Inapakia....
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Bonyeza na Ushikilie kuvuta kuzunguka |
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Bonyeza Hapa Kufunga |
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Swali 1 Ripoti
A novel that features spiritual apparitions as major character is
Maelezo ya Majibu
A novel that features spiritual apparitions as major characters is typically classified as a Gothic novel. Gothic literature is a genre that originated in the 18th century and often includes supernatural elements, such as ghosts, monsters, and other eerie occurrences. In Gothic novels, spiritual apparitions play significant roles in influencing the plot and creating a sense of mystery and suspense. These apparitions can be depicted as haunting or supernatural entities that interact with the human characters, usually with a lingering sense of terror or foreboding. They often symbolize unresolved conflicts, inner fears, or the consequences of past actions. Gothic novels aim to evoke strong emotions in readers, such as fear, horror, and fascination. By introducing spiritual apparitions as major characters, authors create an atmosphere of the supernatural and supernatural occurrences, heightening the tension and suspense in the narrative. These apparitions serve as catalysts for the central conflicts and themes of the story, enriching the overall reading experience. In summary, a novel that features spiritual apparitions as major characters is most likely classified as a Gothic novel, as this genre specifically incorporates supernatural elements and creates an atmosphere of mystery and suspense.
Swali 2 Ripoti
The process of creating character and endowing them with certain attitude is ......
Maelezo ya Majibu
The process of creating a character and giving them specific personality traits is called characterization. Characterization is a crucial aspect of storytelling, whether it be in books, movies, or plays. It involves the development and portrayal of a character's traits, beliefs, emotions, and actions.
To create a character, an author or creator has to make deliberate choices about the character's physical appearance, background, and personality. These choices help to shape the character's identity and make them more relatable and engaging to the audience.
Once the character is established, the process of characterization continues through the character's actions, dialogue, thoughts, and interactions with other characters. These elements reveal more about the character's motivations, values, and attitudes.
Characterization can be achieved in several ways. These include:
- Direct characterization: This is when the author or creator explicitly states or describes the character's traits, motivations, or background. For example, they may say, "She was a kind-hearted person who always put others before herself."
- Indirect characterization: This is when the character's traits are revealed through their actions, speech, or thoughts. The audience has to infer the character's personality based on their behavior. For example, if a character frequently acts selfishly and only cares about their own needs, it implies that they have a self-centered personality.
- Character's relationships: The way a character interacts and forms relationships with other characters in the story can also provide insight into their personality. For example, if a character is constantly kind and supportive to others, it shows that they have a compassionate nature.
Through characterization, the audience can develop a deeper understanding of the character's motivations, beliefs, and attitudes. This helps to create a well-rounded and engaging story as the audience becomes invested in the characters and their journey.
Swali 3 Ripoti
The overwhelming pride that destroys the tragic hero is called
Maelezo ya Majibu
The overwhelming pride that destroys the tragic hero is called hubris.
Hubris refers to excessive pride or arrogance displayed by a character, often leading to their downfall. Tragic heroes are typically individuals who possess remarkable qualities or achievements but are also flawed in some way. Their hubris causes them to overestimate their abilities or believe they are invincible, leading them to challenge or defy the gods or fate.
In Greek tragedies, the fatal flaw of hubris is a common theme. The tragic hero's excessive pride blinds them to their faults and the consequences of their actions. This ultimately brings about their downfall and a sense of catharsis for the audience.
To summarize, hubris is the overwhelming pride that destroys the tragic hero by causing them to act out of arrogance and disregard the potential consequences of their actions.
Swali 4 Ripoti
Careened',
These oily tears
Dripping down the tears on your depressed face,
Will one day be staunched, I swear!
Ibiwari Ikiriko, Oily Tears.
The tone of the poet is
Maelezo ya Majibu
The tone of the poet in the poem "Oily Tears" can be described as **optimistic**. The poet expresses a sense of hope and assurance that the tears and sorrow that someone is experiencing will eventually be stopped. The use of the word "swear" implies a strong commitment to this belief. Despite the initial description of "depressed face" and "tears", the poet aims to convey a sense of positivity and optimism for the future.
