JAMB UTME - Literature In English - 2018

Maelezo ya Majibu

Maelezo ya Majibu

Maelezo ya Majibu

The most dominant figure of speech in the excerpt is personification. Personification is a figure of speech in which non-human things are given human qualities or characteristics. In the excerpt, the bed bugs are referred to as "awful parasites" and are accused of "sharing" the bed with the speaker, "awakening" them from their sleep, and "sucking" blood from their head. These actions are all human qualities that are attributed to the bed bugs, which are non-human. This creates a sense of empathy between the speaker and the bed bugs, and also serves to emphasize the speaker's annoyance and frustration with the bed bugs. The other options - metaphor, simile, and hyperbole - do not accurately describe the dominant figure of speech in the excerpt.

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Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized (given human qualities, such as the ability to speak human language) and that illustrates or leads to a particular moral lesson...

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Cast is the list of all characters in a drama

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The correct answer is "soliloquy". A soliloquy is a literary device used in a play where a character speaks their thoughts aloud, as if talking to themselves, without any other characters present or listening. It is often used to reveal the innermost thoughts and emotions of the character, and can provide insight into their motivations and actions. Soliloquies are typically delivered by one character alone on stage, and can be either serious or comedic in tone. Shakespeare is famous for using soliloquies in his plays, such as Hamlet's "To be or not to be" speech.

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An antagonist is the character in a story that is against or opposes the protagonist

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"Peter's pretty partner paid the bills" is an example of alliteration. Alliteration is a literary device where words in a phrase or sentence repeat the same sound, usually the first sound, creating a musical or rhythmic effect. In the phrase "Peter's pretty partner paid the bills," the repeated "p" sound is an example of alliteration.

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Maelezo ya Majibu

In J.P Clark's "Wives Revolt," the women settle at Iyara as a way to prevent reconciliation with their husbands. They did this because they were unhappy with their treatment by their husbands and wanted to take a stand to show that they wouldn't tolerate it any longer. By settling at Iyara, the women were making it clear that they were not going to return to their previous situation and were willing to take action to achieve their goals.

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The writer of a poem is called a poet. A poet is someone who writes poems, which are a form of artistic expression that use language to convey emotion, ideas, or images. Poetry can take many forms, including sonnets, haikus, free verse, and more, and poets use a variety of literary devices such as rhyme, meter, and metaphor to create their works. So, if someone writes a poem, they are generally referred to as a poet.

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A "sub-chapter" in a piece of drama is called a "scene." A scene is a section of a play that takes place in a specific location and time, and involves a particular set of characters. Think of it like a short chapter within a larger story. Scenes can be used to advance the plot, develop characters, or provide exposition to the audience. Within an act, there can be multiple scenes that help to structure the play and keep the story moving forward.

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Maelezo ya Majibu

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A group of lines in poetry is called a "Stanza". A stanza is a unit of a poem, similar to a paragraph in prose, made up of a group of lines often separated by a blank line. Stanzas help to divide a poem into sections and can have a specific structure, such as the number of lines or rhyme scheme.

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The element that describes sections of text within a chapter, which are separated and contain dialogue, is Paragraphs. Paragraphs are groups of sentences that focus on a particular topic or idea. They are separated by a line break or an indentation to indicate a new thought or a change in the speaker or the setting. In a novel or a story, paragraphs often contain dialogue, which is the spoken words of the characters in the story. Dialogue can help to advance the plot, reveal character traits, and create tension or conflict between characters. Syncopation refers to a musical rhythm that emphasizes the off-beat, and is not directly related to writing. Free verse is a form of poetry that does not follow traditional rhyme and meter patterns, and does not necessarily contain dialogue. Euphony refers to the pleasant sound of words and is more of a stylistic choice in writing, rather than a structural element like paragraphs.

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A poet's use of regular rhythm is known as "metre." Metre refers to the pattern of stressed and unstressed syllables in a line of poetry. This pattern creates a rhythmic beat that helps to create a particular mood or feeling in the reader. For example, a poem with a regular and steady metre might create a sense of stability or order, while a poem with an irregular or unpredictable metre might create a sense of chaos or confusion. Metre is one of the key elements of poetry and is often used in conjunction with other poetic devices, such as rhyme, to create a memorable and powerful piece of writing.

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The literacy genre that directly imitates human actions is Drama. Drama is a genre of literature that involves the performance of written dialogues and actions by actors on stage or in front of a camera. It usually tells a story through the actions and words of its characters, rather than through the narrator's voice. By imitating human actions, drama brings the story to life and helps the audience to connect with the characters and their experiences. Comedy, prose, and poetry do not necessarily imitate human actions in the same direct way as drama.

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In drama, the protagonist is the leading character. The protagonist is the main character in a drama or other work of literature, around whom the story revolves. They are often the character who faces the most significant challenges and undergoes the most significant changes over the course of the story. While the protagonist may be a "nice guy" or a likable character, this is not always the case. Some protagonists may be morally ambiguous, flawed, or even downright unlikable. However, they are still the character with whom the audience is meant to identify and empathize, and whose journey is meant to drive the plot forward. The writer of the drama creates the story and characters, but the protagonist is a specific character within that story. The actor is the performer who portrays the protagonist on stage or screen, but the character they play is the protagonist.

