The use of the pronoun "her" and "queen of gems" suggest that Speaker A is referring to Olivia, who is the main female character in the play.
Ajụjụ 48 Ripọtì
OLIVER GOLDSMITH: She Stoops To Conquer
A : Ay, and bring back vanity and affection to last them the whole year.
I wonder why London cannot keep its own fools at home!. In my time, the follies of the town crept slowly among us, but now they travel faster than a stage coach. Its fopperies come down, not only as inside passengers, but in the very basket.
B : Ay, your times were fine times indeed, you have telling us of them for many a long year. Here we live in an old rumbling mansion, that looks for all the world like an inn, but that we never see company....'
' Them' in line 1 refers to
Ajụjụ 49 Ripọtì
The birds fly high over
the hills beyond the corn fields.
A poem written or rendered in praise of a person or thing is called
Akọwa Nkọwa
A poem written or rendered in praise of a person or thing is called a panegyric. Panegyric poems are characterized by their laudatory tone and are often used to celebrate notable figures or important events. The poem presented in the question is not an example of a panegyric, as it does not contain any overt praise or celebration of a person or thing. Rather, it is a descriptive sentence or phrase that paints a picture of birds flying over hills and corn fields. To summarize, a panegyric is a type of poem that celebrates a person or thing through praise, whereas the given sentence is simply a descriptive sentence or phrase.
Ajụjụ 50 Ripọtì
Which of the following is an African poet?
Akọwa Nkọwa
Dennis Brutus is an African poet. He was a South African anti-apartheid activist and poet who wrote about the injustices and struggles of black South Africans during apartheid. His works often reflected his political activism and he was imprisoned for his opposition to the government.
Ajụjụ 51 Ripọtì
Read the extract below and answer this question.
But the towering earth was tired of sitting in one position. She moved, suddenly, and the houses crumbled, the mountains heaved horribly, and the work of a million years was lost.
The image depicted in the extract is one of
Akọwa Nkọwa
The image depicted in the extract is one of destruction. The passage describes the sudden movement of the earth, causing houses to crumble and mountains to heave. This suggests a violent and destructive event, rather than one of merriment, happiness, or admiration.
Ajụjụ 52 Ripọtì
A poem of 14 lines is known as a
Akọwa Nkọwa
A poem of 14 lines is known as a sonnet. A sonnet is a type of poem that originated in Italy in the 13th century and is characterized by having 14 lines. The most common form of sonnet is the Shakespearean sonnet, which consists of three quatrains (four-line stanzas) and a final couplet (two-line stanza) with a rhyme scheme of ABAB CDCD EFEF GG. The sonnet is a popular form for poets because it provides a structured framework for expressing complex thoughts and emotions.
Ajụjụ 53 Ripọtì
Read the following poem carefully and answer the questions that follow:
I love you, my gentle one;
My love is the fresh milk in the rubindi
Which you drank on the wedding day;
My love is the butter we were smeared with
To seal fidelity into our hearts
You are the cattle-bird's egg.
For those who say you are wealthy;
You are the papyrus read of the lake;
Which they pull out with both hands.
And I sing for you with tears
Because you possess my heart.
I love you my gentle one.
The underlined expression contains a
Akọwa Nkọwa
The underlined expression "You are the cattle-bird's egg" contains a metaphor. A metaphor is a figure of speech that directly refers to one thing by mentioning another thing. In this poem, the speaker is comparing the person they love to a cattle-bird's egg to emphasize their worth and value. The comparison is implicit, as there is no use of "like" or "as" which are used in a simile.
Ajụjụ 54 Ripọtì
Read the extract below and answer the question:
A : Let all the rest give place
(Exeunt Curio and attendants),
Once more, Cesario,
Get thee to yond same sovereign cruelty;
Tell her, my love, more noble than the world,
Prizes, not quantity of dirty land,
The parts that forune hath bestowed upon her,
Tell her, I hold as giddily as fortune,
But 'tis that miracles and queen of gems
that nature pranks her in, attracts my soul.
(Act ll Scene IV)
Speaker A is
Akọwa Nkọwa
Speaker A in the extract is the Duke. The Duke is instructing Cesario (who is actually Viola in disguise) to go and tell Olivia, a woman he is in love with, that he is not interested in her wealth or the land she possesses, but rather her own noble character and the unique beauty that nature has given her.
Ajụjụ 55 Ripọtì
Read the extract below carefully and answer the question
A : Then to be plain with you .......
I expect the young gentleman I have chosen to be your husband from town this very day.
I have his father's letter, in which he informs me his son is set out and that he intends to follow himself shortly after.
B : Indeed! I wish I had known something of this before. Bless me, how shall I behave?
It's a thousand to one
I shan't like him, Our meeting will be so formal, and so like a thing of business that I shall find no room for friendship or esteem.
The underlined expression reveals that speaker B
Akọwa Nkọwa
Speaker B disapproves of contracted marriages.
Ajụjụ 56 Ripọtì
What distinguishes a novel from a play is
Akọwa Nkọwa
What distinguishes a novel from a play is narration. A novel is a literary work of fiction that is written in prose and tells a story through narration, which is the voice that describes the events, characters, and setting. The narration can be in first-person or third-person, and it allows the reader to see inside the thoughts and feelings of the characters. In contrast, a play is a literary work that is written to be performed on stage by actors. The story is conveyed through dialogue and stage directions, rather than through narration. While characters, setting, and theme can be present in both novels and plays, it is the presence or absence of narration that distinguishes the two forms of literature.
Ajụjụ 57 Ripọtì
OLIVER GOLDSMITH: She Stoops To Conquer
A : Ay, and bring back vanity and affection to last them the whole year.
