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Swali 1 Ripoti
Brutus: This is sleepy tune. O murd'rous slumber!
Layest thou the leaden mace upon my boy,
That plays the music? Gentle knave, good night.
'Gentle knave' refers to
Maelezo ya Majibu
Swali 2 Ripoti
In poetry, the elegiac mood typically attends the occasion or experience of
Maelezo ya Majibu
Swali 3 Ripoti
The major lesson Pip's experience in Great Expectations teaches us is that
Swali 5 Ripoti
The mood expressed in 'We Have Come Home' by Lenrie Peters is that of
Maelezo ya Majibu
Swali 8 Ripoti
'Serrating down your back and front
Like beak of the sword-fish,
And both your ears, notched
As a bondsman to this house...'
The dominant figure of speech in the above lines from J.P. Clark's 'Abiku' is
Maelezo ya Majibu
Swali 9 Ripoti
In Soyinka's 'Abiku', the statement, 'The ripest fruit was saddest', is an example of
Maelezo ya Majibu
Swali 13 Ripoti
As Medza was getting near to his village on his way from Kala he drinks at the palm wine bar because
Maelezo ya Majibu
Swali 14 Ripoti
'The pen is mightier than the sword' is an example of
Maelezo ya Majibu
"The pen is mightier than the sword" is a metonymic adage, coined by English author Edward Bulwer-Lytton in 1839, indicating that communication (particularly written language), or in some interpretations, administrative power or advocacy of an independent press, is a more effective tool than direct violence.
Swali 15 Ripoti
Odewale: I thought you were leaving with your son Aderopo.
Ojuola: It is you i married your highness, not my son.
The exchange from The Gods are not to Blame is an example of
Maelezo ya Majibu
Swali 16 Ripoti
'Is Aderopo jealous that i am sharing a bed with his mother? Very well then, let him come and sleep with his mother'.
Odewale's statement is a good example of
Maelezo ya Majibu
Swali 17 Ripoti
The central organizing idea which unites character, action, language and style in a work of fiction is known as
Maelezo ya Majibu
Swali 18 Ripoti
A 'gentleman' in the sense in which it is used in Great Expectations is
Maelezo ya Majibu
Swali 21 Ripoti
A play is a tragedy when _______
Maelezo ya Majibu
Option D is the Aristotle definition of tragedy. When the hero's flaw leads to his downfall.
Swali 22 Ripoti
'And for Mark Antony, think not of him;
For he can do no more of caesar's arm
When caesar's head is off'.
This means that Mark Antony
Maelezo ya Majibu
Swali 23 Ripoti
Brenda suddenly stiffened in her chair and half turned her ear to the window, silent like an animal waiting to spring, an alertness that transformed her face to temporary ugliness. Arthur noticed it,
'He's coming', she said 'i heard the gate open.'In this short passage, the writer succeeds in creating
Maelezo ya Majibu
Swali 25 Ripoti
In Mission to Kala When Medza encounters Edima,
What strikes him about her is her
Maelezo ya Majibu
Swali 26 Ripoti
A trade, Sir, that, i hope, i may use with a safe conscience; which is, indeed, Sir, a mender of bad soles.
The passage is referring to a
Maelezo ya Majibu
Swali 27 Ripoti
At the end of that week I set off for Caxley. It was a grey day, with the downs covered in thick mist. The trees dripped sadly along the road to the market town, and the wet pavements were even more depressing.
The setting is best described as
Maelezo ya Majibu
Swali 28 Ripoti
'... like some fish
Doped out of the deep
I have bobbed up bellywise
From stream of sleep'.
The above lines from 'Night Rain' are intended to emphasize the fact that the speaker
Maelezo ya Majibu
Swali 30 Ripoti
'Just because i am an Ijebu man, and do not belong to your tribe, the sight of me as your king gnaws at your liver, and rips your heart asunder...'
The speaker's statement is prompted by
Maelezo ya Majibu
Swali 31 Ripoti
'I too crossed the rivers, and the virgin ambushes of the forests,
Where Lianas hung down, more treacherous than serpents'.
In the eyes of the writer of these lines, the word 'Forests' stands for
Maelezo ya Majibu
Swali 32 Ripoti
'When we got off the bus he helped me to cross the road, holding me by the elbow. Submissively, I allowed my self to be led. Out on the square there was an African sun, and in my heart too, shading a flood of light'.
The narrator here is full of
Maelezo ya Majibu
Swali 33 Ripoti
The characters of Joe and Biddy are contrasted with those of Pip and Estella in order to show
Maelezo ya Majibu
Swali 34 Ripoti
'He was a living example of the astonishing results that can occur when Western hypocrisy and commercial materialism are grafted on to a first rate African intelligence.'
The character described in the passage is the father of
Maelezo ya Majibu
Swali 36 Ripoti
In which of the following London neighborhoods mentioned in Great Expectations is Mr. Jagger's office located?
Maelezo ya Majibu
Swali 37 Ripoti
Get up you shameless hussy', she bellowed, ' you strumpet, you fallen woman! I don't know what your father and I have done to deserve such a child the events that happened later in Mission to Kala show that the speaker in the passage is
Maelezo ya Majibu
Swali 38 Ripoti
'Good friends, go in, and taste some wine with me;
And, we like friends, will straightway go together'. This statement by Julius Caesar is an example of
Maelezo ya Majibu
Swali 39 Ripoti
Miss Havisham grooms Estella the way she does so as to make Estella
Maelezo ya Majibu
Swali 40 Ripoti
Mother, didn't you hear me? I've brought the goat, hen and yams. Don't you want them anymore? Why do you continue to look at me like that? I haven't done anything wrong, again, have I? Answer me, speak to me, mother'
The dominant mood in this passage is one of
Maelezo ya Majibu
Swali 41 Ripoti
When David Diop in 'The Vultures' says that 'civilization kicked us in the face' and 'holy water slapped our cringing brows', he is using
Maelezo ya Majibu
Swali 42 Ripoti
A deliberate use of exaggeration for humour or emphasis is known as
Maelezo ya Majibu
Swali 47 Ripoti
'All day long, all along the line
Through tiny station, each exactly like the last chattering little black girls uncaged from school all day long,...'
For the girls mentioned here, the hours spent at school means
Maelezo ya Majibu
Swali 48 Ripoti
'It was at this stage in the proceedings, before i had even had time to get my personal emotions quietened down a little-let alone sorted out-that my Helen, the real object of my mission, for whom i had been prepared to fight a second Troy before the walls of Kala, appeared on the scene.
In this passage from Mission to Kala, allusion is made to
Maelezo ya Majibu
Swali 49 Ripoti
'How many ages hence Shall this our lofty scene be acted over?'In this passage, lofty scene refers to
Maelezo ya Majibu
Swali 50 Ripoti
There knells a jigger, a louse, a weevil, a flea, a bedbug! He is mistletoe, a parasite that lives on the trees of other people's!
The speaker uses a string of
Maelezo ya Majibu
Je, ungependa kuendelea na hatua hii?