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Verbal irony refers to a device in which the speaker means the opposite of what they say. In other words, the speaker says one thing but actually means the opposite. This can be used for humorous purposes or to make a sarcastic or critical comment. For example, if someone says "what a beautiful day" on a rainy and gloomy day, they are using verbal irony because they do not actually mean that it is a beautiful day.

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The word that describes the juxtaposition of two contrasting ideas in a line of poetry is "oxymoron." An oxymoron is a figure of speech in which two opposite or contradictory ideas are combined to create a new meaning. For example, the phrase "jumbo shrimp" combines the words "jumbo," which means large, and "shrimp," which means small, to create a paradoxical or ironic effect. In poetry, oxymorons can be used to create a sense of tension or to highlight the complexity of a situation or emotion. The other options - "euphemism," "synecdoche," and "catharsis" - do not accurately describe this literary technique.

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Yaremi's only son is Alani.

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A simile is a figure of speech that makes a comparison, showing similarities between two different things. Unlike a metaphor, a simile draws resemblance with the help of the words “like” or “as.” This means that it is a direct comparison.

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In George Orwell's novel "Nineteen Eighty-Four," Room 101 symbolizes a place of "torture." It is a place in the Ministry of Love where prisoners are taken and subjected to their worst fears and phobias. The purpose of Room 101 is to break a person's spirit and make them betray their deepest-held beliefs and loyalties. The protagonist of the novel, Winston Smith, is taken to Room 101 and subjected to the most excruciating pain and terror he can imagine. The idea is that once a person has been broken in Room 101, they become completely subservient to the Party and are willing to do whatever it takes to avoid being sent back there. Overall, Room 101 symbolizes the ultimate power of the Party and the extent to which it is willing to go to maintain control over its citizens. It represents the darkest and most terrifying aspects of the totalitarian regime that Orwell warns against in his novel.

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The dominant mood in the lines from Wole Soyinka's poem "Night" is one of apprehension. The use of words like "serrated shadows," "dark leaves," and "night thieves" create a sense of unease and suggest that danger may be lurking in the shadows. The reference to a "warm suffusion" may initially create a feeling of comfort, but the subsequent use of "sensation pained me, faceless" implies that the speaker is experiencing discomfort or pain, and the overall tone remains apprehensive. Therefore, the answer to the question is option A: apprehension.

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A playwright writes a play. A play is a form of literature that is meant to be performed on stage. It typically features dialogue between characters and may also include stage directions, descriptions of settings, and other details that help bring the story to life. The playwright is the author of the play, responsible for creating the characters, plot, and dialogue. While the playwright may also be involved in other aspects of producing the play, such as directing or producing, their primary role is as the writer of the script. The play is then performed by actors, under the direction of a director, in front of an audience. In summary, the playwright is the creative mind behind a play, responsible for crafting the story and characters that make up the script.

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Maelezo ya Majibu

This element shows how sections are separated into parts with numbers and titles is called "Chapters". Chapters are sections within a book or document that are separated and labeled with numbers and titles to organize the content and make it easier to navigate.

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Maelezo ya Majibu

A poem is a poem when it is written in lines and stanzas, any other writing without the division into lines and stanzas is not a poem.

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The line "Tell me not, sweet, I am unkind" illustrates a paradox. A paradox is a statement or situation that contradicts itself or seems to be untrue or impossible. In this case, the speaker is saying "Tell me not (that I am unkind)," which means "Do not tell me that I am not kind," but at the same time, the speaker is acknowledging that they might be unkind. This creates a contradiction or an apparent absurdity that makes the statement paradoxical. Paradoxes are often used in literature, poetry, or philosophy to challenge conventional thinking and to make the reader or listener think more deeply about a subject.

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Maelezo ya Majibu

The element of drama that tells the actor what to do is the "stage directions." Stage directions are written instructions in a script that describe the physical actions, movements, and expressions of the characters, as well as the placement of props and set pieces on the stage. These instructions are usually indicated in italics or enclosed in brackets and are intended to guide the actors, director, and other production team members on how to bring the play to life. For example, a stage direction might indicate that a character should enter from stage left, pick up a pen from the desk, and begin writing a letter while pacing back and forth. Actors use these stage directions as a roadmap to bring their characters to life, and to help create a cohesive and believable performance for the audience.

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In "Native Son", Mr. Dalton earned a fortune in real estate. Although he profits from charging high rents to poor black tenants—including Bigger’s family—on Chicago’s South Side, he nonetheless claims to be a generous philanthropist and supporter of black Americans. Mr. Dalton is a major player in the production of the “whiteness” that terrifies, oppresses, and enrages Bigger. Despite Bigger’s criminal record, Mr. Dalton gives him a job because he thinks that blacks deserve a chance. Nonetheless, there is condescension in Mr. Dalton’s manner and charity. He simultaneously profits from keeping blacks like Bigger’s family in terrible housing, and expresses alleged benevolence by giving Bigger a menial job.