Swali 5 Ripoti
This question is based on CAGED BIRD.
Read this excerpt from the poem and answer questions .
"The free bird thinks of another
breeze / and the trade winds
soft through the sighing trees"
What is the effect of the trees sighing in this verse?
Maelezo ya Majibu
The effect of the trees sighing in this verse is to indicate that the bird is carefree. The phrase "the trade winds soft through the sighing trees" suggests that the bird is in a peaceful and serene environment where the trees are gently rustling and making soft sounds. This creates an atmosphere of tranquility and freedom for the bird. The sighing of the trees also symbolizes a sense of contentment and harmony in nature. Overall, this imagery portrays the bird as being unconstrained and able to fully enjoy its freedom.
Swali 6 Ripoti
"She wanted to split herself. But she checked herself. 'Get dressed,' she said earnestly. 'Get dressed and let's go. You know I have a lot of things to do. And if we are going to meet again like this... 'She slapped the bed, 'then it won't be here. It will be at the Samson and Delilah.'" -
Festus Iyayi; Violence
In the passage above, the speaker can be described as
Maelezo ya Majibu
In the passage above, the speaker can be described as **domineering**. The speaker's actions and words suggest that they have a strong and controlling personality. They want the other person to hurry up and get dressed, showing a sense of authority. The speaker also mentions having a lot of things to do, implying that their priorities are more important than the other person's. Additionally, the speaker slaps the bed in frustration, which further emphasizes their dominant and forceful nature.
Swali 7 Ripoti
'... Not a few of us ended our application letter like this: 'if you are kind enough to accomodate this humble application, Sir/Madam, I shall do my uttermost best to rendered you the greatest services which it is at my desposition to your best satisfactory. Yours obediently servant...' yet without English, you had no education fit for a white collar job
Cameron Daodu: The Gab Boys
The tone of the passage above is
Maelezo ya Majibu
The tone of the passage above is **derisive**. In the passage, the writer is making fun of the way some people write their application letters. They mention the flowery language and excessive formality used in the closing of the letter. The use of phrases like "if you are kind enough to accommodate this humble application" and "I shall do my utmost best to render you the greatest services" is being mocked. This suggests that the writer is mocking or ridiculing the practice of using grand, exaggerated language in an application letter. Therefore, the tone of the passage is derisive.
Swali 8 Ripoti
This question is based on THE LION AND THE JEWEL.
The indication that Soyinka's "The Lion and the Jewel" is culturally set is its use of_____
Maelezo ya Majibu
Soyinka's "The Lion and the Jewel" is culturally set primarily through its use of dance and songs.
In the play, dance and songs are integral parts of the Yoruba culture and are frequently employed by the characters to express their emotions, convey messages, and celebrate significant events. These cultural elements provide a vivid depiction of the rich traditions and customs of the Yoruba people.
The characters in the play often engage in traditional dance performances, such as the "ewu" dance. These dances are not only entertaining but also serve as a way to showcase the cultural heritage and values of the Yoruba people. The rhythmic movements and musical accompaniment create a vibrant atmosphere that immerses the audience in the cultural setting.
Additionally, songs are used extensively throughout the play to express various emotions, tell stories, and convey moral lessons. The characters sing traditional folk songs, chants, and war cries, which contribute to the cultural authenticity of the setting.
By incorporating dance and songs into the narrative, Soyinka effectively captures the essence of Yoruba culture and helps the audience understand and appreciate the unique customs and traditions of the characters. The use of dance and songs enhances the cultural backdrop of the play and immerses the audience in the vibrant world of the Yoruba people.
Swali 9 Ripoti
'And so Tom awoke and we rose in the dark
And got with our bags and our brushes to work
Though the morning was cold, Tom was happy and warm;
So if all do their duty they need not fear harm.'