I wonder why London cannot keep its own fools at home!. In my time, the follies of the town crept slowly among us, but now they travel faster than a stage coach. Its fopperies come down, not only as inside passengers, but in the very basket.
B : Ay, your times were fine times indeed, you have telling us of them for many a long year. Here we live in an old rumbling mansion, that looks for all the world like an inn, but that we never see company....'
Speaker A and B are in
Ajụjụ 58 Ripọtì
Pick the odd item from the list
Akọwa Nkọwa
The odd item from the list is "fiction." The other three options are related to the structure and components of written language, while "fiction" refers to a literary genre that typically involves storytelling and imagination, and can encompass various forms such as novels, short stories, and plays.
Ajụjụ 59 Ripọtì
Read the passage carefully and answer question:
'Ah, here's a lovely thing. Oh, let me give service to my child.
Man, give me my child's brass bowl.....it's for you I'm spending my energy.
Sir, give me the nyanya, please.
The brass bowl is meant
Ajụjụ 60 Ripọtì
Read the extract below and answer the question.
That age is best which is the first
When youth and blood are warmer
But being spent, the worse, and worst
Times still succeed the former.
This kind of rhyme scheme is known as
Akọwa Nkọwa
Ajụjụ 61 Ripọtì
Read the extract below and answer questions:
A : Would you'd pardon me
I do not without danger walk these streets;
Once, in a sea-fight against the Count his galleys,
I did some service-of such note, indeed.
That were I ta'en here
It would scarce be answered
B : Be like you slew great number of his people
A : The offence is not of such a bloody nature,
Albeit the quality of the time and quarrel
Might well have given us bloody argument
(Act III Scene III)
The Count referred to in the extract is
Akọwa Nkọwa
The extract does not mention any character by the name Orsino, Sir Andrew, Toby or Malvolio. Therefore, none of these characters is the Count referred to in the extract.
Ajụjụ 62 Ripọtì
Read the extract below and answer the question:
WILLIAM SHAKESPEARE: Twelfth Night
A : What country, friends, is this?
B : This is lllyria, Lady,
A : And what should I do in lllyria?
My brother he is in Elysium.
Perchance he is not drowned - What think you, sailors?
B : It is perchance that you yourself where saved
A : O my poor brother. and so perchance may he be
(Act 1 Scene II)
The figure of speech underlined in the extract is known as
Akọwa Nkọwa
The figure of speech underlined in the extract is known as "apostrophe." Apostrophe is a literary device in which a writer or speaker addresses a person who is not present, an imaginary character, a place, or an abstract idea. In this extract, the speaker is addressing her deceased brother who is not present, expressing her grief and hoping that he is still alive. The use of apostrophe helps to create an emotional impact and draw the reader's attention to the speaker's feelings.
Ajụjụ 63 Ripọtì
In a novel, the antagonist is
Ajụjụ 64 Ripọtì
Read the extract below and answer the question.
The bees are buzzing and humming with great zest, the doves are cooing; and the children chatter as they clatter downstairs to come and dabble in the cool system.
The predominant sound device in the extract is
Akọwa Nkọwa
The predominant sound device in the extract is onomatopoeia. Onomatopoeia is a sound device where words are used to imitate the natural sounds of things. In this extract, the author uses words that mimic the sounds of the bees buzzing and humming, the doves cooing, and the children chattering and clattering. These words create a vivid and sensory experience for the reader, allowing them to almost hear the sounds being described. Therefore, the correct answer is that the predominant sound device in the extract is onomatopoeia.
Ajụjụ 65 Ripọtì
UNSEEN PROSE AND POETRY
Joseph turned around, Be careful you don't slip, he called. Her heel dug for a third step and then the moss stripped off a little. Her hands gripped the moss and tore it out. Joseph saw her head describe a little arc and strike the ground. As he ran toward her, she turned slowly on her side. Her whole body shuddered violently for a second and then relaxed. He stood over her for an instant before he ran to the spring and filled his hands with water. But when he came back to her, he let the water fall to the ground, for he saw the position of her neck, and the grey that was stealing into her cheeks. 'It was too simple, to easy, too quick, he said.
The underlined expression is an example of
Akọwa Nkọwa
Ajụjụ 66 Ripọtì
OLA ROTIMI: The Gods Are Not To Blame
Read the extract below and answer questions:
Speaker A: No, no, do not thank me. I am only doing my duty
Do not thank me. Instead, let me only you one quuestion
Now you have all come here sprawing, vomiting, rubbling tears on one another, begging me to do my duty, and help you. But what about you yourselves?
What have you done to help yourselves?
Answer. Or is the land at peace? Are not people ailing and dying ?
Speaker A: We are suffering my Lord, we are........
Speaker A is addressing
Akọwa Nkọwa
Speaker A is addressing the townspeople. This can be inferred from the line "Now you have all come here sprawling, vomiting, rubbing tears on one another, begging me to do my duty, and help you." which implies that Speaker A is addressing a group of people who have come to him for help. The fact that Speaker A asks "What have you done to help yourselves?" further suggests that he is talking to the townspeople, who are responsible for taking care of themselves and their community.
Ajụjụ 67 Ripọtì
Read the extract below and answer the question.
That age is best which is the first
When youth and blood are warmer
But being spent, the worse, and worst
Times still succeed the former.
The rhyme scheme is known as
Akọwa Nkọwa
The rhyme scheme in the given extract is 'abab'. This means that the last words of the first and third lines rhyme with each other, and the last words of the second and fourth lines rhyme with each other. In this case, "first" and "worst" rhyme with each other, and "warmer" and "former" rhyme with each other.
