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Ibeere 1 Ìròyìn
The oracle warns us that we we have left our pot unwatched, and our food now burns.'
This statement in The Gods Are Not To Blame refers to
Awọn alaye Idahun
Ibeere 3 Ìròyìn
In Julius Caesar, one occasion when the misunderstanding of the ordinary people of Rome caused a big problem was
Awọn alaye Idahun
Ibeere 4 Ìròyìn
Baba Fakunle: How much did he give you boy?
Boy: Ten cowries, Baba.
Baba Fakunle: Hand him back nine.
The order to return nine cowries was given by Baba Fakunle because he
Awọn alaye Idahun
Ibeere 6 Ìròyìn
'His sleepy mouth, plugged by the heavy nipple Tugs like a puppy, grunting as he feeds'. The repeated u sound in the above passage is an example of
Awọn alaye Idahun
Ibeere 7 Ìròyìn
In Great Expectations, Pip's reaction to the news that his fortune had been bestowed on him by Magwitch was
Awọn alaye Idahun
Ibeere 8 Ìròyìn
The attitude of the young men of Kala towards their chief can be described as
Awọn alaye Idahun
Ibeere 9 Ìròyìn
In Mission To Kala, Medza regarded himself as a professional failure because he
Awọn alaye Idahun
Ibeere 10 Ìròyìn
'...the toad likes water but not when the water is boiling'. King Odewale in the Gods Are Not To Blame uses this proverb to explain why he
Awọn alaye Idahun
Ibeere 11 Ìròyìn
In the poem 'The Vultures', David Diop suggests that the Christians missionaries were agents of
Awọn alaye Idahun
Ibeere 12 Ìròyìn
The impression created of the rain in J.P. Clark's 'Night Rain' is that of
Awọn alaye Idahun
Ibeere 13 Ìròyìn
Tunde's long and vigorous speech was followed by a deafening silence.
The phrase deafening silence is used as a figure of speech called
Awọn alaye Idahun
Ibeere 14 Ìròyìn
'' It was dawn, and the windows were dark except for the Workmen cafes. The sky was like a avast flat wall of cobalt, with roofs and spires of black paper pasted upon it. Drowsy men were sweeping the pavements with ten-foot brooms, and ragged families picking over the dustbins. Workmen and girls with piece of chocolate in one hand and bread in the other were pouring into the railway station.'
The picture presented above is one of
Awọn alaye Idahun
Ibeere 17 Ìròyìn
Odewale shifts the blame for his tragedy from the gods to himself and claims that his tragedy is a result of his own weakness. The weakness he claims is love of
Awọn alaye Idahun
Ibeere 18 Ìròyìn
'Why the hell can't some of you caught him for me
Are you going to let a boy make a public laughing stock of his own father?
The speaker of these words is the father of
Awọn alaye Idahun
Ibeere 20 Ìròyìn
The bustle in a house
The morning after death
Is solemnest of industries
Enacted upon earth-
The sweeping up the heart
And putting love away
We shall not want to use again
Until eternity.
The predominant mood of this poem is best captured by the words
Awọn alaye Idahun
Ibeere 21 Ìròyìn
Reversal of fortune as used in the criticism of a literary work describes the
Awọn alaye Idahun
Ibeere 23 Ìròyìn
'The Vultures built in the shadow of their talons
The blood-stained monument of tutelage.'
The image used in the above lines associates the civilizing missions with
Awọn alaye Idahun
Ibeere 24 Ìròyìn
'Nature sent him into the world strong and lusty, in a thriving condition, wearing his own hair on his head the proper branches of this reasoning vegetable, until the axe of intemperance has lopped off his green boughs, and left him a withered trunk...'
In this passage, axe of intemperance means
Awọn alaye Idahun
Ibeere 25 Ìròyìn
The gurgling drums
Echo the stars
The forest howls
And between the tress
The dark sun appears.