In the lines above, Tom is warm because he
Maelezo ya Majibu
In the given lines, Tom is described as being warm. The reason for this is that he is doing his duty. The phrase "So if all do their duty they need not fear harm" suggests that as long as Tom and others are fulfilling their responsibilities, they will be safe and secure. Therefore, Tom's warmth is a result of his dedication and commitment to his work rather than any external factors such as working indoors, wearing warm clothes, or just waking up from sleep.
Swali 10 Ripoti
'Fierce harmattan sun on innocent tendrils; torrential downpour on leaking thatch roofs; painful comfort of helpless eunuchs; thorny beauty of modern witches; the falcon's call on day-old-chicks, ours is tragi- comic dialogue:... mute echoes of pains' .
The sonority and rhythmical structure of the lines above are achieved through a pause- pattern called
Maelezo ya Majibu
The pause-pattern achieved through the sonority and rhythmical structure of the lines in the given text is called caesura. A caesura is a pause or break in a line of poetry, usually marked by punctuation or by a natural pause in speaking. It helps to create a sense of rhythm and musicality in the poem. In this case, the caesura is used to separate and emphasize different aspects of the lines, creating a pause after each phrase. This pause pattern helps to create a rhythmic flow and adds a certain musical quality to the lines.
Swali 11 Ripoti
This question is based on SECOND CLASS CITIZEN.
"She swallowed it all, just like a nasty pill." The literary device employed here is
Maelezo ya Majibu
The phrase 'She swallowed it all, just like a nasty pill' employs the literary device of simile. A simile is a figure of speech that makes a comparison between two different things using the words 'like' or 'as'. In this case, the author compares the act of swallowing a nasty pill to accepting a difficult situation.
Swali 12 Ripoti
The term given to a type of incident or device which recurs frequently in Literature is
Maelezo ya Majibu
The term given to a type of incident or device which recurs frequently in literature is **motif**. A motif is a recurring element or idea that appears throughout a piece of literature, such as a symbol, theme, or character trait. It can be a symbol that represents a particular concept or theme, a recurring theme that is explored in different ways, or a recurring character trait that appears in multiple characters. Motifs can serve various purposes in literature. They can enhance the overall meaning and depth of a story by adding depth and complexity. They can also help to create unity and coherence in a work, connecting different parts of the story together. Additionally, motifs can provide insights into the author's intentions, beliefs, or themes. For example, in William Shakespeare's play Macbeth, the motif of blood appears throughout the story. Blood represents guilt, violence, and the consequences of immoral actions. This motif is used to convey the ongoing guilt and psychological impact that Macbeth and Lady Macbeth experience after they commit the murder of King Duncan. In conclusion, a motif is a recurring incident or device that adds meaning, coherence, and depth to a piece of literature.
Swali 13 Ripoti
A long story narrating a series of complicated events is called a
Maelezo ya Majibu
A long story that narrates a series of complicated events is called a saga. A saga is a term often used to describe an epic or grand tale that spans a significant period of time and involves multiple characters and plotlines. Sagas typically involve dramatic or adventurous events and are known for their extensive and intricate storytelling. So, if you come across a lengthy narrative that weaves together complex events, it is likely a saga.
Swali 14 Ripoti
This question is based on THE GOOD MORROW.
Use this excerpt to answer question
"If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee."
The excerpt above evokes the use of ____
Maelezo ya Majibu
The excerpt from "The Good Morrow" evokes the use of **visual imagery**. Visual imagery refers to the use of vivid and descriptive language that appeals to our sense of sight. In the excerpt, the speaker describes seeing a beauty that they desired and obtained, but it was only a dream of the person they are addressing. This creates a mental image in the reader's mind, allowing them to imagine the contrast between the reality and the dreamlike nature of the beauty. The use of visual imagery helps to engage the reader's imagination and enhance the emotional impact of the poem.
Swali 15 Ripoti
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The plot of the novel is
Maelezo ya Majibu
The plot of the novel is linear; Events in the novel succeed into one another in one to one correspondence right from the point to exposition to climax to anti-climax to denouement.