Ajụjụ 68 Ripọtì
Read the extract below and answer the question:
WILLIAM SHAKESPEARE: Twelfth Night
A : What country, friends, is this?
B : This is lllyria, Lady,
A : And what should I do in lllyria?
My brother he is in Elysium.
Perchance he is not drowned - What think you, sailors?
B : It is perchance that you yourself where saved
A : O my poor brother. and so perchance may he be
(Act 1 Scene II)
Speaker A is
Ajụjụ 69 Ripọtì
Read the extract below carefully and answer the question:
Speaker A : Pray son, tell us the word from Ifa
No matter how bad it is, we are ready to hear it. The horns cannot be too heavy for the head of the cow that must bear them. To remain silent is to make light of the the troubles in the land.
Speaker B: I am not making light of them, mother. It is that the word is heard that must be said.
Ifa oracle is consulted at
Akọwa Nkọwa
The extract is not specific about the location where the Ifa oracle is consulted. Therefore, there is no clear answer to this question.
Ajụjụ 70 Ripọtì
Read the extract below and answer the question.
The bees are buzzing and humming with great zest, the doves are cooing; and the children chatter as they clatter downstairs to come and dabble in the cool system.
The underlined words in lines 1 and 4 are example of
Akọwa Nkọwa
The underlined words in lines 1 and 4 are examples of internal rhyme. Internal rhyme occurs when a word within a line of poetry rhymes with another word either on the same line or within another line. In this case, "buzzing" rhymes with "humming" and "chatter" rhymes with "clatter".
Ajụjụ 71 Ripọtì
Read the following poem carefully and answer the questions that follow:
I love you, my gentle one;
My love is the fresh milk in the rubindi
Which you drank on the wedding day;
My love is the butter we were smeared with
To seal fidelity into our hearts
You are the cattle-bird's egg.
For those who say you are wealthy;
You are the papyrus read of the lake;
Which they pull out with both hands.
And I sing for you with tears
Because you possess my heart.
I love you my gentle one.
The predominant literary device used in the extract is
Akọwa Nkọwa
Ajụjụ 72 Ripọtì
OLIVER GOLDSMITH: She Stoops To Conquer
A : Ay, and bring back vanity and affection to last them the whole year.
I wonder why London cannot keep its own fools at home!. In my time, the follies of the town crept slowly among us, but now they travel faster than a stage coach. Its fopperies come down, not only as inside passengers, but in the very basket.
B : Ay, your times were fine times indeed, you have telling us of them for many a long year. Here we live in an old rumbling mansion, that looks for all the world like an inn, but that we never see company....'
Speaker B wishes to take a trip to
Akọwa Nkọwa
Speaker B wishes to take a trip to London. This is evident from the first line of the dialogue where Speaker A mentions the "vanity and affection" that are brought back from London and wonders why London cannot keep its own fools at home. In response to this, Speaker B sarcastically talks about the "fine times" of Speaker A's days and mentions that they live in an old mansion and never see any company, implying that they would like to go to London and experience its liveliness.
Ajụjụ 73 Ripọtì
Any expression which creates a mental picture is known as
Akọwa Nkọwa
An expression which creates a mental picture is known as imagery. Imagery refers to the use of vivid and descriptive language to create sensory experiences for the reader or listener. This can include descriptions of sights, sounds, tastes, smells, and tactile sensations. By using imagery, writers and speakers can make their words more engaging and memorable, and help to convey complex emotions and ideas in a way that resonates with their audience. Examples of imagery in literature might include descriptions of the natural world, characters' appearances, or emotional states.
Ajụjụ 74 Ripọtì
Which of the following is common to all forms of literature?
Akọwa Nkọwa
The one thing that is common to all forms of literature is language. Literature is a written or spoken art form that uses language as its medium of expression. Whether it is poetry, prose, drama, or any other form of literature, language is essential for conveying meaning, emotions, and ideas to the reader or audience. While other elements such as chorus, action, or narrator may be present in some forms of literature, language is the fundamental element that makes all forms of literature possible.
Ajụjụ 76 Ripọtì
Read the extract below and answer questions:
A : Would you'd pardon me
I do not without danger walk these streets;
Once, in a sea-fight against the Count his galleys,
I did some service-of such note, indeed.
That were I ta'en here
It would scarce be answered
B : Be like you slew great number of his people
A : The offence is not of such a bloody nature,
Albeit the quality of the time and quarrel
Might well have given us bloody argument
(Act III Scene III)
They mood of Speaker A, is that of
Akọwa Nkọwa
The mood of Speaker A is that of fear. In the extract, Speaker A expresses concern for his safety and the danger he faces in walking the streets. He mentions that he had once done some service in a sea-fight against the Count, and if he is caught now, it would be difficult to explain his actions. When Speaker B suggests that he might have killed some of the Count's people, Speaker A downplays the severity of the offense, suggesting that the quality of the time and quarrel did not warrant a bloody argument. All of these actions suggest a sense of fear and caution in Speaker A's mood.
Ajụjụ 77 Ripọtì
UNSEEN PROSE AND POETRY
Joseph turned around, Be careful you don't slip, he called. Her heel dug for a third step and then the moss stripped off a little. Her hands gripped the moss and tore it out. Joseph saw her head describe a little arc and strike the ground. As he ran toward her, she turned slowly on her side. Her whole body shuddered violently for a second and then relaxed. He stood over her for an instant before he ran to the spring and filled his hands with water. But when he came back to her, he let the water fall to the ground, for he saw the position of her neck, and the grey that was stealing into her cheeks. 'It was too simple, to easy, too quick, he said.