The dominant figure of speech in the above lines from Lenrie Peter's 'We Have Come Home' is
Awọn alaye Idahun
Ibeere 27 Ìròyìn
A poem written on a grand theme, in an appropriately grand style, dealing with heroic figures is called
Awọn alaye Idahun
Ibeere 28 Ìròyìn
A poem of mourning and dedicated written on the death of an individual is called
Awọn alaye Idahun
Ibeere 29 Ìròyìn
'...He would be crown'd.
How that may change his nature, there's the question
It is the bright day that brings forth the adder.
And that craves wary walking...'
According to this passage, the crowning of Julius Caesar is
Awọn alaye Idahun
Ibeere 31 Ìròyìn
'Chini was breathing with a love ripeness in her eye. She was elegant, sophistication, and Nigerian costume with charm. her every movement stimulated a flow of poetry from Francois and an ebb of embarrassment from her. she called him "My mad French lover".'
The tone of this passage is
Awọn alaye Idahun
Ibeere 32 Ìròyìn
Which of the following could be said to be a permanent feature of a poem?
Awọn alaye Idahun
Ibeere 33 Ìròyìn
From the poem itself, it is easy to tell that J.P. Clark's Abiku' is set in
Awọn alaye Idahun
Ibeere 35 Ìròyìn
The effect of Pip's association with the inmates of Satis house was made to make him
Awọn alaye Idahun
Ibeere 36 Ìròyìn
The specific case cited by Antony in his funeral oration to show that Caesar was not as ambitious as Brutus made him out to be, was that Caesar had
Awọn alaye Idahun
Ibeere 37 Ìròyìn
When Mr. Jagger''s told Joe Gargery to ''bear in mind, that Brag is a good dog, but Holdfast is a better'', what he meant was that
Awọn alaye Idahun
Ibeere 38 Ìròyìn
'No; This my hand will rather
The multitudinous seas incarnadine
Making the green and red .'
In the above lines the figure of speech used is
Awọn alaye Idahun
Ibeere 39 Ìròyìn
From Madza's behavior after his return to Kala
It can be deduced that the most important lesson he learned from his sojourn in Kala is that
Awọn alaye Idahun
Ibeere 40 Ìròyìn
Which of the following statement is NOT true of the two 'Abiku' poems by J.P Clark and Wole Soyinka?
Awọn alaye Idahun
Ibeere 41 Ìròyìn
The literary device which uses ridicule to correct social ills is known as
Awọn alaye Idahun
Ibeere 42 Ìròyìn
When the speech is written so as to be understood in one way by a certain character, while the audience or another character understands it to have some secret and special meaning, the literary device used in this context is called
Awọn alaye Idahun
Ibeere 43 Ìròyìn
Much madness is divinest sense
To a discerning eye;
Much sense is starkest madness.
'This the majority
In this, as all, prevails.
Assent, and you are sane;
Demur,-you're straightway dangerous,
And handled with a chain.
This poem reflects the
Awọn alaye Idahun
Ibeere 44 Ìròyìn
''When the frog in front falls in a pit, others behind takes caution... When crocodiles eat their own eggs, what will they will they not do to the flesh of a frog?''
In the context of The Gods Are Not To Blame, the person who made this statement is alleging that king Adetusa
Awọn alaye Idahun
Ibeere 45 Ìròyìn
'In Germany, under the law, everything is prohibited except that which is permitted, in the Soviet Union, everything is prohibited, including that which is permitted'. The last sentence is an example of
Awọn alaye Idahun
Ibeere 48 Ìròyìn
The theme of Gabriel Okara's 'piano and Drums' is usually summed up in the phrase
Awọn alaye Idahun
Ibeere 49 Ìròyìn
From that moment on he began to notice what was happening in town, but in a very inexact way, for Father Anthony Isabel, in part because of his age and in part also because he swore he had seen the devil on three occasions (something which seem to the town just a bit out of place), was considered by his parishioners as a good man, peaceful and obliging, but with his head habitually in the clouds.
The phrase, something which seemed to the town just a bit out of place, is an example of
Awọn alaye Idahun
Ibeere 50 Ìròyìn
Much of the poetic effect of Birago Diop's 'Viaticum' is gained by the poet's use of
Awọn alaye Idahun
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