Swali 16 Ripoti
'Senhor Jose got cold during the night. After having uttered those redundant useless words, here she is, he wasn't sure what else he should do. It was true that, after long and arduous labours, he had managed, at last, to find the unknown woman, or rather, the place where she lay, a good six feet beneath an earth that still sustained him'
Jose Saramago: All the Names
What happens to the unknown woman in the passage above?
Maelezo ya Majibu
In the passage above, it is implied that the unknown woman mentioned is **dead**. The passage states that she is "six feet beneath the earth," which indicates that she is buried in a grave or buried underground. The use of phrases such as "the place where she lay" and "a good six feet beneath an earth" suggest that she is not able to move or run away. The mention of Senhor Jose feeling unsure of what else he should do implies that the woman is no longer alive and there is nothing more that can be done for her. Therefore, the answer is that the unknown woman is dead.
Swali 17 Ripoti
The use of two contrasting words that are placed side by side is called
Maelezo ya Majibu
Oxymoron is a rhetorical term that describes words or phrases that, when placed together, create paradoxes or contradictions. These contradictions seem foolish but, when we think about them a bit, often turn out to be sharp observations about our world.
Swali 18 Ripoti
This question is based on A GOVERNMENT DRIVER ON HIS RETIREMENT.
"Many years on wheels" The reference to "wheels" exemplifies the use of ___ in the poem.
Maelezo ya Majibu
The answer to this question is **metonymy**. Metonymy is a figure of speech where a word or phrase is used to represent something else that it is closely associated with. In the poem "Many years on wheels," the phrase "wheels" is used to represent the occupation or job of the government driver. "Wheels" is closely associated with the driver because it is an essential tool and symbol of their profession. The reference to "wheels" as a metonymy helps to emphasize and encapsulate the driver's identity and experience. It communicates the idea that the driver has spent many years working in their profession, using their vehicle as a means of livelihood and service to the government. It is important to note that metonymy differs from personification, climax, and synecdoche. - Personification is the attribution of human characteristics to non-human objects, so it does not accurately fit the context of the poem. - Climax refers to the highest or most intense point of a story or event, which is not applicable to the given line. - Synecdoche is a figure of speech where a part is used to represent a whole or vice versa. While "wheels" can be seen as a synecdoche in a broader context, in this specific line it is being used metonymically. Therefore, the correct answer is metonymy.
Swali 19 Ripoti
"...Rage is Chief
Rage drags rags after you, of Charity
Laughter, sweetness and light, Rage is thief
Enemy of equanimity"
The figure of speech dominant in these lines is _____
Maelezo ya Majibu
Writers use personification to give human characteristics, such as emotions and behaviors, to non-human things, animals, and ideas.
Swali 20 Ripoti
This question is based on BLACK WOMAN.
"fruit with firm flesh" illustrates the use of ____
Maelezo ya Majibu
The phrase 'fruit with firm flesh' is an example of alliteration. Alliteration is a literary device where the first consonant sounds in several closely connected words are the same.
Swali 21 Ripoti
"The sun used to smile in my hut".
The line is an example of
Maelezo ya Majibu
The line "The sun used to smile in my hut" is an example of personification.
Personification is a figure of speech where human qualities or characteristics are given to non-human objects or ideas. In this line, the sun is being described as smiling, which is a human quality.
The other options - - Apostrophe: Apostrophe is a figure of speech in which someone absent, dead, or non-human is addressed as if they were present and able to reply. This is not the case in the given line, as the sun is not being directly addressed. - Rhetorical Question: A rhetorical question is a question asked for effect or to make a point, rather than to get an answer. The given line is not a question, so it does not fit this category. - Zeugma: Zeugma is a figure of speech in which a word is used in two different ways in the same sentence. The given line does not have such usage.
Therefore, the correct answer is personification.
Swali 22 Ripoti
This question is based on A GOVERNMENT DRIVER ON HIS RETIREMENT.