The narrator's companion has just
Ajụjụ 78 Ripọtì
The essential function of a tragedy is to make people
Akọwa Nkọwa
The essential function of a tragedy is to make people think and feel more deeply. Tragedy is a form of drama that presents serious and meaningful events that lead to the downfall of the protagonist. It often explores universal themes such as love, loss, fate, and the human condition, and confronts the audience with the consequences of the character's actions. Through the emotional journey of the story, the audience is forced to reflect on the choices made by the characters and consider their own attitudes and beliefs. Tragedy aims to create a sense of catharsis, or emotional release, in the audience by stirring their emotions and prompting them to reflect on the human experience.
Ajụjụ 79 Ripọtì
The omniscient narrator
Akọwa Nkọwa
An omniscient narrator is a literary technique where the narrator knows everything about the characters and events in a story. They have access to the thoughts, emotions, and motivations of all the characters in the story, and can also see and describe events from multiple perspectives. Therefore, the correct answer is that the omniscient narrator knows all about the characters and events.
Ajụjụ 80 Ripọtì
Pick the odd item from the list
Akọwa Nkọwa
The odd item from the list is "tragedy". This is because tragedy is a type of drama, while the other options - prose, poetry, and drama - are all different forms of literature. Prose refers to written or spoken language in its ordinary form, without any metrical structure. Poetry, on the other hand, is a form of literary expression that uses meter, rhyme, and other literary techniques to create an emotional response in the reader. Drama refers to a form of literature that is meant to be performed, often with dialogue between characters and a plot that unfolds through a series of scenes. Tragedy is a sub-genre of drama that typically involves a serious or tragic ending, often with the death of the protagonist. While it is a type of drama, it is not a distinct form of literature like prose or poetry.
Ajụjụ 81 Ripọtì
A : Gentlemen, once more you are heartily welcome...Sir, you're heartily welcome.
It's not my way, you see, to receive my friends with my back to the fire. I like to give them a hearty reception in the old style at my gate. I like to see their horse and trunks taken care of
B : (Aside): He has got our names from the servants already. (To him): We approve your caution and hospitality, Sir.
Speaker A is happy to receive his
Ajụjụ 82 Ripọtì
Read the extract below and answer the question
A : My Lord, you make charges sometimes without grounds
B : I do, do I? Very well then, tell me this
Bedsharer, You heard it. Didn't you?
That blind bat who calls himself
Seer says I am a bedsharer'.......
What do you think of that? You don't answer?
The 'blind bat' is
Ajụjụ 83 Ripọtì
UNSEEN PROSE AND POETRY
Joseph turned around, Be careful you don't slip, he called. Her heel dug for a third step and then the moss stripped off a little. Her hands gripped the moss and tore it out. Joseph saw her head describe a little arc and strike the ground. As he ran toward her, she turned slowly on her side. Her whole body shuddered violently for a second and then relaxed. He stood over her for an instant before he ran to the spring and filled his hands with water. But when he came back to her, he let the water fall to the ground, for he saw the position of her neck, and the grey that was stealing into her cheeks. 'It was too simple, to easy, too quick, he said.
The extract is an example of
Ajụjụ 84 Ripọtì
Read the extract below carefully and answer the question:
Speaker A : Pray son, tell us the word from Ifa
No matter how bad it is, we are ready to hear it. The horns cannot be too heavy for the head of the cow that must bear them. To remain silent is to make light of the the troubles in the land.
Speaker B: I am not making light of them, mother. It is that the word is heard that must be said.
The cause of the trouble is
Akọwa Nkọwa
Ajụjụ 85 Ripọtì
Read the extract below carefully and answer the question:
Speaker A : Pray son, tell us the word from Ifa
No matter how bad it is, we are ready to hear it. The horns cannot be too heavy for the head of the cow that must bear them. To remain silent is to make light of the the troubles in the land.
Speaker B: I am not making light of them, mother. It is that the word is heard that must be said.
Speaker B is
Akọwa Nkọwa
Ajụjụ 86 Ripọtì
Read the passage carefully and answer question:
'Ah, here's a lovely thing. Oh, let me give service to my child.
Man, give me my child's brass bowl.....it's for you I'm spending my energy.
Sir, give me the nyanya, please.
The suitor who finally marries Anansewa is
Akọwa Nkọwa
Ajụjụ 87 Ripọtì
OLA ROTIMI: The Gods Are Not To Blame
Read the extract below and answer questions:
Speaker A: No, no, do not thank me. I am only doing my duty
Do not thank me. Instead, let me only you one quuestion
Now you have all come here sprawing, vomiting, rubbling tears on one another, begging me to do my duty, and help you. But what about you yourselves?
What have you done to help yourselves?
Answer. Or is the land at peace? Are not people ailing and dying ?
Speaker A: We are suffering my Lord, we are........
Speaker A is
Akọwa Nkọwa
Ajụjụ 88 Ripọtì
Read the extract below and answer questions:
A : Would you'd pardon me
I do not without danger walk these streets;
Once, in a sea-fight against the Count his galleys,
I did some service-of such note, indeed.
That were I ta'en here
It would scarce be answered
B : Be like you slew great number of his people
A : The offence is not of such a bloody nature,
Albeit the quality of the time and quarrel
Might well have given us bloody argument
(Act III Scene III)
Speaker B is
Ajụjụ 89 Ripọtì
The heroine of the play, She Stoops to Conquer is
Akọwa Nkọwa
The heroine of the play "She Stoops to Conquer" is Miss Hardcastle. She is the daughter of Mr. and Mrs. Hardcastle and is in love with Charles Marlow. Miss Hardcastle is a strong, witty and resourceful character who ultimately helps to resolve the various misunderstandings and conflicts that arise throughout the play.