"I shall booze and zoom" contains a device called
Maelezo ya Majibu
The device used in the phrase "I shall booze and zoom" is **hyperbole**.
Hyperbole is a figure of speech that involves exaggerated statements or claims that are not meant to be taken literally. In this case, the phrase implies that the retired government driver will engage in excessive drinking and high-speed driving. The use of the words "booze" and "zoom" exaggerates the driver's intended behavior after retirement.
It is important to note that hyperbole is often used to make a point or create an impact in writing or speech, and should not be interpreted literally.
Swali 23 Ripoti
'As virtuous men pass mildly away,
And whisper to their souls, to go
Whilst some of their sad friends do say,
The breadth goes now, and some say, "No".'
John Donne: A Valediction: Forbidding Mourning
The tone of this poem is generally
Maelezo ya Majibu
The tone of this poem is serious. The poem discusses the departure of virtuous individuals and how their friends react to their passing. The language used, such as "whisper to their souls" and "sad friends," conveys a sense of solemnity and seriousness. The poem also explores the idea of forbidding mourning, suggesting that there is a deeper understanding and appreciation for the departure of virtuous individuals. Overall, the tone of the poem is focused and reflective, which contributes to its serious tone.
Swali 24 Ripoti
An action in a play that stimulates the audience to pity a character is
Maelezo ya Majibu
The action in a play that stimulates the audience to pity a character is called pathos.
Pathos is a storytelling technique that aims to evoke strong emotions such as pity, sympathy, and compassion from the audience. It involves portraying the character's suffering, tragedy, or unfortunate circumstances in a way that creates an emotional connection between the audience and the character. This connection allows the audience to empathize with the character and feel a sense of pity for their situation.
In a play, pathos can be created through various means such as the character's dialogue, actions, or interactions with other characters. It can also be enhanced by the use of dramatic elements like music, lighting, and stage design.
By evoking a sense of pity in the audience, pathos helps to engage them emotionally and creates a deeper impact and connection with the story being told on stage. It can be a powerful tool for a playwright to convey their message and make the audience reflect on the human condition.
Swali 25 Ripoti
A structural arrangement of unit of composition by which one element of equal importance with another is similarly placed is called
Maelezo ya Majibu
The value of the comparison is always achieved in the end e.g My mum is a sister, my sister is a mum.
Swali 26 Ripoti
A story with elements that have both literal and figurative meanings is
Maelezo ya Majibu
An **allegory** is a story that uses symbolic characters or events to convey a deeper, hidden meaning. It typically has both literal and figurative interpretations. The literal meaning is the surface-level plot or events that happen in the story, while the figurative meaning represents a deeper message, moral, or theme. For example, imagine a story about talking animals who live in a forest and face various challenges. On the surface, it may seem like a simple tale about animal adventures. However, when we analyze the story more closely, we discover that the animals symbolize different human characteristics or represent political or social ideas. The story then becomes a figurative representation, using the animal characters and events as a metaphor for something else. In contrast, a **novella** is a shorter fictional narrative that has a fully developed plot, characters, and theme, but does not have the extensive length of a novel. Novellas usually focus on a particular event or period in a character's life and offer a compact and focused story. A **fable** is a short tale, often involving animals, that conveys a moral lesson or truth. Fables are usually written in a straightforward manner, with animals acting as characters who represent specific qualities or virtues. The story aims to teach a lesson or provide guidance through its moral. An **epistle** is a type of letter or written message that usually contains personal thoughts, reflections, or advice. It is typically addressed to a specific person or group of people and can cover a wide range of topics. Epistles are commonly found in religious texts or historical literature. They may contain moral teachings or serve as a means of communication between individuals or communities. In summary, an **allegory** is a story with both literal and figurative meanings, while a **novella** is a shorter fictional narrative with a fully developed plot. A **fable** is a short tale that teaches a moral lesson, and an **epistle** is a type of letter or written message usually containing personal thoughts or advice.