Ajụjụ 90 Ripọtì
The birds fly high over
the hills beyond the corn fields.
The poetic device used in the above extract is
Akọwa Nkọwa
Ajụjụ 91 Ripọtì
Read the this passage carefully and answer the question
Speaker A: Delicious news cut a little whisky with me,
Mr Honourable Hey, bring the
drinks!......Sweet news Mr. Honourable (They drink)
Did he specify the day?
Speaker B: Oh yes. Two weeks today,
Speaker A is
Ajụjụ 92 Ripọtì
Read the following poem carefully and answer the questions that follow:
O stealing time, the subject of delay,
Delay the rack of unrefrained desire,
What strange design has thou my hopes to stay?
My hopes which do but to mine own aspire?
Old age is wise, and full of constant truth,
Old age well stayed from ranging humours lives,
Old age hath known, whatever was in youth,
Old age overcome the greater honour gives.
The predominant figure of speech in stanza ll is
Akọwa Nkọwa
The predominant figure of speech in stanza II is personification. Personification is a figure of speech in which human qualities are attributed to non-human things or concepts. In this stanza, old age is personified as being wise, stayed from ranging humours, having knowledge of youth, and able to overcome and give greater honour.
Ajụjụ 93 Ripọtì
EFUAT. SUTHERLAND: The Marriage of Anansewa
Speaker A: Haven't you stayed at home for nearly
two weeks because your fees are owing?
And am I not still straining to find the money?
Speaker B: Yes
Speaker B is
Ajụjụ 94 Ripọtì
Read the extract below carefully and answer the question
A : Then to be plain with you .......
I expect the young gentleman I have chosen to be your husband from town this very day.
I have his father's letter, in which he informs me his son is set out and that he intends to follow himself shortly after.
B : Indeed! I wish I had known something of this before. Bless me, how shall I behave?
It's a thousand to one
I shan't like him, Our meeting will be so formal, and so like a thing of business that I shall find no room for friendship or esteem.
The news of the suitor's visit makes Speaker B
Akọwa Nkọwa
Speaker B is anxious. She is worried about the prospect of meeting her suitor in a formal setting and not being able to develop feelings of friendship or esteem towards him.
Ajụjụ 95 Ripọtì
The three major forms of literature are
Akọwa Nkọwa
The three major forms of literature are poetry, drama, and prose. Poetry is a form of literature that uses language to evoke emotion and convey ideas through the use of meter, rhyme, and imagery. Drama is a form of literature that is written to be performed on stage and tells a story through dialogue and action. Prose is a form of literature that is written in sentences and paragraphs, with the aim of telling a story or conveying information. These three forms of literature are often considered the major forms because they are the most widely recognized and studied. They have distinct characteristics and are used to convey different types of messages and ideas. For example, poetry is often used to convey emotions and experiences in a condensed and highly expressive form, while drama is used to explore complex human relationships and social issues through the actions and dialogue of characters on stage. Prose is used to convey a wide range of narratives, including fiction, non-fiction, and journalism.
Ajụjụ 96 Ripọtì
Read the this passage carefully and answer the question:
I have returned safely home after my visit to you
They little affair about which we spoke seriously
Occupies my thoughts. How can I ever forget that
you have done me great honour? To show my
gratitude. I will guard the object of your interest....
with all the vigilance in my power......
'The object' of interest is
Akọwa Nkọwa
Ajụjụ 97 Ripọtì
An epitaph is
Akọwa Nkọwa
An epitaph is an inscription or a brief statement written on a tomb or a grave marker to honor and remember a deceased person. It typically includes the person's name, dates of birth and death, and a short tribute or message. Epitaphs can be serious, funny, or sentimental, and they are often written by family members, friends, or admirers of the deceased person.
Ajụjụ 98 Ripọtì
Which of the following best describes Literature? It
Akọwa Nkọwa
The best description of Literature is that it is a reflection of man's life in society. Literature encompasses all forms of written and spoken artistic expression that represent the social, cultural, and political conditions of a particular time and place. Through literature, writers explore themes and ideas that reflect the human experience and address issues of morality, ethics, and social justice. Literature serves as a mirror of society, and allows us to gain insight into the past, present, and future of our world. While it may contain fictional elements, literature is fundamentally grounded in reality and speaks to the universal human experience.
Ajụjụ 99 Ripọtì
Read the extract below carefully and answer the question
A : Then to be plain with you .......
I expect the young gentleman I have chosen to be your husband from town this very day.
I have his father's letter, in which he informs me his son is set out and that he intends to follow himself shortly after.
B : Indeed! I wish I had known something of this before. Bless me, how shall I behave?
It's a thousand to one
I shan't like him, Our meeting will be so formal, and so like a thing of business that I shall find no room for friendship or esteem.
The name of the youngman coming form town is
Akọwa Nkọwa
Ajụjụ 100 Ripọtì
Read the following poem carefully and answer the questions that follow:
O stealing time, the subject of delay,
Delay the rack of unrefrained desire,
What strange design has thou my hopes to stay?
My hopes which do but to mine own aspire?
Old age is wise, and full of constant truth,
Old age well stayed from ranging humours lives,
Old age hath known, whatever was in youth,
Old age overcome the greater honour gives.
The mood of the poet is that of
Akọwa Nkọwa
Ajụjụ 101 Ripọtì
A group of actors in a play is called
Akọwa Nkọwa
A group of actors in a play is called the cast. The cast is the group of actors who perform the roles of the characters in a play, movie, or other theatrical production. They are responsible for bringing the story and characters to life through their acting and portrayal of the script. The cast members work together to rehearse and perform the production, with each actor taking on a specific role as assigned by the director. The cast is a crucial part of any theatrical production, and their performances can greatly impact the success and overall quality of the production.
Ajụjụ 102 Ripọtì
Read the passage carefully and answer this question
A : Did I say I would stop attending anywhere?
Did I? But bluntly speaking as for some old
chief with fifty wives, that won't do at all
Never.
B : (With cunning) Supposing it isn't some old
chief as you ignorantly describe, but the finely
built, glowing black large - eyed, handsome as anything, courages and famous .....
Speaker A is Speaker B's
Akọwa Nkọwa
Ajụjụ 103 Ripọtì
The literary device in the statement - 'Students are to come to class with their Shakespeare' is called
Ajụjụ 104 Ripọtì
In England, her love for Henry blossomed like spring flowers after a hard winter. But she abhored the way he dressed in England. They fell in love when she was working in a little coffee shop across from the Crystal Palace. Tall and jovial, he fell romantically in love with her at first sight. After a brief and hilarious courtship, they got married in a small Presbyterian Chapel in North London. Her people came and her mother shed a tear when it was announced that the newly-wed couple would go to Africa. From that day,her world collapsed. He had never even hinted that he had joined the colonial service. Nor did she know that her honeymoon would be a hurried affair in Brighton.She wept most of the time on board the M.V Apapa that took them to Africa. Eight years and her temper grew worse. She got farther and farther away from her husband. They never had a child. A child would have made all the difference in the world.
What made the woman's world collapse is
Akọwa Nkọwa
The woman's world collapsed because of their movement to Africa. The statement "Her people came and her mother shed a tear when it was announced that the newly-wed couple would go to Africa. From that day, her world collapsed." suggests that the woman's life changed drastically and negatively after she found out that they would be moving to Africa. This event led to her feeling unhappy and distant from her husband, and her longing for a child to make a difference in her life.
Ajụjụ 105 Ripọtì
Read the extract below and answer questions:
A : Would you'd pardon me
I do not without danger walk these streets;
Once, in a sea-fight against the Count his galleys,
I did some service-of such note, indeed.
That were I ta'en here
It would scarce be answered
B : Be like you slew great number of his people
A : The offence is not of such a bloody nature,
Albeit the quality of the time and quarrel
Might well have given us bloody argument
(Act III Scene III)
By the offence in the extract, Speaker A is a
Akọwa Nkọwa
Speaker A is not a nuisance, businessman or fighter but a pirate. He admits to having done some service in a sea-fight against the Count's galleys which implies that he is a pirate.
Ajụjụ 106 Ripọtì
A : Gentlemen, once more you are heartily welcome...Sir, you're heartily welcome.
It's not my way, you see, to receive my friends with my back to the fire. I like to give them a hearty reception in the old style at my gate. I like to see their horse and trunks taken care of
B : (Aside): He has got our names from the servants already. (To him): We approve your caution and hospitality, Sir.
Speaker B believes Speaker A is
Ajụjụ 107 Ripọtì
Read the passage carefully and answer question:
'Ah, here's a lovely thing. Oh, let me give service to my child.
Man, give me my child's brass bowl.....it's for you I'm spending my energy.
Sir, give me the nyanya, please.
The speaker is
Akọwa Nkọwa
The speaker is Aya. This can be inferred from the context of the passage, where the speaker is shown to be requesting a brass bowl for her child and asking for some nyanya. The use of the word 'my child' and the mention of the brass bowl strongly suggest that the speaker is a mother, which is consistent with Aya's character in Ama Ata Aidoo's play "The Dilemma of a Ghost".
Ajụjụ 108 Ripọtì
Read the following poem carefully and answer the questions that follow:
I love you, my gentle one;
My love is the fresh milk in the rubindi
Which you drank on the wedding day;
My love is the butter we were smeared with
To seal fidelity into our hearts
You are the cattle-bird's egg.
For those who say you are wealthy;
You are the papyrus read of the lake;
Which they pull out with both hands.
And I sing for you with tears
Because you possess my heart.
I love you my gentle one.
The feeling of the poet is one of
Akọwa Nkọwa
The feeling of the poet in the poem is one of gaiety or happiness. The poet expresses love and adoration for their beloved in a very positive and joyful way. The use of imagery such as fresh milk and butter symbolizes the purity and richness of the love shared between them. The comparison of the beloved to a valuable egg and a sought-after papyrus further reinforces the idea of their worth and importance to the poet. The tears mentioned in the final stanza may be tears of joy or overwhelming emotion, further emphasizing the depth of feeling being expressed.
Ajụjụ 109 Ripọtì
A : Gentlemen, once more you are heartily welcome...Sir, you're heartily welcome.
It's not my way, you see, to receive my friends with my back to the fire. I like to give them a hearty reception in the old style at my gate. I like to see their horse and trunks taken care of
B : (Aside): He has got our names from the servants already. (To him): We approve your caution and hospitality, Sir.
They are both welcome to the house of Mr. and Mrs
Akọwa Nkọwa
They are both welcome to the house of Mr. and Mrs. Hardcastle.
Ajụjụ 110 Ripọtì
The first person narrator is usually
Akọwa Nkọwa
The first person narrator is a character in the novel who tells the story from their own perspective, using "I" and "me" pronouns. They are often the protagonist, but not always. The first person narrator can also be a minor character who observes the actions of the protagonist, or even a villain who provides their own perspective on events. Ultimately, the role of the first person narrator is to provide insight into the story and its characters from a specific point of view.