Swali 27 Ripoti
The subject matter of a literary work is the
Maelezo ya Majibu
The subject matter of a literary work refers to the main topic or idea that the work explores. It is the overarching theme or concept that the author wants to convey through their writing. While all the options mentioned (theme, plot, structure, and setting) are important elements in a literary work, the subject matter specifically refers to the deeper meaning or message that the author wants to communicate to the reader.
Theme: The theme of a literary work is the central idea or message that the author is trying to convey. It is the underlying meaning or moral of the story. For example, the theme of a novel could be love, friendship, or the struggle between good and evil.
Plot: The plot of a literary work refers to the sequence of events and actions that occur in the story. It includes the exposition, rising action, climax, falling action, and resolution. While the plot helps to develop the subject matter, it is not the actual subject matter itself.
Structure: The structure of a literary work refers to how the story is organized and presented. It includes elements such as the narrative style, point of view, and use of flashbacks or foreshadowing. The structure can enhance the delivery of the subject matter, but it is not the subject matter in itself.
Setting: The setting of a literary work refers to the time, place, and environment in which the story takes place. While the setting can contribute to the overall mood and tone of the work, it is not the subject matter. The subject matter may be explored within a specific setting, but it goes beyond just the physical or temporal backdrop of the story.
In summary, while all the options mentioned play a role in a literary work, the subject matter is the central topic or idea that the author intends to convey to the reader. It is the deeper meaning or message that the work explores.
Swali 28 Ripoti
The narrative style in which the hero tells his own story directly is the
Maelezo ya Majibu
The narrative style in which the hero tells his own story directly is called first-person. In first-person narrative, the protagonist or hero of the story is the one who is narrating the events, and they usually use pronouns like "I," "me," and "my" to refer to themselves. This perspective allows the reader to see the story through the eyes and experiences of the hero, providing a more intimate and personal connection with the protagonist. Thus, the hero's direct involvement in telling the story gives it a first-person narrative style.
Swali 29 Ripoti
CYCLIST gets down and begins to prop his bicycle.
CYCLIST: All right. If you're sure it won't take long.
BARBER: I am known for my lightning clippers. Even the soldiers know me. I can shave the head of an entire battalion between one coup and the next. Sit down and relax your back. Cycling is not easy
when you've abandoned it for some time.
Wole Soyinka, The Beautification of Area Boy.
The literary devices in the dialogue above are
Maelezo ya Majibu
The excerpt smacks of plenteous exaggerations(hyperbole), and a once-upon-a time reference (allusions).
Swali 30 Ripoti
The sides of a stage are called
Maelezo ya Majibu
The sides of a stage are called **the wings**. This is because they are typically located on either side of the main performance area, just like the wings of a bird extend from its body. The wings provide space for performers, props, and equipment to be concealed and stored until they are needed on stage. They also serve as entrances and exits for actors during a performance, allowing them to make their entrances and exits discreetly. In summary, the wings of a stage are the areas on either side of the main stage where performers and equipment are organized and concealed before and during a performance.
Swali 31 Ripoti
Don't panic. Be calm. If you are somehow upset...try to regain your composure.
The speaker in the excerpt above is
Maelezo ya Majibu
The speaker in the excerpt above is confident. We can infer this because the speaker is advising someone to "be calm" and "regain their composure." These statements suggest that the speaker is composed and confident in their ability to handle the situation.
Swali 32 Ripoti
'Will college make you a better Olokun priest?
Will it make you serve our ancestors better?
Look at me. An able-bodied, strong-hearted priest of Olokun.
Did I go to college?
Gracy Osifo:Dizzy Angel
The literary device used in the passage above is
Maelezo ya Majibu
Parallelism is a literary device that uses the same grammatical structure in all parts of a sentence. In the passage, the speaker asks a series of questions that follow the same structure, which is a clear example of parallelism. Onomatopoeia refers to words that imitate the natural sounds of a thing. Metaphor is a figure of speech that makes an implicit, implied, or hidden comparison between two things that are unrelated, but share some common characteristics. Simile is a figure of speech that makes a comparison, showing similarities between two different things.