Ajụjụ 111 Ripọtì
Read the extract below and answer the question:
A : Let all the rest give place
(Exeunt Curio and attendants),
Once more, Cesario,
Get thee to yond same sovereign cruelty;
Tell her, my love, more noble than the world,
Prizes, not quantity of dirty land,
The parts that forune hath bestowed upon her,
Tell her, I hold as giddily as fortune,
But 'tis that miracles and queen of gems
that nature pranks her in, attracts my soul.
(Act ll Scene IV)
The play 'Twelfth Night' is a
Akọwa Nkọwa
The play "Twelfth Night" is a comedy. The given extract is from Act II, Scene IV of "Twelfth Night" by William Shakespeare. In the scene, Duke Orsino is talking to his servant, Cesario, about his love for Olivia, a wealthy countess. Duke Orsino asks Cesario to go to Olivia and express his love for her. The play is a comedy because it involves humorous situations, witty dialogue, and a happy ending. The characters in the play are involved in romantic and comical situations, which result in confusion and mistaken identities. The play also includes elements of satire, irony, and wordplay, which are common features of comedies.
Ajụjụ 112 Ripọtì
Read the passage carefully and answer this question
A : Did I say I would stop attending anywhere?
Did I? But bluntly speaking as for some old
chief with fifty wives, that won't do at all
Never.
B : (With cunning) Supposing it isn't some old
chief as you ignorantly describe, but the finely
built, glowing black large - eyed, handsome as anything, courages and famous .....
Speaker A is
Akọwa Nkọwa
Ajụjụ 113 Ripọtì
The state of mind of a poet can be described as
Akọwa Nkọwa
The state of mind of a poet can be described as their mood. Mood refers to the emotional atmosphere that the poet creates through their words, and it is influenced by their thoughts, feelings, and experiences. A poet's state of mind can range from joyful and optimistic to melancholic and despairing, depending on their personal experiences and the subject matter they are writing about. The poet's mood can also affect the style and tone of their writing and the themes they explore, as it reflects their perspective on life and the world around them. Therefore, the mood of a poem is a crucial aspect of the poet's creative process and can greatly impact how the reader interprets and experiences their work.
Ajụjụ 114 Ripọtì
The character that opposses the hero in a novel is called the
Akọwa Nkọwa
The character that opposes the hero in a novel is called the antagonist. The protagonist is the main character who drives the plot forward and is usually the hero of the story. The antagonist, on the other hand, is the character or force that opposes the protagonist and creates conflict in the story. The antagonist does not have to be evil or a villain, but can simply have goals or desires that are in direct conflict with the protagonist's. Therefore, the correct answer is "antagonist."
Ajụjụ 115 Ripọtì
The choice of appropriate words to convey the thoughts of an author is called
Akọwa Nkọwa
The choice of appropriate words to convey the thoughts of an author is called diction. Diction refers to the author's choice and use of words and phrases in their writing. It is the deliberate and careful selection of words to create a specific tone, mood, or atmosphere in a literary work. Diction can also convey the author's attitude towards the subject matter or characters in the story. A writer's diction may vary depending on the genre of the work, the intended audience, and the author's own style and voice. The use of appropriate words and language can greatly impact the overall quality and effectiveness of a literary work.
Ajụjụ 116 Ripọtì
Read the following poem carefully and answer the questions that follow:
I love you, my gentle one;
My love is the fresh milk in the rubindi
Which you drank on the wedding day;
My love is the butter we were smeared with
To seal fidelity into our hearts
You are the cattle-bird's egg.
For those who say you are wealthy;
You are the papyrus read of the lake;
Which they pull out with both hands.
And I sing for you with tears
Because you possess my heart.
I love you my gentle one.
The poem is an example of
Akọwa Nkọwa
Ajụjụ 117 Ripọtì
Read the extract below and answer the question
A : My Lord, you make charges sometimes without grounds
B : I do, do I? Very well then, tell me this
Bedsharer, You heard it. Didn't you?
That blind bat who calls himself
Seer says I am a bedsharer'.......
What do you think of that? You don't answer?
'My Lord' refers to
Akọwa Nkọwa
Ajụjụ 118 Ripọtì
A : Gentlemen, once more you are heartily welcome...Sir, you're heartily welcome.
It's not my way, you see, to receive my friends with my back to the fire. I like to give them a hearty reception in the old style at my gate. I like to see their horse and trunks taken care of
B : (Aside): He has got our names from the servants already. (To him): We approve your caution and hospitality, Sir.
The gentlemen are
Akọwa Nkọwa
Ajụjụ 119 Ripọtì
Mrs. Hardcastle dotes very much on
Ajụjụ 120 Ripọtì
Read the extract below and answer the question
A : My Lord, you make charges sometimes without grounds
B : I do, do I? Very well then, tell me this
Bedsharer, You heard it. Didn't you?
That blind bat who calls himself
Seer says I am a bedsharer'.......
What do you think of that? You don't answer?
'The charges' are made on the basis of
Akọwa Nkọwa
Ajụjụ 121 Ripọtì
Read the passage carefully and answer this question
A : Did I say I would stop attending anywhere?
Did I? But bluntly speaking as for some old
chief with fifty wives, that won't do at all
Never.
B : (With cunning) Supposing it isn't some old
chief as you ignorantly describe, but the finely
built, glowing black large - eyed, handsome as anything, courages and famous .....
Speaker B is
Akọwa Nkọwa
Ajụjụ 122 Ripọtì
Read the extract below and answer the question
A : My Lord, you make charges sometimes without grounds
B : I do, do I? Very well then, tell me this
Bedsharer, You heard it. Didn't you?
That blind bat who calls himself
Seer says I am a bedsharer'.......
What do you think of that? You don't answer?
'Bedsharer' implies
Akọwa Nkọwa
The term 'bedsharer' implies adultery. In the given context, Speaker B is making accusations against someone who called him a bedsharer. This implies that he is being accused of committing adultery or having sexual relations with someone he is not married to.
Ajụjụ 123 Ripọtì
Which of the following is a likely source of traditional oral poetry?
Akọwa Nkọwa
Songs are a likely source of traditional oral poetry. Traditional oral poetry is a form of poetry that is passed down through generations by word of mouth, without being written down. It is often associated with preliterate societies and can take many forms, such as epic poems, ballads, and folk songs. Songs, in particular, are a common source of traditional oral poetry because they are easy to remember and can be passed down through generations through singing. Many traditional cultures have a rich tradition of oral poetry that has been preserved through song, including African, Native American, and Celtic cultures, among others.
Ajụjụ 125 Ripọtì
Read the following poem carefully and answer the questions that follow:
I love you, my gentle one;
My love is the fresh milk in the rubindi
Which you drank on the wedding day;
My love is the butter we were smeared with
To seal fidelity into our hearts
You are the cattle-bird's egg.
For those who say you are wealthy;
You are the papyrus read of the lake;
Which they pull out with both hands.
And I sing for you with tears
Because you possess my heart.
I love you my gentle one.
The poem is a blank verse because
Akọwa Nkọwa
The poem is a blank verse because there is no rhyme. Blank verse is a type of poetry that does not have a rhyme scheme. Instead, it relies on the natural rhythm and meter of the language to create a musical effect. In this poem, there is no consistent pattern of rhyme, and each line has a different number of syllables. This lack of a formal rhyme scheme allows the poem to flow more naturally and to emphasize the beauty and simplicity of the language. Therefore, the correct answer is that the poem is a blank verse because there is no rhyme.
Ajụjụ 126 Ripọtì
In a play, a long speech by a single character in the presence of other characters is called
Akọwa Nkọwa
Ajụjụ 127 Ripọtì
In England, her love for Henry blossomed like spring flowers after a hard winter. But she abhored the way he dressed in England. They fell in love when she was working in a little coffee shop across from the Crystal Palace. Tall and jovial, he fell romantically in love with her at first sight. After a brief and hilarious courtship, they got married in a small Presbyterian Chapel in North London. Her people came and her mother shed a tear when it was announced that the newly-wed couple would go to Africa. From that day,her world collapsed. He had never even hinted that he had joined the colonial service. Nor did she know that her honeymoon would be a hurried affair in Brighton.She wept most of the time on board the M.V Apapa that took them to Africa. Eight years and her temper grew worse. She got farther and farther away from her husband. They never had a child. A child would have made all the difference in the world.
From the last sentence, it is obvious that the couple
Ajụjụ 128 Ripọtì
A : Gentlemen, once more you are heartily welcome...Sir, you're heartily welcome.
It's not my way, you see, to receive my friends with my back to the fire. I like to give them a hearty reception in the old style at my gate. I like to see their horse and trunks taken care of
B : (Aside): He has got our names from the servants already. (To him): We approve your caution and hospitality, Sir.
Speaker B is
Akọwa Nkọwa
Ajụjụ 129 Ripọtì
An African author who has written plays, poems and prose is
Akọwa Nkọwa
Wole Soyinka is an African author who has written plays, poems and prose. He is a Nigerian playwright, poet and novelist who has written notable works such as "The Lion and the Jewel", "Death and the King's Horseman", "A Dance of the Forests", "The Interpreters", "Telephone Conversation" and "The Trials of Brother Jero". He was the first African to win the Nobel Prize in Literature in 1986.
Ajụjụ 130 Ripọtì
OLA ROTIMI: The Gods Are Not To Blame
Read the extract below and answer questions:
Speaker A: No, no, do not thank me. I am only doing my duty
Do not thank me. Instead, let me only you one quuestion
Now you have all come here sprawing, vomiting, rubbling tears on one another, begging me to do my duty, and help you. But what about you yourselves?
What have you done to help yourselves?
Answer. Or is the land at peace? Are not people ailing and dying ?
Speaker A: We are suffering my Lord, we are........
Speaker A's duty is to
Akọwa Nkọwa
Speaker A's duty is to rule and protect the people. In the extract, Speaker A is being asked about what they have done to help themselves instead of relying solely on him to fix everything. Speaker A responds that they are suffering and in need of help, implying that it is their duty to provide for and protect the people. The mention of the land not being at peace and people ailing and dying suggests that Speaker A's role is that of a ruler who has a responsibility to ensure the safety and wellbeing of their subjects. Therefore, the duty of Speaker A is to rule and protect the people.
Ajụjụ 131 Ripọtì
A play that is full of exaggerated ridicule and laughter is called
Akọwa Nkọwa
A play that is full of exaggerated ridicule and laughter is called a "farce." A farce is a type of comedy that relies on absurd and improbable situations, exaggerated characters, and slapstick humor to generate laughter from the audience. Farces often involve mistaken identities, misunderstandings, and situations that spiral out of control, leading to chaotic and humorous outcomes. The characters in a farce are usually portrayed as one-dimensional, with exaggerated personalities that are played for laughs. The goal of a farce is to entertain the audience with its over-the-top humor and comedic situations.
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