Swali 33 Ripoti
The tragic character is the person whose experiences arouse pity and
Maelezo ya Majibu
The tragic character is the person whose experiences arouse pity and **sympathy**. When we say that a character is tragic, it means that they face great adversity or misfortune in their life. This could be due to their own actions or because of circumstances beyond their control. As we witness their struggles and challenges, we feel a deep sense of empathy and sorrow for them. We can relate to their pain and suffering, and we hope for a positive resolution to their situation. The tragic character's plight evokes strong emotions of sympathy and compassion in us as we watch their story unfold.
Swali 34 Ripoti
The part of a play when climax approaches is known as
Maelezo ya Majibu
This is a climax literary point in which the audience reacts to what the character (protagonist) experiences. It is known as (release of purgation).
Swali 35 Ripoti
A trilogy is the
Maelezo ya Majibu
A trilogy is a sequence of three plays, stories, or books that are usually connected and tell a larger, overall story. It can be written by the same author or have related authors. The important point about a trilogy is that it consists of three parts or pieces that are meant to be read or seen together as a whole. So, in summary, a trilogy is a set of three interconnected plays, stories, or books.
Swali 36 Ripoti
Cast in a play refers to
Maelezo ya Majibu
In a play, the term "cast" refers to all the actors who have been selected to perform in the production. It includes **all the actors** who will be portraying the different characters and bringing the story to life on stage. The cast may consist of **three actors**, **a few actors**, or even more, depending on the requirements of the play. So, the correct answer is **d) all the actors**.
Swali 37 Ripoti
'The fair breeze blew
The white foam flew
The furrow followed free
We were the first that ever burst
Into that silent sea.'
The dominant figure of speech in the above passage is
Maelezo ya Majibu
Rhyme scheme is the best answer. The semblance of sound and patternised movement or flow of the words in the excerpt above makes rhyme scheme the predominant literary figure there.
Swali 38 Ripoti
A formal dignified speech or writing praising or a thing for past or present deeds is
Maelezo ya Majibu
A formal dignified speech or writing praising a person or thing for past or present deeds is called a eulogy. A eulogy is typically delivered at a funeral or memorial service to honor and remember the deceased. It is a way to acknowledge their life, achievements, and impact on others. Eulogies are meant to be respectful and heartfelt tributes, highlighting the positive aspects of the person's life and their accomplishments. It is a way for friends and family to offer their condolences and remember the person who has passed away.
Swali 39 Ripoti
Using the name of one thing for something else with which it is closely associated in an instance is
Maelezo ya Majibu
Metonymy is the correct answer. Metonymy is a figure of speech where the name of one thing is used to refer to something else that is closely associated with it. It is a way of expressing an idea or concept indirectly by substituting a related word or phrase. For example, when we say "The pen is mightier than the sword," we are using the word "pen" to represent the act of writing, which is closely associated with it. Similarly, when we say "The crown declared war," we are using the word "crown" to represent the monarchy or the person in power who wears the crown. In metonymy, the substituted word or phrase is chosen based on its connection or association to the intended meaning, making the language more vivid and expressive. It helps to add depth and layers of meaning to our communication by using familiar words or phrases that evoke certain ideas or images. In summary, metonymy is the use of a word or phrase to represent something closely related to it. It allows us to convey meaning indirectly, adding richness and nuance to our language.
Swali 40 Ripoti
When an object is invested with a meaning beyond its immediate reference, it becomes
Maelezo ya Majibu
When an object is invested with a meaning beyond its immediate reference, it becomes a symbol. A symbol is a representation of something else, often an abstract concept or idea. It goes beyond its literal meaning and carries a deeper significance. Symbols can be objects, actions, or even words that evoke a particular meaning or feeling. They are powerful tools used in literature, art, and communication to convey complex ideas in a more accessible and impactful way. Symbols allow us to communicate and understand concepts that may be difficult to express directly. They add depth and richness to our understanding of the world and can evoke strong emotions and associations.
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